The Queen of Versailles - Broadway Creative Team

Lindsey Ferrentino is a playwright whose work includes The Fear of 13 (Donmar Warehouse, Olivier Nominee for Best New Play and Best Actor, starring Adrien Brody), The Queen of Versailles (The Colonial Theatre, The Saint James Theater ), Ugly Lies the Bone (Roundabout Theatre Company, The National Theatre, UK, NYT Critics Pick), Amy and the Orphans (Roundabout Theatre Company), This Flat Earth (Playwrights Horizons), The Year to Come (La Jolla Playhouse), The Artist (Theatre Royal Plymouth). According to The New York Times, Lindsey writes with “a muscular empathy which seeks to enter the minds of people for whom life is often ... read more Michael Arden is a Tony-nominated director for his revival of Spring Awakening. The acclaimed production transferred from Deaf West Theater in Los Angeles to Broadway in fall 2015. He also won the Outer Critics Circle for Outstanding Director of a Musical and was nominated for a Drama Desk award for the production. Michael made his Broadway debut in Deaf West Theater and the Roundabout Theatre Company's production of Big River. Other directing credits include My Fair Lady at Bay Street Theater; Merrily We Roll Along at the Wallis Annenberg Center in Los Angeles, where he is currently the Artist in ... read more Lindsey Ferrentino is a playwright whose work includes The Fear of 13 (Donmar Warehouse, Olivier Nominee for Best New Play and Best Actor, starring Adrien Brody), The Queen of Versailles (The Colonial Theatre, The Saint James Theater ), Ugly Lies the Bone (Roundabout Theatre Company, The National Theatre, UK, NYT Critics Pick), Amy and the Orphans (Roundabout Theatre Company), This Flat Earth (Playwrights Horizons), The Year to Come (La Jolla Playhouse), The Artist (Theatre Royal Plymouth). According to The New York Times, Lindsey writes with “a muscular empathy which seeks to enter the minds of people for whom life is often ... read more Broadway: The Book of Mormon, Mrs. Doubtfire, Some Like It Hot. West End: The Book of Mormon (Elder Price). National Tours: The Book of Mormon (Elder Price), Wicked, 9 to 5, The Wedding Singer (Glen Gulia). Regional: The Music Man (Harold Hill; Marriott Theatre, Jeff nomination), Something Rotten (Nick Bottom; Marriott Theatre), Waitress (Dr. Pomatter; Short North Stage). Film/TV: “The Blacklist,” “Sweetbitter,” Snuggle Buddies. Wright State University grad. Endless love to Brooke, Josh, Mom, Dad, and my beautiful boys Huck, Shep, and Coby. Diana is an actor, singer, voice-over artist and activist. She received a Helen Hayes Award for Best Actress for her portrayal of Kim in Signature Theatre's MISS SAIGON as well as a Gregory Award for Best Actress for playing Ariel in the National Tour of DISNEY'S THE LITTLE MERMAID. She made international headlines for combating racism over her casting as Ariel and her activism in equality in the arts. Natasha Katz is a New York-based lighting designer. She is a six-time Tony Award winner who has designed extensively for theatre, opera, dance, concerts, and permanent lighting installations around the world. Her recent Broadway credits include: Diana, The Music Man, All My Sons, Burn This, The Prom, Frozen, Long Day's Journey Into Night, Cats, School of Rock, An American in Paris, Aladdin, Skylight, The Glass Menagerie, Once, Follies, The Coast of Utopia: Salvage, and Aida. Broadway: set and costumes for Deaf West's Spring Awakening, set for Fool For Love. Recent off-Broadway: set and/or costumes for Rancho Viejo, Indian Summer, The Christians, Iowa (Playwrights Horizons), Sell.Buy.Date (Manhattan Theatre Club), Homos, or Everyone in America (Labyrinth), The Harvest, (Lincoln Center), The Glory of the World (B.A.M. Harvey), Cloud 9 (Atlantic) and other work at Roundabout, Second Stage, Vineyard Theatre, Lincoln Center Theatre, MCC, SoHo Rep, Rattlestick, Transport Group and many others. Regional work at The Humana Festival, Mark Taper Forum, Shakespeare Theatre, The Old Globe, Huntington Theatre Company, The Wallis Annenberg Center, Denver Center, Goodspeed, Woolly Mammoth, ... read more A proud Cuban-American from Miami, Pablo’s other artistic pursuits include writing, composing, and music production. Recent credits: Jersey Boys (Frankie Valli; The Muny) and Dear Evan Hansen (Jared Kleinman; First National Tour). Special thanks to DGRW! Love to Mamma, Kaki, and the Primelles for their support. For pops, always. Broadway: Sing Street, It Shoulda Been You, Once (Baruska), Sunday in the Park with George (Nurse, Mrs., Harriet), Chicago (Matron Mama Morton), Assassins (Emma Goldman), Thoroughly Modern Millie (Miss Flannery), Ragtime. Off-Broadway: Broadway Bounty Hunter (Greenwich House Theater) Once (NYTW), Wings (Second Stage), Music In The Air (Encores!) Road Show (The Public Theater), Swingtime Canteen. National tours: Chicago (Carbonell Award) Les Miserables, Aspects of Love. Regional: Lucinenne in A Flea In Her Ear (Kansas City Rep), Charlotte in Falsettos at both The Huntington and George Street Playhouse) as well as La Jolla Playhouse, Barrington Stage Co, Vineyard Arts and ... read more Greg Nobile is on the producing team for Moulin Rouge!, Just For Us, Parade, POTUS, Side Show, Funny Girl, and more. Ryan is a costume designer who lives and works in New York City. He has spent the majority of the past ten years as an associate to Catherine Zuber, distinguished costume designer. Ryan has been the associate/assistant designer on over twenty Broadway productions including Mrs Doubtfire, Warpaint, The King and I (LCT) Fiddler on the Roof, Gigi, The Bridges of Madison County, as well as operas at The Chicago Lyric, The English National Opera, Houston Grand Opera, The Metropolitan Opera, and The New York Philharmonic. Ryan’s career also encompassed TV, and short film: NBC Upfronts, Sound of Music and Peter ... read more Stephen Schwartz was born in New York City on March 6, 1948. He studied piano and composition at the Juilliard School of Music while in high school and graduated from Carnegie Mellon University in 1968 with a B.F.A. in Drama. Upon coming back to live in New York City, he went to work as an A&R producer for RCA Records, but shortly thereafter began to work in the Broadway theatre. His first major credit was the title song for the play BUTTERFLIES ARE FREE; the song was eventually used in the movie version as well. In 1971, he wrote the music ... read more