On stage now through May 31 at the Straz Center, The Notebook musical moves with such quiet force that two hours feel like they pass in a breath. Directed by Michael Greif and Schele Williams, with music by Ingrid Michaelson, book by Bekah Brunstetter, and choreography by Katie Spelman, from the first moment, the production draws you into Allie and Noah’s world. You stay with them through every memory, every fracture, every heartbeat. Three pairs of actors share the roles across time, often standing in the same space, as if memory itself is walking beside them. The effect is haunting and beautiful, a reminder that love and loss often live in the same room.
Watching Allie in the throes of Alzheimer’s, wringing her hands as she searches for the pieces of herself slipping away, is almost too honest to bear. While her younger self falls in love with Noah before our eyes, her older self fight to hold onto the story that shaped her life. Anyone who has lived through this disease, or is living through it now, felt those moments like a bruise. You could hear people steadying their breath, trying not to cry, recognizing their own loved ones in her confusion, her fear, her brief flashes of clarity.
The score is beautifully sung throughout, but Leave the Light On is the moment that stops the room. When the lyric lands - “I didn’t know that the last time I’d leave the house was the last time I’d leave the house” - the entire theatre goes still. That single line cracked something open in anyone who has watched someone fade or is bracing for that inevitable loss.
The production’s new framing choices feel sincere and grounded. Making Allie and Noah a biracial couple adds depth without ever feeling decorative, and shifting Noah’s trauma to surviving the Vietnam War with shrapnel in his knee roots the story in a different generation’s wounds. These choices deepen the narrative rather than distract from it, giving the love story new texture and truth.
What emerges is moving, powerful, and heartbreaking. For anyone who has stood at the edge of memory with someone they love, The Notebook becomes a mirror and a reminder of how fiercely we fight to remember who we are and who we love, even as time tries to take those pieces away.
|
Ken Ludwig's Dear Jack, Dear Louise Shimberg Playhouse, Straz Center for the Performing Arts (7/09-7/26) |
|
Schoolhouse Rock Live! Carrollwood Cultural Center (7/17-7/26) |
|
American Idiot Jobsite Theater (7/15-8/09) |
|
South of the Border: A Tribute to Tijuana Brass Carrollwood Cultural Center (9/12-9/12) |
|
Penelope Jobsite Theater (8/19-9/06) |
|
Hamilton (Angelica Company) Straz Center [Carol Morsani Hall] (10/21-11/08) |
|
Broadway Miscast Carrollwood Players Theatre (7/10-7/25) |
|
Spoon River Anthology: Voices from the Dead TheatreFor (7/31-8/09) |
|
A Divine, Divine Comedy, Comedy TheatreFor (8/21-9/06) |
|
Goo Goo Dolls at MidFlorida Credit Union Amphitheatre MidFlorida Credit Union Amphitheatre (8/24-8/24) |
Reader Reviews
To post a comment, you must register and login.