70th Annual Drama Desk Awards Winners - The Full List
by Nicole Rosky - May 17, 2026
The best of the New York City theatre community was at Town Hall for the 70th Annual Drama Desk Awards, the theater award honoring excellence across all of New York City’s theatrical landscape. Check out a full list of winners here.
70th Annual Drama Desk Awards Nominations- The Full List
by Nicole Rosky - Apr 29, 2026
Raúl Esparza and Helen J Shen will announce the 70th Annual Drama Desk Awards nominations on Wednesday, April 29, 2026 at 10:00AM ET. Check out the nominees so far and check back later for teh complete list.
All the Off-Broadway Shows to See in Fall 2025 - A Complete Guide
by Chloe Rabinowitz - Sep 17, 2025
BroadwayWorld is here with your fall 2025 guide to all the shows lighting up New York’s stages. From world premieres to long-awaited revivals, this season’s Off-Broadway lineup delivers something for every kind of theater fan!
Exclusive: They’re All Special - A CHORUS LINE Alumni Share Their Treasured Memories
by Lauryn Johnson - Jul 25, 2025
BroadwayWorld and Immortal Icons of Dance invited alumni who’ve been part of A Chorus Line’s history to share personal reflections about how the show shaped their lives and careers. Here we highlight ten of those voices whose intimate stories form a portrait of what this show has meant to those fortunate enough to be a part of it.
Tina Davidson's Memoir LET YOUR HEART BE BROKEN To be Released as an Audiobook
by Josh Sharpe - Jun 18, 2025
Composer and author Tina Davidson’s memoir, Let Your Heart Be Broken, will be available in audiobook format on all major platforms starting August 12, 2025.The audiobook, read by Davidson herself, features her music woven throughout, interspersed in sections where she discusses the compositions’ creation.
Recap the 2025 Tony Awards Acceptance Speeches
by Nicole Rosky - Jun 8, 2025
The 78th Annual Tony Awards have arrived at last! BroadwayWorld has the full transcripts of all the memorable acceptance speeches from the 2025 Tony Awards.
Interview: Jerry Harrison of STOP MAKING SENSE at Southern Theatre
by Paul Batterson - Apr 22, 2025
Noted reviewer Leonard Maltin gave STOP MAKING SENSE four out of four stars and called it one of the best concert films. The staging was ambitious: set pieces float in and out of the frame while screens project random images and words behind the band.
A History of Nudity on Stage
by Jennifer Ashley Tepper - Apr 5, 2025
The play Liberation which is currently playing at Roundabout’s Laura Pels Theatre off-Broadway features nudity. How often do plays and musicals feature nudity on stage? We're breaking it down!
BroadwayWorld UK's Olivier Awards 2025 Predictions
by BWW UK Critics - Apr 4, 2025
Established in 1976, the Olivier Awards celebrate the world-class status of London theatre, and are Britain’s most prestigious stage honours. Leading the way this year is Tom Scutt's Fiddler on the Roof which matches Hamilton's record-breaking 13 nominations, represented in every acting and creative category.
Tales from the Blacklist: The Shadow of McCarthyism On Broadway
by A.A. Cristi - Mar 16, 2025
As Broadway prepares to reckon with the effect of McCarthyism on journalism in the new drama, Good Night and Good Luck, go deeper into the history of the Red Scare and its long-lasting implications for artists on Broadway and beyond.
Review: Not in Kansas Anymore: Tornado Tastes Like Aluminum Sting at CATF
by Jack L. B. Gohn - Jul 18, 2024
In presenting the story of a neuro-diverse protagonist mostly through the protagonist's eyes, and shredding narrative consistency and sequence, the playwright Harmon dot aut has rendered a confusing story. But with captivating characters and subject matter, this is still a play worth seeing.
Interview: Give Credit Where Credit is Due When it Comes to The Orchestrator!
by Elliot Lanes - Jun 21, 2024
Recently I wrote a Broadway World feature dealing with a partial restoration of Robert Ginzler’s original orchestrations for Bye, Bye, Birdie at the Kennedy Center by conductor John Bell with additional work by Joshua Clayton. When the piece was shared on social media, it started a bigger conversation about proper credit for the original orchestrator. Robert Ginzler was somehow never acknowledged in the Kennedy Center program.