The Best Man 1960

Portland Center Stage will present the Ashman & Menken musical LITTLE SHOP OF HORRORS featuring blues performer LaRhonda Steele as the voice of Audrey II, with a cast of local and New York-based actors.

Hit songs, exciting choreography, and marvelous performances make this rockin’ revival one worth experiencing.

Aaron Sorkin has made a return to Broadway with a revival of A Few Good Men. As the playwright's work returns to the New York stage, we're recapping the stage career of Aaron Sorkin.

What did our critic think of TO KILL A MOCKINGBIRD at The Huntington?

The brand new McCoy Rigby Entertainment production of the cheeky, macabre classic musical LITTLE SHOP OF HORRORS—now on stage through October 11, 2026 at the La Mirada Theatre for the Performing Arts—is quite possibly the most eye-popping, delightfully entertaining iteration of the stage show you will ever experience here on the West Coast. Filled with thrilling, big-budget Broadway-caliber visuals, memorable 60's R&B-inspired music, and awesome, over-the-top performances from an incredible cast, the show feels wonderfully re-energized in this luxe-looking (and sounding) production that will reignite your affection for this hilarious classic.

HBO Max will present new original series WAR, a legal drama starring Dominic West and Sienna Miller, alongside comedy special KATE BERLANT: PARMESAN and additional films and documentaries.

Second Stage Theater just announced complete casting for the upcoming Broadway premiere of THE FANTASTICKS, directed and  choreographed by Christopher Gattelli.  The company of THE FANTASTICKS will feature Maxim Chlumecky (Appropriate, Harry Potter and the Cursed  Child) as The Boy (Matt), Kevin del Aguila (Some Like It Hot, Frozen) as The Man Who Dies (Mortimer), David  Patrick Kelly (Once, The Warriors) as The Old Actor (Henry), Leslie Rodriguez Kritzer (Spamalot, Beetlejuice) as Matt’s Mother (Mildred Hucklebee), Nathan Levy (& Juliet, Aladdin) as The Boy (Lewis), Ruthie Ann Miles (Sweeney Todd, The King and I) as Lewis’ Mother (Bessie Mae Bellomy), Zane Phillips (“The Comeback,” “Mid Century Modern,” Fire Island) as The Narrator (El Gallo), and Ahmad Simmons (Illinoise, Hadestown) as The  Mute. Mr. Phillips will be making his Broadway debut.  

S.E.M. Ensemble, led by Petr Kotik, will perform premieres of electronic works by Michael J. Schumacher and Kotik himself at Paula Cooper Gallery in New York.

RR Auction is offering a 24-letter archive from Irving Berlin to journalist Irving Hoffman and his father, spanning nearly three decades of Broadway and Hollywood correspondence.

Debra Levine's new biography JAZZED examines choreographer Jack Cole's influence on American jazz dance across Broadway and Hollywood, drawing on archival research, interviews, and memoirs.

Lastly, speaking of generations, this show lands differently in 2026. Hair is a celebration of peace, love, and joy associated with the youth culture of the Boomer generation. When the show was first produced, it was easy to go along with the idealism and righteousness that the story celebrates. However, with time and reflection, the question that kept nagging me as an audience member was when and why did this generation change their priorities?

Cyril Nri will take on the role of Willy Loman in Arthur Miller's DEATH OF A SALESMAN at the Liverpool Everyman, directed by Olivier Award-winning Tristan Fynn-Aiduenu.

BWW Scotland editor Natalie O'Donoghue selects her top picks of returning favourites from the 2026 Edfringe programme.

Young lovers from different worlds. What are their odds? A beautiful evening, rich in music, is a delight at Opera Theatre of St. Louis

Burning Coal Theatre Company's Second Stage Series will present three works by emerging artists — SHADOWS IN RED LIGHT, DANGER!, and DR. RIDE'S AMERICAN BEACH HOUSE — in repertory in Raleigh, NC.

Burning Coal Theatre Company will present WAIT TIL YOU SEE THIS! 2026, featuring three plays in repertory by emerging artists, including works by Roné Sargent, Lucius Robinson, and Liza Birkenmeier, at its Raleigh, NC venue.

What is a pro-shot and how is it different than an adapted film? Pro-shot is an abbreviation for professionally shot, denoting a stage play that was captured in its native habitat: a theatre. In general, a pro-shot seeks to film the exact experience that audience members would have at a live performance of the show, in contrast with a feature film which actually adapts the piece into a new form, including different locations, the removal of theatrical aesthetic, and changes to make the script work as a film as opposed to as a live theatrical show.

The Bent, the Coachella Valley’s LGBTQ+ theatre company, is presenting its first musical, A MAN OF NO IMPORTANCE, written by Terrence McNally (book), Stephen Flaherty (music), and Lynn Ahrens (lyrics). The writers and composer have put together a moving book, lyrics, and score that create a deeply affecting and emotional story, with just enough hilarity to soften the upsetting moments. The brilliant acting, singing, directing, and design make this show a must-see.

The Muny announced the principal cast for MEET ME IN ST. LOUIS, with Patti Murin, Colin Donnell, Katerina McCrimmon and others joining previously announced Beth Leavel in the production's return to Forest Park.

Friendship is nearly always a side element in musicals. From the comic sidekick of the leading character to the backup pals who provide background vocals, friends are part of the fabric of many shows—but rarely are they the main event. 

The original Off-Broadway cast recording of ROMEO & BERNADETTE: A MUSICAL TALE OF VERONA AND BROOKLYN, with book and lyrics by Mark Saltzman, is now available on digital platforms via JAY Records, with a physical CD release coming later.

Musicals and plays based on movies? Many. Based on books? Also plentiful. Based on true stories? Of course. But musicals and plays based on or inspired by magazine articles? These are a rare breed. One recently opened on Broadway at the August Wilson Theatre.

Original Theatre and Reading Rep Theatre will present THE IMPORTANCE OF BEING OSCAR, a play by Micheál Mac Liammóir, directed by Michael Fentiman and starring Alastair Whatley, at Park Theatre from 22 July to 22 August.

This April, there are plenty of new titles for theater buffs to watch, including the film version of Merrily We Roll Along, the Michael Jackson biopic, Anne Hathaway's turn as a pop diva in Mother Mary, and more.

BEEHIVE: THE 60’s MUSICAL, playing at Desert Theatreworks (DTW) is a revue, meaning that it has no real story. However, director, choreographer, and musical director Lance Phillips presents the show as what I would call a “jukebox documentary”.