Review: MAD Theatre of Tampa's COME FROM AWAY at the Shimberg Playhouse
In a coup for MAD Theatre of Tampa, their company is the first community theatre in Florida to present this incredibly moving and heartfelt musical.
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In a coup for MAD Theatre of Tampa, their company is the first community theatre in Florida to present this incredibly moving and heartfelt musical.
The performances, the vocals, the intimacy of the space, all of it hit me in the best way.
Director David Valdez guides a wonderful production of this famous but flawed musical.
Prepare to cry.
British Playwright Tim Crouch has tackled the tale of Macbeth’s friend and ultimate cohort with I, Banquo, a 40-minute one-man tour-de-force that is a dramatic retelling of the famous Scottish Play from the perspective of Banquo’s Ghost.
It was empowering and absolutely outstanding from start to finish, the kind of night that hits with attitude, precision, and pure joy.
Imagine a rustic musical episode of The Waltons merged with The Twilight Zone.
DreamWorks The Prince of Egypt is a stage musical with a book by Phillip LaZebnik and music/lyrics by the great Stephen Schwartz.
I walked in knowing only a handful of the songs, and it made no difference.
Women of Resistance at New Tampa Performing Arts Center is stirring, urgent, and unforgettable, blending history and artistry in a way that stays with you.
We forgive any flaws in the production because, with Patty Smithey as Jesus and Evan Lomba as Judas, it's triumphant.
FADE IN: The open ocean, 1974.
Bright Star is a Bluegrass/Folk musical written and composed by Steve Martin and Edie Brickell.
The Quintessential voice, the one and only Audra McDonald.
It's a fabulous journey led by a fine cast and the legendary theatre teacher and director, Sabrina Hydes.
&Juliet is a 2019 jukebox musical, featuring a book by David West Read and music by Max Martin, a Swedish Pop songwriter.
Created by the Emmy®-winning writer from Schitt’s Creek, &Juliet at the Straz was a witty burst of female power, driven by knockout vocals.
A high octane tour de force, brilliantly directed by Karla Hartley.
Does GUYS AND DOLLS belong in the conversation as the greatest musical written in the 20th Century? The answer may certainly be a big fat “YES,” but the competition is fierce; it must go head to head with the likes of West Side Story, My Fair Lady, Gypsy, Cabaret, Sweeney Todd and any of the
This was a technicolor circus‑concert fever dream.
The year, 1967, the place, Tulsa, Oklahoma, and its central narrative came from the scrawlings of a 16-year-old named Susan Eloise Hinton, and the rest as we know it is solidified into literary history.
STOMP at the Straz Center is a loud, brilliant, wildly inventive work of art, a thunderous, joyful explosion of rhythm and creativity that turned everyday objects into pure theatrical adrenaline.
This was a breathtaking circus of beauty, brutality, and heart.
I mean, really… what could possibly go wrong when five college students break and enter into a secluded cabin in the middle of the forest? Turns out, just about everything.
Let me start with a question, if you shall indulge me for a moment.
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