The Irishtown Players, a celebrated Dublin-based theatre company, have just started rehearsals for their new play. After the astounding success of their last production, the company are scheduled to open on Broadway, with the same visionary playwright at the helm. However, trouble arises when the actors decide she’s going too dark, too experimental, and… not Irish enough? Taking matters into their own hands, the company fights to restore the Hibernian flair. Irishtown is a hilarious and searing new comedy that explores the commercialization of culture, inviting audiences to experience the fragile creative process and the potential collapse of a collective.
At its most chaotic, Irishtown brings to mind Noises Off, that classic farce about staging a play within a play in the British hinterland. Comedy, as they say, is hard; and it takes tremendous discipline and timing to pull it off. Under the tight direction of Nicola Murphy Dubey the company mostly meets the challenge though the humor occasionally seems forced. Still it’s quite a trip watching talented actors frantically portraying desperate actors acting badly.
If you’ve had the pleasure of attending performances at the Irish Repertory Theatre, you’ve grown accustomed to certain recurring themes and tropes in the grand tradition of Irish drama: domestic disputes that unfold in either Dublin or the remote countryside, with detours to the local pub of course, and feature the eventual revelation of long-buried family secrets. Ciara Elizabeth Smyth’s Irishtown, a wise craic-ing new comedy at the Irish Rep, is an affectionate and often hilarious riff on the genre’s many go-to clichés.
| 2022 | Off-Broadway |
Off-Broadway |
| 2024 | Off-Broadway |
Off-Broadway Production Off-Broadway |
| 2025 | Off-Broadway |
Off-Broadway |
| 2025 | Off-Broadway |
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| 2025 | Broadway |
Broadway |
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