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by Lucía Serrano - Mar 12, 2026
In this interview, Regina Fernandez shares her insights on performing in The Maltese Falcon, the world‑premiere stage adaptation by Matthew Salazar‑Thompson, based on the classic noir novel by Dashiell Hammett and directed by Todd Nielsen.
by Annette Stolt - Mar 10, 2026
Grease will open at Ronde in the fall with a new modern adaption but still with the tough of the 50ths. Energy, joy and nostagic touch in a Grease 2.0
by Greer Firestone - Mar 10, 2026
Producing a play called POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive in today’s political climate takes nerve. Aisle Say applauds Kerry Kristine McElone and the Board of City Theatre for having exactly that kind of chutzpah. Mounting this razor-edged farce at a moment when American politics already feels like theater—often absurd theater—is both daring and deliciously appropriate.
by Stephi Wild - Mar 10, 2026
George Mason University’s College of Visual and Performing Arts (CVPA) has announced the ARTS by George! benefit event, headlined by acclaimed actor and musician Jeff Goldblum and The Mildred Snitzer Orchestra.
by Jennifer Broski - Apr 5, 2026
The 2025/26 Broadway season is here at last, with many new productions set to arrive before the end of the season. If you don't live in New York City or frequent the Theater District, odds are you haven't seen Broadway's newest marquees! Check out what's up so far below.
by Stephi Wild - Mar 10, 2026
After premiering at the Royal Court Theatre, the Olivier Award-nominated Blue Mist will embark on a National tour this June and July. Learn more about the upcoming show here!
by Gary Naylor - Mar 8, 2026
Musical set in the late 1950s with a strong message for today
by Chloe Rabinowitz - Mar 6, 2026
BATS Improv is continuing its milestone 40th anniversary season with a lineup of unscripted, laugh-out-loud programming across April, May, and June 2026.
by Stephi Wild - Mar 6, 2026
McCarter Theatre Center has announced its 2026/27 Theater Series, featuring five productions spanning Shakespearean villainy and more. Learn more here!
by Team BWW - Mar 4, 2026
The permanent makeup industry often rewards speed, visibility, and dramatic visual trends. Many artists gain attention through marketing tactics or viral aesthetics. In contrast, Jihea Kim has built a reputation based on refined results, long-term client trust, and disciplined technical skill. As a result, the internationally recognized permanent makeup artist now has a clientele stretching far beyond Korea.
by Stephi Wild - Mar 4, 2026
The cast has been announced for NewsRevue at Canal Café Theatre. The Guinness World Record–breaking, longest-running live comedy show in the world continues to delight audiences.
by Student Blogger: Grace Ward - Mar 1, 2026
In this blog, I reflect on what it means to stay motivated once the excitement of the new year fades and the semester gets overwhelming. I share how I’ve navigated burnout, and the pressure to always be busy while balancing performances.
by Josh Sharpe - Feb 27, 2026
Stage stars Rob McClure, Joe Morton, and Steven Pasquale have joined the cast of Cupertino, a new CBS legal drama series from writing and producing team Robert and Michelle King.
by A.A. Cristi - Feb 25, 2026
The 4th Cyprus Choreography Showcase (SΧK) will take place March 6–8, 2026 at the Rialto Theatre, serving as a platform for the international promotion of contemporary Cypriot choreography.
by Ilana Lucas - Feb 25, 2026
I grew up with Robert Munsch stories. If you grew up in Canada, it’s likely you did, too—or you’ve read them to your children, or grandchildren.
by Stephi Wild - Feb 25, 2026
As the next production of their 53rd Season in Barboursville, Four County Players will present SWEENEY TODD: The Demon Barber of Fleet Street, A Musical Thriller, opening March 6 on the Mainstage.
by Stephi Wild - Feb 25, 2026
World-record holding, former Gandini Juggling associate artist, Wes Peden will tour his beloved ultra-modern, high energy juggling extravaganza Rollercoaster to the South East this Spring.
by Natalie O'Donoghue - Feb 25, 2026
It’s Friday night and the vibe is right as Caz and her fabulous friends dream of the perfect summer of love. But when Caz discovers her ‘happy ever after’ is a lie, and the gang’s attempts at romance are a total tragedy, they wonder – will love ever get a hold on their hearts? Or should they all just take a chance on a happy ending…
by Melissa Heckscher - Feb 25, 2026
Two-time Tony Award winner Norbert Leo Butz talks to BroadwayWorld ahead of his February 26–28 solo concert at Segerstrom Center for the Arts.
by A.A. Cristi - Feb 24, 2026
The Charlotte Symphony Orchestra has announced its 95th season, Music Director Kwamé Ryan's third at the artistic helm, centered on a season-spanning artistic exploration of resilience.
by Deborah Bostock-Kelley - Feb 24, 2026
An all‑women Julius Caesar arrives at The Studio@620, reimagining Shakespeare’s political thriller inside the modern corporate world. Adapted by Roxanne Fay and directed by Kristin Clippard, the production examines how ambition, persuasion, and fear shape the pursuit of power when women step into roles historically-written for men. With a cast of leading Tampa Bay artists interrogating the language and emotional stakes of the play, this contemporary staging brings renewed urgency to questions of leadership, loyalty, and the ease with which public opinion can be swayed.
by Gillian Blum - Feb 22, 2026
Following the success of Miriam Battye's critically acclaimed play The Virgins at Soho Theatre, her early work Trip the Light Fantastic will receive its first London staging, opening February 26 for four performances only at The OSO Arts Centre.
by Ron Bierman - Feb 20, 2026
Rossini’s Barber of Seville is a top ten opera in performances. Donors love it for its vocal gymnastics, memorable arias and sparkling melodies. Receptive newcomers like it because of its delightful bubbling overture, the familiar Figaro aria that soon follows, and its simple fast-moving sitcom-like plot.
by Shanti - Feb 19, 2026
The opening act was the breakout group without Nicolas Reyes, a classic Gipsy Kings move, warming up the room with the raw power of the ensemble before the legend himself emerged. It also gave notice of the incredible talent of a young soloist.
by Joshua Wright - Feb 18, 2026
Steppenwolf Theatre Company, the nation’s premier ensemble theater company, is pleased to continue its 50th Anniversary Season with August Strindberg’s master class in marital warfare The Dance of Death, adapted by Conor McPherson, directed by ensemble member Yasen Peyankov and featuring an all ensemble cast.
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