Co-Optimists - 1925 - West End Articles Page 9

'In my younger and more vulnerable years my father gave me some advice that I've been turning over in my mind ever since. Whenever you feel like criticizing anyone, he told me, just remember that all the people in this world haven't had the advantages that you've had.' Thus famously begins both F. Scott Fitzgerald's novel 'The Great Gatsby' and its stage incarnation 'Gatz' in the Elevator Repair Service (ERS) production currently running at Berkeley Repertory Theatre. Wait, you mean Fitzgerald was addressing the notion of privilege way back in 1925? Yes, indeedy! In fact, so much of his novel resonates so deeply with our current state that it's a perfect time to revisit this classic. Which is exactly and literally what ERS is doing here. The text of 'Gatz' consists of every word in the novel and nothing more. So, yes, that means you're in for roughly six hours (plus 2 intermissions and a welcome dinner break) of Fitzgeraldian theatrical experience. If those last two sentences intrigue you at all, I highly recommend you take the ride.

Northwestern University dedicated a blackbox theater at the Virginia Wadsworth Wirtz Center for the Performing Arts in the name of three trailblazing alumnae. The Clara, Lu a??n' Em Theater was named in recognition of a gift to the School of Communication, which will be used to create a dean's discretionary fund supporting areas of greatest need. David Berolzheimer made the gift in memory of his mother, Northwestern alumna Isobel Carothers Berolzheimer, and two of her classmates - the trio co-created the first radio soap opera: 'Clara, Lu a??n' Em.'

Bethel Woods Center for the Arts, the nonprofit cultural center located at the historic site of the 1969 Woodstock festival in Bethel, N.Y., today announced that Reigning ACM 'Artist of the Decade' Jason Aldean will perform at the center on July 23rd as part of the summer leg of his 2020 WE BACK TOUR.  Sponsored by Corona Light and named after Aldean's Top 10 and climbing lead single from his No. One selling album, 9 (Macon Music/Broken Bow Records), the adrenaline-fueled run will continue with special guests Brett Young, Mitchell Tenpenny and Dee Jay Silver.  Information regarding public on-sale is forthcoming and will be available at www.BethelWoodsCenter.org, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1-800-653-8000. 

Reigning ACM “Artist of the Decade” Jason Aldean announced details today behind the summer leg of his 2020 WE BACK TOUR as the run will launch in Toronto, ON, on July 17. Sponsored by Corona Light and named after Aldean's Top 10 and climbing lead single from his No. One selling album, 9 (Macon Music/Broken Bow Records), the adrenaline-fueled run will continue with special guests Brett Young, Mitchell Tenpenny and Dee Jay Silver. Citi is the official presale credit card for the 2020 WE BACK TOUR. As such, Citi cardmembers will have access to purchase presale tickets through Citi Entertainment®. For complete presale details visit www.citientertainment.com. Additionally, Live Nation is the official tour promoter and fans can first purchase tickets beginning Jan. 24th for select cities as part of Live Nation's Country Megaticket at www.Megaticket.com. 

A funny thing happened the other night at the Met when the curtain came down on William Kentridge's stunning new production of Alban Berg's cruel and devastating WOZZECK. The audience didn't rush from their seats to escape into the night. They stayed and cheered for an opera with a reputation for being, well, challenging for opera-goers weaned on Figaros and Flutes, Aidas and even Ring Cycles.

Goodman Theatre, now in its 95th season, announces the a?oeLegacy & Promisea?? Education and Engagement luncheon on Wednesday, February 5 featuring Emmy Award-winning and Tony Award-nominated actor Sean Hayes. Hayes joins the Goodman's Walter Director of Education and Engagement Willa J. Taylor and more for this 5th annual event, which celebrates the theater's programs for youth, schools and lifelong learners. Proceeds from the event support these programs, all of which are offered completely FREE of charge to participants and are 100% funded by individual contributions. Event leadership includes Joan Clifford, Immediate Past Chair and Benefit Events Leadership Chair; Patricia Cox, Education and Engagement Trustee Leadership Chair; Kathleen Cowie, Goodman Theatre Trustee and Education and Engagement Committee Chair; and Teri Brown and Lorrayne Weiss, Women's Board Education and Engagement Co-chairs. The event takes place at The Palmer House (17 E. Monroe) at 12noon (registration opens at 11:30am). Tickets start at $250; call 312.443.3811 ext. 220. Proceeds benefit Education and Engagement at the Goodman. Media interested in attending/covering should call 312.443.5151.

In a working partnership approaching three decades, composer Stewart Copeland and librettist Jonathan Moore bring their latest opera 'Electric Saint' to Kunstfest Weimar in September of 2020. The project is a co-commission of the innovative Kunstfest alongside Deutsches Nationaltheater Weimar (DNT). The world premiere performance will take place at Deutsches Nationaltheater Weimar on September 6, 2020, with seven subsequent performances in Weimar.

Gingold Theatrical Group (David Staller, Artistic Director) will continue the 14th Season of Project Shaw, Art as Activism: A Theatrical Survival Guide, a special series of evenings of plays that embrace human rights and free speech. All of GTG's programming, inspired by the works of George Bernard Shaw, are designed to provoke peaceful discussion and activism.

