Ain't Too Proud Photos - Regional (US)

Get a first look at Swept Away at Arena Stage!

The new soul-stirring Avett Brothers musical 'Swept Away' has unveiled a collaboration with rock 'n' roll poster artist Ken Taylor. Get a first look here!

The Harold Clurman Laboratory Theater Company presents the Los Angeles premiere of Pipeline by Dominique Morisseau, directed by HCLAB associate artistic director Bryan Keith, at the Art of Acting Studio in Hollywood. See photos from the production. 

Ain't Too Proud - The Life and Times of the Temptations opened at Center Theatre Group at the Ahmanson Theater on Thursday, December 15th and runs through January 1st. Check out photos from the opening here!

What did our critic think of AIN'T TOO PROUD at Key Bank Palace? AIN'T TOO PROUD: THE LIFE AND TIMES OF THE TEMPTATIONS, which is now on stage at the State Theatre as part of the Key Bank Broadway Series, is a 2018 jukebox musical with music and lyrics by The Temptations and book by Dominique Morisseau.

Steppenwolf Theatre Company, the nation’s premier ensemble theater company, is opening its stunning new in-the-round Ensemble Theater in Honor of Helen Zell with ensemble member Yasen Peyankov’s extraordinarily funny and lyrical adaptation of Anton Chekhov’s Seagull, April 28–June 12, 2022.

BroadwayWorld has an exclusive first look at the cast of Ain't Too Proud in action! Leading the cast of Ain't Too Proud as The Temptations are Jalen Harris as 'Eddie Kendricks,' Harrell Holmes Jr. as 'Melvin Franklin,' James T. Lane as 'Paul Williams,' and joining directly from the Broadway company are Marcus Paul James as 'Otis Williams,' and Elijah Ahmad Lewis as 'David Ruffin.'

Over 800 guests gathered on May 6, 2019 at Pier Sixty in New York to celebrate Family Equality Council's 10th Annual Night at the Pier Gala. Attendees enjoyed a night of entertainment and moving stories, and raised close to $1 million for Family Equality Council's critical work on behalf of LGBTQ families.

Ain't Too Proud celebrated opening night at Center Theatre Group's Ahmanson Theatre on August 24, 2018. Check out photos from the evening below!

BroadwayWorld has all new photos from the Los Angeles run of AIN'T TOO PROUD at the Ahmanson theatre! Check out the photos below!

The Drama Book Shop was thrilled to host a discussion and signing with award winning playwright Dominique Morisseau on Monday, May 7th. Moderating the discussion was actor, director, and executive assistant to Ms. Morisseau, Stori Ayers. 

Victory Gardens Theater continues its 43rd season with BREACH: a manifesto on race in america through the eyes of a black girl recovering from self-hate, written by Antoinette Nwandu and directed by Lisa Portes. BREACH runs February 9 - March 11, 2018, with the press performance on Friday, February 16, 2018 at 7:30pm at Victory Gardens Theater, 2433 N. Lincoln Avenue.

TheatreWorks Silicon Valley continues its 2017/2018 Season with the regional premiere of the Obie Award-winning Skeleton Crew, in a co-production with Marin Theatre Company. A makeshift family of auto-plant workers navigate the possibility of foreclosure in this funny, tough, and tender American drama which captured critical raves. Rising star playwright Dominique Morisseau (Ain't Too Proud - The Life and Times of the Temptations, Sunset Baby, Detroit '67, Pipeline) creates a world in which ambitious dreams and corporate deception interweave, pushing friendships to the limit. Skeleton Crew will be directed by Jade King Carroll (Associate Director for Broadway revivals of A Streetcar Named Desire and The Gin Game) and will be presented by TheatreWorks March 7 - April 1, 2018 (opening night: March 10) at the Lucie Stern Theatre, 1305 Middlefield Rd., Palo Alto. For tickets ($40-$100) and more information the public may visit TheatreWorks.org or call (650) 463-1960.

AIN'T TOO PROUD-THE LIFE AND TIMES OF THE TEMPTATIONS had its world premiere at Berkeley Repertory Theatre on August 31, and runs until October 22!

 Porchlight Music Theatre and Artistic Director Michael Weber are proud to announce the first mainstage production it its 2017 - 2018 season Billy Elliot the Musical, music by Elton John and book and lyrics by Lee Hall, with direction and choreography by Porchilght Artistic Associate Brenda Didier, with Associate Choreographer Craig V. Miller and music direction by Porchlight Artistic Associate Linda Madonia at Porchlght's new home, the Ruth Page Center for the Arts, 1016 N. Dearborn Street. Previews are Friday, Oct. 6 and Oct. 13 at 8 p.m., Saturday, Oct. 7 and Oct. 14 at 8 p.m., Sunday, Oct. 8 at 2 p.m., Monday, Oct. 9 at 7:30 p.m., Thursday, Oct. 12 at 7:30 p.m. Opening night is Sunday, Oct. 15 at 6 p.m. The regular run performance schedule is Thursdays at 7:30 p.m., Fridays at 8 p.m., Saturdays at 4 p.m. and 8 p.m. and Sundays at 6 p.m. (October 22, October 29 and November 5) and at 2 p.m. (November 12 and 19) with an open captioned performance, Saturday, Oct. 28 at 4 p.m. and a weekday matinee Thursday, Nov. 16 at 1:30 p.m. Please note: there is no 7:30 p.m. performance Thursday, Nov. 16. Tickets are $33 - $60 and available at PorchlightMusicTheatre.org or by calling the Porchlight Music Theatre  box office, 773.777.9884.

Broadway By the Bay continues its 2017 Season with NEXT TO NORMAL, running August 11 - 27, 2017 at the historic Fox Theatre in Redwood City (2215 Broadway Street, Redwood City, CA).

'The more real you play it, the better for any piece, even a comedic piece like this one.' Stage and television actor Robert Creighton is talking about his upcoming role debut in Mel Brooks' Young Frankenstein, which opens August 6th at the Maine State Music Theatre. Creighton, who is playing the meaty role of Frankenstein's bungling, hunchbacked assistant Igor, says of his approach to the part, 'The script is so good, so honed that I just have to say the words and stay out of their way. I don't have to mug. It is so well-crafted that I simply embrace the stupidity of it all, enjoy that and watch the audience enjoy it, too. When you play it for real, you are not making fun of the humor or commenting on the material, and the situation takes care of itself.'