How did the 1993 Middle East peace talks come to be held secretly in a castle in the middle of a forest outside Oslo?
A darkly funny and sweeping new play, OSLO tells the surprising true story of the back-channel talks, unlikely friendships and quiet heroics that led to the 1993 Oslo Peace Accords between the Israelis and Palestinians. As he did with such wit and intelligence in Blood and Gifts, J.T. Rogers presents a deeply personal story set against a complex historical canvas: a story about the individuals behind world history and their all too human ambitions. Directed by Bartlett Sher.
International diplomacy isn't easy - especially when it involves getting two warring populations to make hard concessions - and neither is "Oslo," J.T. Rogers' three-hour ensemble drama depicting the back-and-forth backroom negotiations leading up to the 1993 Oslo Peace Accords between Israel and the Palestine Liberation Organization. The play is long and talky and jam-packed with names, dates and historical exposition, but also well-crafted and nuanced, with interesting characters and even humor every now and then. The subject matter is also increasingly vital at this time of heightened instability throughout the Middle East. Under the direction of Bartlett Sher, it is presented with as much clarity and personality as possible.
Some of us may be easy marks for any hint of humanity in a story of the indelible tragedy of the Middle East. "Oslo," in its account of intractable foes finding common ground, is irresistible and, ultimately, deeply moving. Jokes are related at the negotiating table, at the expense of the string-pulling leaders behind the scenes, PLO Chairman Yasser Arafat and Israeli Prime Minister Yitzhak Rabin; memories are shared about the suffering of warring peoples, the devotion to loved ones at home. The small acts of soul-bearing indeed bind the characters to one another - and an audience to them. Around Rogers's captivating table, gradualism is a triumph for everyone.
Videos
TICKET CENTRAL
Recommended For You