After winning the 2022 Pulitzer Prize for his play *Fat Ham*, playwright James Ijames' new production explores gentrification and the growing price of the American dream in his sharp and funny play, GOOD BONES. A work opportunity to revitalize the blighted neighborhood she grew up in has led Aisha and her chef husband Travis to buy and renovate a charming old house. But as everyone knows, renovation is expensive and stressful—both for buildings and the communities that surround them. Aisha’s young contractor Earl grew up in the area too, but his memories are of more than just dangerous streets and hollowed-out homes. When their purely professional relationship gives way to heated debate about who gets to stay and who has to go, Aisha is forced to reckon with the choices she’s made to get ahead and the painful, joyful, complicated ghosts that haunt her dreams…and her dream house. The Public’s Associate Artistic Director and Resident Director Saheem Ali directs this world premiere play about community, change, and the soul of our cities.
Good Bones is very different in tone from Ijames's Pulitzer Prize-winning Fat Ham, but the two plays have several themes in common, including generational trauma, conflicting values and ever-present ghosts; exploring these questions from a socioeconomic perspective, not a racial one, shifts the stakes in interesting ways. (Even Earl is complicit in the changes to his community.) Director Saheem Ali, incisive as always, does what he can to animate Ijames’s contemplations of class, code-switching and the corrosive effects of gentrification, and the result is mostly engaging if not always convincing. There may be a great play inside Good Bones, but it needs a bit more fleshing out.
The play doesn’t come down on one side of the gentrification debate or another, but neither does it both-sides the issue. It remains rooted in character, and its conflicts are played out in good faith; its piercing ending is, in miniature, a nudge for us all to reject fear and open our doors and minds, and, most importantly, to fully live in the communities where we live.
| 2024 | Off-Broadway |
The Public Theater Off-Broadway Premiere Production Off-Broadway |
| Year | Ceremony | Category | Nominee |
|---|---|---|---|
| 2025 | Drama Desk Awards | Outstanding Sound Design of a Play | Fan Zhang |
| 2025 | Drama League Awards | OUTSTANDING DIRECTION OF A PLAY | Saheem Ali |
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