Theater Review: A Reimagined (and Reinvigorated) Glass Menagerie, With Sally Field
8 / 10
If it's more of an inquest than a definitive statement, it's an inquest at a very high level; Sally Field, who plays Amanda, does not appear in basement black-box theaters. So Gold is performing a tricky balancing act: narrowing the scope of the representation and maintaining his cutting-edge cred while selling the story to an audience of 1,000. One of the casualties of this approach is what Tom calls 'the social background' of the play. We lose not just the particular St. Louisness of it (the accents are nearly nil) but also the world-on-edge tension that Tom describes at the start: Guernica exploding in Europe, and, in America, 'the fiery braille alphabet of a dissolving economy.' Instead Gold focuses on a novel and largely convincing interpretation of the family's warfare as a symptom of the powerful but constraining love they share, and on the way both things shape Tom's character deep into the future from which he narrates.
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