Review: AC/DC POWER UP TOUR at Ohio Stadium
by Paul Batterson - Jul 17, 2026
Perhaps the biggest change was the audience. In the 1980s, AC/DC was the rebellious band parents warned their children about. Now, the band is the spectacle parents bring their children to experience. It was a little unnerving to hear a mother asking, “Timmy, would you like a cookie?” before the band opened with “If You Want Blood, You’ve Got It.”
Interview: 'It's The Gift That Keeps On Giving': Actor Killian Donnelly on LES MISÉRABLES: THE ARENA SPECTACULAR
by Kat Mokrynski - Jul 3, 2026
After performing in over fifteen countries and regions worldwide, Les Misérables: The Arena Concert Spectacular will be coming to a close at Radio City Music Hall in New York City. The concert has been a celebration of the musical’s 40th anniversary, the world’s longest-running musical. We had the chance to speak with Killian Donnelly, one of the actors playing Jean Valjean, after his first performances at the Royal Albert Hall earlier this month. We discussed his introduction to Les Mis, how he has grown along with the show and even what it was like to perform in the 2012 film!
Interview: Matt Hobbs And Travis Sharp, creators of HOT JAMBALAYA at Horizon Theatre Company
by Joseph Harrison - Jun 8, 2026
The new musical HOT JAMBALAYA is currently heating up the stage at Horizon Theatre in Atlanta through June 21st, bringing audiences a wildly entertaining mix of murder mystery, comedy, New Orleans flavor, and original music. Created by Atlanta theatre artists Matt Hobbs (Songwriter for WOMAN OF THE YEAR and BLACK NERD, and the viral sensation, PUPPY SONGS) and Travis Sharp (LAWRENCEBURG, SONG OF THE LIVING DEAD, MUSICALS SUCK: THE MUSICAL, and WICKET), the show has been years in the making and has already developed a passionate following after its original run at Dad’s Garage last year.
A History of Pop Stars on Broadway
by Jennifer Ashley Tepper - Jun 28, 2026
Much has been written about the proliferation of pop singer-songwriters writing new musicals for Broadway and off-Broadway. Less covered is the trend of pop singers performing on Broadway, which has made for a number of memorable appearances in current and recent seasons.
Interview: Jonas Schwartz-Owen of FOR THE RECORD PRESENTS TEEN BEAT LIVE at Cinevita
by Jonas Schwartz-Owen - Apr 13, 2026
There’s a moment in almost every conversation about the 1980s when someone stops mid-sentence, smiles to themselves, and suddenly looks a little misty. That pause isn’t accidental - it’s memory doing its thing. And if For The Record: Teen Beat Live has anything to say about it, audiences are about to experience that feeling on a visceral level inside CineVita’s glittering Spiegeltent at Hollywood Park.
Interview: Samuel Fröler, Kim Sulocki, 'Ankan' Johansson And Anki Albertsson
by Annette Stolt - Apr 1, 2026
In 2010, Spamalot was first performed in Sweden and now it's time again. On September 25th, it will premiere at the Nöjesteatern in Malmö. Remaining from the original Swedish production are musical veterans Kim Sulocki as the valet Patsy and Anki Albertsson who will once again play Lady of the Lake. Otherwise, a completely new ensemble where Samuel Fröler portrays King Arthur and 'Ankan' Johansson takes on Sir Robin.
What Broadway Leaders Don't Say - But I Learned As A Fellow
by Cynthia L. Dorsey - Mar 27, 2026
Many fellowship programs help emerging leaders learn the craft and business of theater, in both nonprofit and commercial spaces. For this article, I spoke with several fellows about five things Broadway leaders don’t often say but that we learned as fellows.
Interview: CAMP MORNING WOOD Cast Members Bare It All. PART ONE: Leo Ayala
by David Green - Mar 20, 2026
Top notch talent, and a WHOLE LOT MORE, is on display in Prism Theatre’s debut production of CAMP MORNING WOOD, which plays its final weekend in Palm Springs with just four more performances remaining before the campfire goes out. The show’s premise is about seven characters navigating their inhibitions in the judgement-free, clothing-optional environment of Camp “Morning Wood”. It is far from an evening a high-art or thought provoking theatre but, if you just want to let go of the cerebral and give in to a mindless romp with a wonderfully engaging cast, CAMP MORNING WOOD is the ticket. I had the chance to catch up with Leo Ayala, the actor who plays the musical’s protagonist, Randy, as he was getting “undressed” for e recent matinee performance. (Just kidding about the undressing). Here are a few excerpts from the conversation:
Linda Eder, Kate Baldwin, Jenn Colella and More to Perform at 54 Below for Women's History Month
by Chloe Rabinowitz - Feb 27, 2026
Next month, 54 Below will present some of the brightest stars from Broadway, cabaret, jazz, and beyond for Women's History Month, including Linda Eder, Kate Baldwin, Jenn Colella and more.
Review: ANGELS IN AMERICA, PART TWO: PERESTROIKA at Theater West End
by Albert Gutierrez - Feb 21, 2026
Theater West End was wise to split Angels in America in the season as two separate performances, each with their own block in the schedule. Originally, I was concerned that the Part Two of it all might turn away prospective theatergoers. But upon watching both parts now, and bearing in mind my own familiarity for the characters, I can also see now how the original production’s 18-month gap would have also been enticing for an audience.
Feature: Ilana Lucas Picks the Top Toronto Theatre 2025
by Ilana Lucas - Jan 5, 2026
In a world where AI increasingly tries to consume and simulate real human experiences, theatre sometimes feels like one of the last gasps of being in a room together. When we watch a show with others, respiration synchronizes, empathy increases, and information retention improves. It’s one of my favourite feelings.
Review: THE OUTSIDERS at Dr. Phillips Center For The Performing Arts
by Albert Gutierrez - Dec 17, 2025
One of the most effective things the musical gains by moving from page to screen to stage is permission to reframe the story without betraying it. By leaning harder into the Curtis brothers as the emotional spine, the musical clarifies a distinction that’s always been present in the text but rarely foregrounded this explicitly: Darry, Soda, and Ponyboy are family by blood, bound by obligation and grief; while the Greasers are family by choice, bound by loyalty and survival.