The Public’s Emerging Writers Group alumnus and Obie Award-winning playwright, songwriter, and singer Ethan Lipton brings his irreverently funny show THE SEAT OF OUR PANTS to The Public for its world premiere. A rollicking adaptation of Thornton Wilder’s The Skin of Our Teeth, this new musical about age-old problems tells the twisting, often absurd story of the Antrobus family who have been alive for 5,000 years but live in the same existential dread as the rest of us. Mired in the hot mess of being alive, the Antrobuses survive all manner of catastrophe in their endless quest to begin again, and again, and again. Two-time Tony Award nominee Leigh Silverman directs this bracingly original spectacle—a musical reminder that surviving is what we do best.
It’s been over three years since Lincoln Center’s ambitious and winning revival of Thornton Wilder’s Pulitzer Prize-winning play of apocalypse-meets-absurdity The Skin of Our Teeth, which originally premiered on Broadway—mid-World War II—in 1942. Now the Public Theater is mounting Ethan Lipton’s knockout-excellent original musical adaptation, The Seat of Our Pants. The show, just shy of three hours long (booking to Dec. 7), is crisply directed (by Leigh Silverman), exquisitely performed by a starry, award-garlanded cast, and one of New York’s musical highlights of the year, on or off-Broadway.
Last weekend I witnessed the premiere of The Seat of Our Pants at The Public Theater, and found the show to be pretty much a dud both as a musical and a production, only sporadically brightened by lively performances. This bums me out so much that it’s difficult to detail much about the misguided production that opened on Thursday, so let’s be brief before salty tears wreck my keyboard.
| 2025 | Off-Broadway |
The Public Theater World Premiere Off-Broadway |
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