The book follows the experiences of a young boy and his grandmother who live in a world plagued by evil, child-hating witches.
If the script channels Dahl’s linguistic agility and imagination, it cleans up his darkness. The witches are more comical than abominable and there is a lo-fi cutesiness to the children’s transformations into inanimate objects (they pop sweetly out of boxes in cardboard costumes). The biggest fright comes when a phone rings in the auditorium and the High Witch loses it.
There are some pointed lessons in here: the other guests wrongly mistreat Gran just because she’s different (and foreign). Kirkwood also reverses some of Dahl’s own dubious messaging – yes, the witches are bald, but so is the heroic Gran. The show bravely keeps Dahl’s ending, but makes it a life-affirming battle cry. Seize the moment – and seize tickets to this total triumph of a show.
| 2023 | West End |
National Theatre Musical Premiere Production West End |
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