Limón Dance Company will present a program at The Joyce Theater in NYC featuring José Limón's 1958 work Mazurkas, performed in full for the first time since 1964, alongside Aszure Barton's 2025 commission Join.
Michelle Leigh directs the play version of Auntie Mame, which is seldom presented on stage these days. Thank goodness patrons of the Brookfield Theatre can rediscover this delightful play.
The Fisher Center at Bard will present Richard Strauss's seldom-staged 1928 opera THE EGYPTIAN HELEN at Bard SummerScape, starring Hailey Clark, John Matthew Myers, and Jana McIntyre in a new production by director Christian Räth.
Tangent Theatre Company will present a staged reading of Edward Albee's Pulitzer Prize-winning THREE TALL WOMEN at The Spark of Hudson in Hudson, NY, featuring two performances with free admission and required reservations.
Directed and Choreographed by Broadway’s Nikki Snelson, Footloose is now running at the historic GEM Theatre in Garden Grove. Get a first look at production photos!
The Dusti Bongé Art Foundation will present COMING HOME: BECOMING AN ARTIST, a summer exhibition featuring 34 works tracing Mississippi's first Modernist painter as she emerged as an artist after her husband's death.
Quintessence Theatre announced its 17th season, themed 'The Outsider,' featuring seven productions including WITCH, PIPPIN, MEDEA, and a Tennessee Williams double bill of SUDDENLY LAST SUMMER and THE PARADE.
New York Festival of Song announced the release of MY BROTHER'S KEEPER on NYFOS Records, featuring six leading Black male vocalists co-produced by baritone Justin Austin and GRAMMY-nominated pianist Steven Blier.
Ballet Rhode Island will present the world premiere of MACHINAL: A DANCE OF DEFIANCE, the first ballet adaptation of Sophie Treadwell's 1928 expressionist play, running May 7–10 in Providence and May 14–17 in Kingston, RI.
Troupe has announced the world premiere of Simon Reade's new stage adaptation of Twenty Thousand Streets Under the Sky by Patrick Hamilton. Learn more here!
The USC Department of Theatre and Dance will present Orlando, Sarah Ruhl's theatrical adaptation of Virginia Woolf's groundbreaking story of self-discovery.
American Theater Group (ATG) has announced the cast and creative team of its highly-anticipated production of My Fair Lady running Feb. 26-March 15, 2026. Learn more here!
Relive the magic of silent cinema with Overture’s Duck Soup Cinema series, featuring the original 1924 Peter Pan adventure in the historic Capitol Theater.
Milwaukee Chamber Theatre will present I AM MY OWN WIFE, a Pulitzer and Tony Award-winning play, from January 23 to February 8, 2026. Directed by Alexander Coddington and starring Jonathan Riker, the play delves into the life of Charlotte von Mahlsdorf.
Steven Kramer’s (Book, Music & Lyrics) new work, PHAR LAP THE ELECTRO-SWING MUSICAL is a piece of pure genius.
Bristol Riverside Theatre will present (120 Radcliffe St, Bristol, PA 19007)! Alibi, a sharp and stylish adaptation of legendary mystery writer Agatha Christie’s The Murder of Roger Ackroyd, begins previews May 27 at Bristol Riverside Theatre, with Opening Night on May 29. See photos from the production.
Step through the revolving door of 1928 Berlin and into a world of glamour, longing, and quiet desperation as Alchemy Theatre brings the rarely staged musical GRAND HOTEL to life at ZACH Theatre’s Whisenhunt Stage.
What did our critic think of MOTHER COURAGE AND HER CHILDREN at Ensemble?
See photos of Fifth Avenue at Don't Tell Mama!
The Artistic Home presents Moira Buffini’s comedy Dying For It, directed by Monica Payne, playing March 18 – April 23, 2023 at The Den’s Bookspan Theatre. See first look photos from the production.
Supported by the CDC Foundation and The Rockefeller Foundation, The Mold that Changed the World will be performed in The United States at Atlas Center for Performing Arts, Washington DC on October 18th to 23rd, 2022 and at the Science Gallery at Pullman Yards, Atlanta on November 1st to 6th, 2022. See photos here!
Winner of five Tony Awards, including Best Book and Best Original Score, The Drowsy Chaperone is a loving send-up of the Jazz Age musical, featuring one show-stopping song and dance number after another.
Now celebrating its 18th year, the annual production of THE MANOR has become a Los Angeles/Beverly Hills institution with several performances selling out even before tickets go on sale to the public. Its popularity, no doubt, is due to the scandalous true story as told by the talented actors who each inhabit their characters to a tee, costumed to time-period perfection, as well as the chance to be inside the grand and glorious architectural landmark in which the events of 91 years ago actually took place, performed in two acts taking place 10 years apart. The names of all characters in the tragic Doheny family saga have been changed, of course, a?oeto protect the guiltya?? as we are told before the play begins by the mansion's loyal butler, James, portrayed this year by David Hunt Stafford who also produces the show for Theatre 40 in association with The City of Beverly Hills.
With the topic of illegal immigration so prevalent in today's news, now is the perfect time to take a very personal look at the trials and tribulations of those who immigrated, both legally and illegally, to our country in THE NEW COLOSSUS, a new play co-written by The Actors' Gang ensemble and its Artistic Director Tim Robbins, who also directs the production. In it, twelve of the acting troupe's members tell their ancestors' stories, reflecting their great diversity, struggles and journeys from oppression to freedom, a real personal testament celebrating the courage and great character of the refugees who came to this country throughout the last 200 years.
Orlando was a deeply engaging, intriguing and thought-provoking exploration whose pondering, messages, striking soundscapes and visuals reverberated and lingered long after the curtain had closed. It is a highly ambitious undertaking but Neuwirth and her colleagues were up for the challenge. What is most exciting is what has now been established for a venue such as The Wiener Straatsoper as we move into a new decade of uncertain times when it is vital that radical expressions of art and activism combined are given such a grand stage with which to proclaim their truths.
