People Are Living There - 2005 - Off-Broadway Articles Page 1

Greenwich Theatre announced a revival of MY NAME IS RACHEL CORRIE starring Cassie Bradley, known for her upcoming role in Practical Magic 2. The production, compiled by Alan Rickman and Katherine Viner, follows the young activist's journey from America to Gaza.

The show is directed by Olivier Award nominee Stafford Arima and features choreography from Rujuta Vaidya, music and lyrics by Sam Willmott, and a book by Rehana Lew Mirza and Mike Lew,

Director Glenn Kelman is to be commended for taking on the challenge of coordinating twenty cast members moving scenery and set pieces into place to create 22 set changes in 14 locations on such a small stage, as well as setting the timing of each Ameri-News video projection to forward the story. And to Music Director Jared Scott for doing his best to get so many non-singers to harmonize on-key, and Choreographer Kylie Christensen for diligently doing her best to mold what should be a big musical production into a space better suited for a small cast play.

Today’s subject Matt Di Carlo is currently living his theatre life as the International Associate Director for Moulin Rouge! The Musical. The North American Tour is currently playing and engagement in the Opera House at Kennedy Center through June 28th.

It's the end of an era on Broadway. As BroadwayWorld reported last month, the curtain has officially come down on Boneau/Bryan-Brown, the iconic Broadway press office founded by ATPAM-members Chris Boneau and Adrian Bryan-Brown, after more than three decades representing theatre on Broadway, Off-Broadway and around the world.

Indie-pop singer-songwriter-pianist Andrew McMahon has unveiled his 18-date, intimate,  solo fall tour, “An Evening with Andrew McMahon and His Piano,' which is set to launch October 9th in Boston with the first of two nights at City Winery.

Lake Tahoe Dance Collective will present its 14th annual Lake Tahoe Dance Festival, featuring artists from New York City Ballet, American Ballet Theatre, Boston Ballet, Houston Ballet, and Broadway across multiple venues in North Lake Tahoe.

If you’re looking for a fun evening that will make you want to sing along and dance in the aisles, check out Dutch Apple Dinner Theatre’s production of All Shook Up! The storyline of this jukebox musical by Joe DiPietro is inspired by Shakespeare’s comedies.

The stage production does make a lot of strides that strengthens the endurance and popularity of this love story. It repeats iconic moments from the popular 2004 film, but isn’t aping the original screenplay in any way. A new libretto offers a fresh take that borrows the basic structure of the novel and memorable film moments, whilst breathing in new voices and new scenes that add different layers to these familiar characters.

Ensemble Theatre Company of Santa Barbara will present EVERY BRILLIANT THING, written by Duncan Macmillan with Jonny Donahoe and directed by Jenny Sullivan, starring Nicholas Mongiardo-Cooper at the New Vic Theatre.

Trinity Repertory Company will close its 2025-26 season with NEXT TO NORMAL, the Pulitzer and Tony Award-winning rock musical directed by former Associate Artistic Director Amanda Dehnert at the Dowling Theater in Providence.

This production of Rent by Keystone Theatrics is a high-energy, passionate reminder of the importance of community. It is well worth taking the time to see this show.

For BroadwayWorld's Debut of the Month, we are featuring Esteban Andres Cruz, who is currently making their Broadway debut in Dog Day Afternoon, opposite Jon Berthal. Read the full interview with Esteban here!

Bursting with contagious rhythm, irrepressible heart, and an abiding sense of community pride, Lin-Manuel Miranda's Tony Award-winning 2008 original Broadway musical IN THE HEIGHTS remains one of the most vibrant and emotionally resonant contemporary musicals to emerge from the early 21st century. For Musical Theatre West, this current 2026 production of the musical—which continues performances at the Carpenter Performing Arts Center in Long Beach through April 26, 2026—is an anticipated return of a musical that this company first staged back in the Fall of 2017. In essence, it's nice to come home to something comfortably familiar.

Today’s subject Jefferson A. Russell is currently living the theatre life onstage at Folger Theatre playing the roles of Duke Senior and Duke Frederick in their current production of As You Like It. The production runs through April 19th.

Broadway has a long history of one-person shows, including many that have been added to the canon in this century.  Seeing one actor powerfully create a whole world on stage can be an exceptional experience. Of course, one handers are hardly one-person projects; while there may only be one actor on stage, they are collaborating with an entire team of creatives, designers, and behind-the-scenes personnel to bring a show to life. 

OFC Creations Theatre Center in Rochester, NY, will present its 2026-2027 Broadway in Brighton Series featuring shows like HAIRSPRAY, MISS SAIGON, and the regional premiere of THE WITCHES OF EASTWICK.

We recently had met public relations pro, Riccardo Gabrielle at Felice 83 on the Upper East Side of New York City where an excellent selection of wines from regions throughout Italy was showcased.

There’s one thing that the Seacoast Repertory Theatre knows how to do very well. It’s transforming their intimate, brick-walled space in Portsmouth into a world that feels ten times its actual size. Their current production of Dirty Rotten Scoundrels—the 2005 musical based on the Steve Martin/Michael Caine film—is a fun, high-energy farce, delivering a cocktail of sophisticated wit and unapologetically lowbrow humor that pleases like a French martini.

Next month, 54 Below will present some of the brightest stars from Broadway, cabaret, jazz, and beyond for Women's History Month, including Linda Eder, Kate Baldwin, Jenn Colella and more. 

Theater West End was wise to split Angels in America in the season as two separate performances, each with their own block in the schedule. Originally, I was concerned that the Part Two of it all might turn away prospective theatergoers. But upon watching both parts now, and bearing in mind my own familiarity for the characters, I can also see now how the original production’s 18-month gap would have also been enticing for an audience.

This history gives context to the legacies of theatrical dynasties—considered to consist of at least three subsequent generations of theatre creators. In 2026, there is a stigma around any successful professional who follows a parent into their line of work, with this being seen as a pattern of nepotism.

SFJAZZ will present a diverse lineup of jazz performances in February 2026, featuring renowned artists and ensembles. The month-long event will take place at the iconic SFJAZZ Center in San Francisco.

The festival runs from 25 February to 8 March in Glasgow.

While much of the dramatic weight of Angels in America undeniably stems from the specter of AIDS, it would do the play a huge disservice to reduce it to a story about disease alone. What Theater West End makes clear is that Kushner’s work is as much about identity, loss, and the human struggle to reconcile who we are deep down with who we present to the world.