Sam Shepard’s fiercely funny, OBIE award-winning play returns to the stage. With their family home on the verge of collapse and the creditors closing in, the Tate family white knuckles to their past, while scratching and clawing their way towards a better future. Told through a contemporary biting lens, this classic story dismantles the American dream in its look at a family fighting to stay alive.
At some moment in this last segment, Emma declares she’s waiting for something to happen (thereby speaking for the audience, too). Playwright Shepard—who’s already called for a live sheep (the attentive Lois) as well as nudity—provides such an outburst (special thanks to sound designer Leah Gelpe, lighting designer Jeff Croiter), but it feels too busily contrived, as does a stretched-out closing parable.
Scott Elliott’s direction fails to fit all the seemingly disparate vocabulary of Shepard’s work into a coherent stage language. Throughout the play, the characters randomly break out into monologues that seem taken from a lucid dream state. ... These speeches then feel didactic in a way Shepard’s script never does, their fourth-wall-breaking execution making the play feel disjointed and self-consciously stagy — which is also a problem with the performances.
| 1978 | Off-Broadway |
Off-Broadway |
| 1985 | Off-Broadway |
Off-Broadway |
| 1997 | Off-Broadway |
Off-Broadway |
| 2019 | Off-Broadway |
Signature Theatre Off-Broadway Revival Off-Broadway |
| 2025 | Off-Broadway |
The New Group Off-Broadway Revival Off-Broadway |
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