Review: ICONIC WORKS at Woolly Mammoth Theatre Company
by Steve Sucato - Jul 14, 2026
For her final production as Artistic Director of Washington, D.C.-based Chamber Dance Project (CDP), Diane Coburn Bruning chose to pair a few of her signature contemporary ballets with others from CDP’s rich repertory, along with a world premiere ballet by up-and-coming choreographer William Moore.
Himangini Puri Wants Women’s Stories to Stop Being Treated Like Exceptions
by Team BWW - Jun 23, 2026
Some characters are treated as if their lives are too late, too specific, too quiet, or too difficult to carry a story. Himangini Puri does not believe that. She has built her work around the opposite idea: the people pushed to the edge of a frame often have the most interesting things happening inside them.
Review: THE MISANTHROPE, starring Sandra Oh
by Cindy Marcolina - Jun 24, 2026
If Molière was preoccupied with censorship and retaliation, Crimp shows an obsession for cancellation. He reveals an anti-internet and anti-woke stance, with many invectives betraying his own fears.
Review: Inside Gov Ball Day Two at Flushing Meadows Corona Park
by Alex Del Cueto - Jun 11, 2026
A weather-cut day still delivers high energy and standout performances at day two of the annual Governor's Ball festival in Queens. The stacked lineup featured a wide range of artists and headlined by K-pop group Stray Kids.
Interview: Theatre Life with Melanie Field
by Elliot Lanes - Jun 4, 2026
Today’s subject Melanie Field is currently living her theatre life onstage at Shakespeare Theatre Company (STC) playing the role of Emilia in Othello. The production is helmed by STC’s Artistic Director Simon Godwin and runs through June 28th at Harman Hall.
Interview: CAMP MORNING WOOD Cast Members Bare It All, PART THREE: Jeffrey Johns
by David Green - Mar 21, 2026
PRISM Theatre Company's debut production, CAMP MORNING WOOD, plays its final weekend in Palm Springs with just four more performances remaining before the campfire goes out. The show’s premise is about seven characters navigating their inhibitions in the judgement-free, clothing-optional environment of Camp “Morning Wood”. It is far from an evening a high-art or thought-provoking theatre but, if you just want to let go of the cerebral and give in to a mindless romp with a wonderfully engaging cast, CAMP MORNING WOOD is the ticket. I had the chance to catch up with Jeffrey Johns, the actor who plays the musical’s comedic, scene-stealing twink, Derek, prior to a recent matinee performance. Here are a few excerpts from the conversation:
Student Blog: From Precision To Expression
by Student Blogger: Anna Porter - Mar 12, 2026
I have spent years being afraid of what makes me uncomfortable, and I am so happy that I have realized that to grow, I need to do things that I don’t know how to do, or things that I am not immediately good at, or things that I feel insanely silly doing.
Review: CANTUS & THE KING'S SINGERS at Minnesota Orchestra Hall
by Jared Fessler - Feb 13, 2026
Thursday night at Orchestra Hall had a different kind of energy right from the start. The place was full, and you could feel that people knew this wasn’t just another concert — it was the first time Cantus and The King’s Singers were sharing the stage.
Review: JITNEY at Black Theatre Troupe
by Herbert Paine - Feb 7, 2026
The play is suffused with the sympathetic wisdom that defines Wilson’s writing. He looks at lives many would dismiss as small or defeated and finds in them an undeniable nobility.