One Small Step - - West End Articles Page 12

wild project have purchased the building at 195 East 3rd Street, permanently solidifying their artistic home in the East Village of New York City. Learn more here!

New Jersey Repertory Company has announced its 2026 Mainstage Season — a year of intimate, muscular storytelling that dives into reinvention, reckoning, genius, and the tangled threads of family history.

Next month, J.B. Priestley’s beloved comedy, When We Are Married, will open at the Donmar Warehouse. Directed by Tim Sheader, the play follows three couples in a small Yorkshire town as their lives are turned upside down by a shocking revelation. Recently, we had the chance to speak with Jim Howick, who plays Herbert Soppitt in When We Are Married. We discussed how he first got started in the world of theatre, what made him want to be a part of this production, and what he hopes audiences take away from the play.

“The Strangers” is the kind of production that invites discussion; some will love its chaos, others may resist it, but Chalk Circle Collective handles its complexity with ambition and clarity.

John Drea is currently making his Broadway debut as James/Kenny algonside Laurie Metcalf, Micah Stock, and more in Samuel D. Hunter's Little Bear Ridge Road. BroadwayWorld interviewed Drea about making his Broadway deubt.

New York City is home to a wide range of holiday attractions beyond its most famous seasonal destinations. From specialty pop-ups and historic venues to neighborhood light displays and winter markets, these hidden gems offer distinct ways to experience the city during December. Learn more about NYC's lesser-known locations and events across the five boroughs.

All theater tells a story, that’s its timeless magic. Whether through a musical or a monologue, performance has always been a mirror to humanity. But there’s something uniquely powerful about a cabaret with a purpose that lies beyond entertainment.

Rise and shine, BroadwayWorld! It is November 13, 2025 and it's time to catch up on all of the theatrical happenings you may have missed in the last 24 hours.

The Stephen Joseph Theatre has announced the rest of its in-house productions for 2026. The Scarborough theatre recently announced that it would be producing Murder for Two (28 March to 18 April) and Calendar Girls the Musical (27 June to 25 July).

This week’s roundup highlights major leadership changes, funding shifts, and renewed investment in the performing arts. OPERA America has named Michael J. Bobbitt as its next President & CEO, while Broadway Cares/Equity Fights AIDS announced $1.5 million in emergency food grants nationwide. In New York, The Joyce Theater Foundation received a landmark $15 million gift, and Broadway productions prepare to take the stage at the Macy’s Thanksgiving Day Parade. Regionally, Chicago’s cultural department faces a proposed budget reduction, Theatre Washington released a new industry impact report, and Houston Grand Opera appointed James Gaffigan as its next Music Director. Meanwhile, in the UK, opera and arts education take center stage with efforts to broaden access and strengthen creative learning.

For more than two decades, magician Steve Cohen, known as “the Millionaires’ Magician”, has performed Chamber Magic inside the the Lotte New York Palace. In this interview, Cohen shares how his work connects to New York’s historic lineage of magicians soon to be honored in the NYPL exhibition The Mystery and Wonder: A Legacy of Golden Age Magicians in New York City.

Actors Theatre of Little Rock continues its commitment to bold, socially engaged storytelling, immersive experiences, and reimagined classics that speak directly to the world we live in today. 

San Diego Opera opened its 2025-26 season on a Halloween night with an appropriately disturbing opera about a murderous clown. Its unsavory plot hasn’t kept Ruggero Leoncavallo’s Pagliacci from becoming one of opera’s most popular creations. The reasons for its success? A can’t-wait-for-it tenor aria, lushly romantic melodies, Puccini-worthy orchestration and a winning mix of operatic voices atop that horror movie plot.

Remember when Josh Groban said 'Hire a former theatre kid. I don't care what your business is. It will go better if you hire a former theatre kid?' Well, I think he was right. This is how working in theater prepared me to step into the world of film.

Rise and shine, BroadwayWorld! It is November 4, 2025 and it's time to catch up on all of the theatrical happenings you may have missed in the last 24 hours.

Between starting a new semester and my last year of college, preparing for my acting thesis, and taking the time to install new lights and prepare my theater for this season, the beginning of the year was hectic for me, to say the least. What kept me going through the work and preparation was simply the excitement. The excitement of beginning anew, the excitement of my senior year, and most importantly, the excitement to create art.

What if dance could transform our feelings of loneliness to those of belonging? Help us forget our own pain, albeit temporarily, and instead allow us to find a sliver of joy? Enable us to feel free and, perhaps, even feel like the most authentic version of ourselves?

With the release of WE LIVE IN CAIRO (Original Off-Broadway Cast Recording), The Lazours reflect on the show’s evolution, the collaboration behind the album’s sound, and how their upcoming musicals extend their artistic conversations.

Rise and shine, BroadwayWorld! It is October 27, 2025 and it's time to catch up on all of the theatrical happenings you may have missed over the weekend.

Little Theatre of Manchester has revealed the complete lineup for its 2026 Season, five productions centering around the theme of 'The Search for Truth.' Learn more!

Rise and shine, BroadwayWorld! It is October 24, 2025 and it's time to catch up on all of the theatrical happenings you may have missed in the last 24 hours.

This past week the DC theatre community lost one of its visionaries with the passing of Artistic Director/Director/Performer/Mentor Jerry B. Whiddon at age 77. For twenty years Jerry served as the Producing Artistic Director Of Round House Theatre. The company was born out of Street 70 which Jerry helped start in 1970.

Despite the enticing cultural dissonance of its title, Black Sabbath – The Ballet is, by definition, a terrible idea. It is the conceptual equivalent of putting a tuxedo on a pit bull, or hiring Prince Andrew as your PR manager. This is what happens when the civic-minded folk at a major arts company, having dutifully listened to enough AC/DC to establish their street cred, decide they can bottle the anarchic essence of heavy metal and sell it in three-act bottles to those living off the ever-sweet smell of nostalgia and the kind of people who buy all their concert T-shirts from Vinted.

GOTHAM ROGUES: THE UNAUTHORIZED BATMAN PARODY MUSICAL will play for one night only on Monday October 27. Read a conversation with writers and co-stars Paul Iacono and Marc Kudisch.

If you’re anything like me — a man of taste, decency, and a healthy suspicion of anything that smells of group therapy — you approach a one-person play about depression with the same enthusiasm you’d reserve for an unexpected colonoscopy. The title, Every Brilliant Thing, only amplified my well-fed scepticism. It sounds like it should be a self-congratulatory bumper sticker on an electric vehicle or the name of a hastily manufactured boy band.