CURSE OF THE STARVING CLASS Is As Timely As Ever — Review
6 / 10
To breathe theatrical life into this wild clan—and Shepard’s scorching dialogue—demands a degree of intensity that Scott Elliot’s production just can’t provide.
6 / 10
To breathe theatrical life into this wild clan—and Shepard’s scorching dialogue—demands a degree of intensity that Scott Elliot’s production just can’t provide.
5 / 10
At some moment in this last segment, Emma declares she’s waiting for something to happen (thereby speaking for the audience, too). Playwright Shepard—who’s already called for a live sheep (the attentive Lois) as well as nudity—provides such an outburst (special thanks to sound designer Leah Gelpe, lighting designer Jeff Croiter), but it feels too busily contrived, as does a stretched-out closing parable.
| 1978 | Off-Broadway |
Off-Broadway |
| 1985 | Off-Broadway |
Off-Broadway |
| 1997 | Off-Broadway |
Off-Broadway |
| 2019 | Off-Broadway |
Signature Theatre Off-Broadway Revival Off-Broadway |