Red Dust 1928

London Theatre Week is the West End’s biggest promotion, giving you the chance to see over 50 amazing award-winning musicals and stunning plays with tickets from £15, £25 or £35

With the slogan “Theatre In These Trying Times”, the 25th edition of the festival has set out to breathe fresh air into both the world of theatre and to theatre lovers with a programme of mostly new productions that look at the world, which is in search of a new normal, through the lens of theatre.

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

Irish Repertory Theatre announced today special events and programming for the month of February as part of the The Sean O'Casey Season, celebrating 30 years of Irish Repertory Theatre.

Interrobang Theatre Project is pleased to announce its ninth season, featuring three knockout dramas presented at its new resident home, Rivendell Theatre, 5779 N. Ridge Ave. in Chicago's Edgewater neighborhood. This season, Interrobang explores "identity/crisis," with three plays featuring characters on the edge of something new, battling old demons and making room for fresh starts.

Following a sell-out season at the Abbey Theatre as part of the 100th anniversary celebrations of the 1916 Easter Rising, as well as a successful Irish and US tour, The Plough and the Stars comes to the Lyric Hammersmith as a co-production with the Abbey Theatre.

Miles Richardson leads an 11-strong cast of J. M. Barrie's rarely performed play DEAR BRUTUS in its centenary year at Southwark Playhouse, presented by Troupe Theatre and directed by Jonathan O'Boyle.

Miles Richardson leads an 11-strong cast of J. M. Barrie's rarely performed play DEAR BRUTUS in its centenary year at Southwark Playhouse, presented by Troupe Theatre and directed by Jonathan O'Boyle.

1917. In a remote English village there are rumours of an enchanted wood. One of the inhabitants - a mysterious old man - invites eight strangers to stay. They all have something in common. When, one evening, the wood miraculously appears the guests feel compelled to enter. What happens there has the power to change their lives forever…

The highly anticipated Broadway revival of Eugene O'Neill's HUGHIE starring Academy Award winner, Golden Globe Award winner & BAFTA winner Forest Whitaker (The Last King of Scotland, The Butler, Southpaw) and Tony Award winner Frank Wood (Side Man, Angels In America, Clybourne Park), officially opens tonight, February 25, 2016, at Broadway's Booth Theatre (222 West 45 Street). Let's see what the critics had to say...

As we welcome in a new year of great theatre in the nation's capital, I thought it would be fun to do one of those “Best of 2010' lists as well as preview what's opening in January on DC area stages. So let's raise our glasses and offer a toast to all those theatre companies who gave us great productions in 2010, and to the upcoming 2011 theatre season!

Last week I conducted an illuminating InDepth InterView with legendary producer and director Harold Prince in which we discussed his singular career, having won more Tony Awards than any other person on the planet for his near one-hundred productions since his start as George Abbott's assistant producer over fifty years ago. He produced such landmark musicals as DAMN YANKEES, THE PAJAMA GAME and WEST SIDE STORY in the 1950s and then went on to become a director in his own right with Kander & Ebb's FLORA, THE RED MENANCE (Liza Minnelli's Broadway debut), CABARET into the Sondheim series of masterpieces in the 1970s - COMPANY, FOLLIES, A LITTLE NIGHT MUSIC, PACIFIC OVERTURES, SWEENEY TODD - bridging into his two biggest commercial successes, the Andrew Lloyd Webber musicals EVITA and THE PHANTOM OF THE OPERA. Celebrating its 23rd year on Broadway in January, THE PHANTOM OF THE OPERA is the most successful entertainment of all time, more than any other musical, television show or even feature film in history. It's a juggernaut like no other and the mystery, magic and majesty that had made the show such a rousing success is thanks to the masterful eye-of-all-eyes, the true master director of the American Theatre, Harold Prince. But, will he be doing the sequel?

In conjunction with its world premiere production of Not Enough Air by Masha Obolensky, TimeLine Theatre Company will present a series of concert readings of the landmark play that inspired Obolensky's work, MACHINAL by Sophie Treadwell. Machinal will be directed by Rachel Walshe and will run for eight performances only, opening Sunday, February 8 at 7 p.m. and running Sundays and Mondays at 7 p.m. through March 2, 2009. Performances will be held at TimeLine Theatre, 615 W. Wellington Ave., Chicago. The Press Opening performance is Sunday, February 8 at 7 p.m.

In conjunction with its world premiere production of Not Enough Air by Masha Obolensky, TimeLine Theatre Company will present a series of concert readings of the landmark play that inspired Obolensky's work, MACHINAL by Sophie Treadwell. Machinal will be directed by Rachel Walshe and will run for eight performances only, opening Sunday, February 8 at 7 p.m. and running Sundays and Mondays at 7 p.m. through March 2, 2009. Performances will be held at TimeLine Theatre, 615 W. Wellington Ave., Chicago. The Press Opening performance is Sunday, February 8 at 7 p.m.