I Do! I Do! 1968

Long Wharf Theatre announces the full cast for Arthur Miller's THE PRICE in an inaugural partnership with Legacy Theatre. The production features Alexis Camins, Mark Nelson, Carman Lacivita, and Jennifer Lim.

Peter Sham and Kevin Purcell will helm a new musical adaptation of the romantic-fantasy novel, with direction by Kenneth Hoyt. The production will develop toward workshops in the US and London.

Apple Corps will operate a new immersive Beatles attraction in Liverpool's St Johns Shopping Centre, featuring recreated iconic locations and sets from an upcoming film project.

Peter Mulvey will curate and perform across six shows at Club Passim's 15th annual Lamplighter Sessions, featuring regional musicians and special performances including a Tom Waits tribute.

The zombies are coming...and at Chambers Theatre, there’s nowhere to hide! THEY'RE COMING TO GET YOU- A THEATRICAL REIMAGINING OF NIGHT OF THE LIVING DEAD turns an intimate theatre into a creepy, blood-soaked fight for survival.

The psychadelic musical HAIR that put rock music onto the Broadway stage in 1968 may feel dated to some but that time capsule will always be fully recognizable. With such musical hits as “Let the Sun Shine In ”  and “Aquarius,” the musical that shows  hippies burning their green cards in New York’s Central Park in  protest of the Vietnam War has found it’s was to the Shea’s 710 stage in a spectacular hippie-dippie production presented by Musicalfare

Israel Nash released a synth-driven reworking of "Pretty Boy Floyd" ahead of his full reinterpretation of The Byrds' 1968 album SWEETHEART OF THE RODEO on his label Desert Folklore Music.

Director Conor Hanratty discusses shaping the Irish premiere of Peter Quilter's play, collaborating with Anna-Jane Casey, and balancing glamour with dark reality.

Craft Recordings and HighTone Records will reissue Dave Alvin's 1998 album BLACKJACK DAVID with bonus tracks, including the previously unreleased Angel On Your Shoulder, on 2-LP, CD, and digital.

Over the years, Broadway has seen a number of family acts sharing the stage. It’s extra special when family members team up to write a Broadway show together. The Great White Way has seen many instances of this historically, in a variety of different situations. While last week’s column focused on spouses penning shows together, this week is all about blood relatives partnering to write work. 

Robyn Hitchcock has released his 25th solo album, marking a milestone in the veteran singer-songwriter's decades-long recording career.

Musical Theatre West's brand new presentation of JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT marks the fifth time the 74-season-old institution is revisiting this ubiquitous musical, this time starring hunky Broadway alum and America's Got Talent standout Brian Justin Crum. For all intents and purposes, their result is certainly a genuinely entertaining one, propelled mostly by its musically-gifted lead performers, but also its entire ensemble, all of whom act, sing, and move as if they're all having a sassy, gay ol' time. But their smile-inducing antics do require some leeway.

Cyril Nri will take on the role of Willy Loman in Arthur Miller's DEATH OF A SALESMAN at the Liverpool Everyman, directed by Olivier Award-winning Tristan Fynn-Aiduenu.

“Politics have no place in theatre,” says a person who has no idea that some of the first-ever plays from Ancient Greece were political. From Antigone by Sophocles to Julius Caesar by Shakespeare, there has been no shortage of bold theatre spreading a message.

This Fourth of July, Pure Life Theatre, the City of Raleigh, and Seed Art Share will be presenting the 1968 groundbreaking rock musical, HAIR, in concert at Fred Fletcher Park. I recently got in touch with two of the people involved: Dylan Bailey, who's on the board of directors for Seed Art Share as president, and Wade Newhouse, who happens to be the director of this event. We discussed a lot of this and more.

Ensemble Studio Theatre and the Alfred P. Sloan Foundation announced ten recipients for their 2026 Science and Technology New Play Commissions, continuing a 25-year program that has developed over 300 plays exploring science.

wild project has revealed a slate of upcoming programming at its Lower East Side venue, including a solo polaroid exhibition by Rob Roth, staged readings from Cherry Picking, and the launch of a new live music series, Sound Stage.

When it comes to experimental theatre in North America, few have a legacy as long, dedicated, and influential as Richard Foreman. When Foreman died in 2025, he left an archive of over 50 years of work from his Ontological-Hysteric Theatre company, founded in 1968. Foreman’s theatrical explorations prioritized immediacy and the present over a fixed sense of narrative, focusing on the process of the play’s creation and the audience’s interpretation.

End of the Rainbow offers a rare chance to witness Judy Garland’s final chapter brought to life with extraordinary depth by Tammy Lukas. Her performance captures Judy’s fire, fragility, and humor with a precision shaped by years of study and a lifelong connection.

Much has been written about the proliferation of pop singer-songwriters writing new musicals for Broadway and off-Broadway. Less covered is the trend of pop singers performing on Broadway, which has made for a number of memorable appearances in current and recent seasons. 

Patchogue Theatre for the Performing Arts will present the My Generation Tour, featuring The Lovin' Spoonful, Gary Lewis and the Playboys, and The Hollies Greatest Hits starring Rock & Roll Hall of Famer Terry Sylvester.

Rise and shine, BroadwayWorld! It is May 26, 2026 and it's time to catch up on all of the theatrical happenings you may have missed over the weekend.

Goodman Theatre Artistic Director Susan V. Booth and Executive Director John Collins have revealed the 2026/2027 Season line-up, beginning this fall. With 12 productions—five world or Chicago premieres, a reinvestigated classic and more.

Beautifully acted, engagingly riveting, and populated with impactful characters, Reggie D. White's thoughtfully sprawling and emotionally layered new play—directed by Lili-Anne Brown—delivers an ambitious, deeply affecting examination of generational legacy, Black identity, masculinity, and the elusive pursuit of emotional healing. Set almost entirely within the walls of a suburban home in Southern California, the touching, and, often times, quite humorous play unfolds across multiple decades, chronicling the intersecting lives of three generations of African-American men connected not only by blood, but by inherited silence, buried resentment, generational trauma, and a complicated yearning for deep connection.

Friendship is nearly always a side element in musicals. From the comic sidekick of the leading character to the backup pals who provide background vocals, friends are part of the fabric of many shows—but rarely are they the main event.