How do we trust what we see or feel? How do we know which voices are truly our own? THE THEATRE CENTRE and THE ECT COLLECTIVE are proud to Co-produce HERE ARE THE FRAGMENTS., an immersive work of theatre written by Suvendrini Lena, Theatre Centre Residency artist and CAMH Neurologist. Based on the psychiatric writing of famed political theorist Frantz Fanon and combining narratives, sensory exploration, and scientific and historical analysis, HERE ARE THE FRAGMENTS. reflects on the relationships between identity, history, racism, and mental health. FRAGMENTS. will run November 19 to December 1 at The Theatre Centre (Opening Night November 21).

Critics and audiences are raving over Centenary Stage Company's production of Arnold Ridley's The Ghost Train which heads into its final weekend of shows at the Lackland Performing Arts Center.

Centenary Stage Company's professional theatre series kicks off with Arnold Ridley's classic thriller The Ghost Train opening Friday, October 4 at 8:00 pm and running through October 20 in the Lackland Performing Arts Center. All performances will be held in the Sitnik Theatre of the Lackland Performing Arts Center. Tickets range from $25.00 to $32.00 for adults with discounts available for students, seniors and children under 12.

Peter Brook/NY today announces that Tarell Alvin McCraney will interview Peter Brook following the Thursday, September 26, performance of Why?, written and directed by Peter Brook and Marie-Hélène Estienne; featuring Hayley Carmichael, Kathryn Hunter, and Marcello Magni; and presented by Theatre for a New Audience. The event, which is free and open to the public, will be filmed by partner organization WNET/ALL ARTS for future broadcast. For complete Peter Brook/NY programming information, please visit tfana.org/pbny.

Works & Process, the performing arts series at the Guggenheim,presents Ballet West: Balanchine's Ballets Russes Le Chant du Rossignol andApollo on Sunday, September 29, 2019 at 3pm & 7:30pm.

With the premiere of CURRENT:LA FOOD approaching, the City of Los Angeles Department of Cultural Affairs (DCA) announces the schedule of events for the 15 CURRENT:LA FOOD commissioned artists and artist teams and the commissioned community partners.

NYU Steinhardt's Vocal Performance program will present the classic musical Gypsy, September 19a?"23. The renowned show business tale features a book by Arthur Laurents, music by Jule Styne, and lyrics by Stephen Sondheim. Acting faculty member Jessica Bashline will direct NYU's production. 

Today a consortium of New York City cultural, educational, and media institutions announce Peter Brook/NY (Karen Brooks Hopkins, Executive Producer), a citywide recognition of Brook's work and his collaborations with Marie-Hélène Estienne from 1953 to the present. In addition to the U.S. Premiere of Brook and Estienne's Why? which Theatre for a New Audience (TFANA) presents September 21 a?" October 6 at Polonsky Shakespeare Center, Peter Brook/NY features programing from BAM, The Center for Fiction, Columbia University, French Institute Alliance Française's Crossing the Line Festival, Hunter College, The Juilliard School, TFANA, and WNET.  A booklet produced by BAM Hamm Archivesa?"featuring historic photographs, a timeline of Brook's productions and New York presence, an essay by writer Violaine Huisman, and information about Peter Brook/NY eventsa?"will be available to all attendees and online at BAM.org and TFANA.org.

Centenary Stage Company the professional not-for-profit theatre company in residency on the campus of Centenary University will be holding AEA auditions for the upcoming main stage production of The Ghost Train by Arnold Ridley.

La MaMa announces its 58th season, featuring more than twenty world and US premieres, and dozens of artists, playwrights, choreographers, directors, award-winning theater companies and composers, including Philip Glass, Andrei Serban, Estelle Parsons, Germaine Acogny, Evan Yionoulis, Theodora Skipitares, Anne Bogart, Charlotte Brathwaite and many more.

The 30th anniversary season of the Bard Music Festival a?" an exploration of a?oeKorngold and His Worlda?? a?" opens this Friday, August 9, with Weekend One: Korngold and Vienna. The first of the weekend's six themed concerts, Program One: a?oeErich Wolfgang Korngold: From Viennese Prodigy to Hollywood Master,a?? offers a broad overview of the composer's multi-faceted career.

As part of its ongoing dedication to community engagement and producing thought-provoking new work, Single Carrot Theatre is launching its 12thseason with three site-specific productions staged at venues throughout Baltimore. Included are two works by Baltimore playwrights-R. Eric Thomas and Miranda Rose Hall-and a powerful piece by award-winning playwright Rajiv Joseph

The French Institute Alliance Fran aise (FIAF), New York's premier French cultural and language center, today announced the 2019 Crossing the Line Festival, featuring 11 performances and a gallery exhibition from a geographically, generationally, and artistically diverse group of artists whose work transcends genres and boundaries. All performances are world, US, or New York premieres; they are united by their convention-breaking fearlessness as they confront topics from social injustice to personal demons. Many of the performances pay homage to legendary artists of our time and previous eras, while the theme of migration and its transformational effects on identity informs several others. The festival runs from September 12 to October 12. Ticket are available at crossingtheline.org.

Theatre for a New Audience founding artistic director Jeffrey Horowitz, having just received the Lifetime Achievement Award at the 2019 OBIEs, today announces TFANA's 40th anniversary season. The 2019-2020 programming exemplifies what makes TFANA, in the words of the OBIE committee, one of the city's most vital institutions championing adventurous and urgent productions of Shakespeare alongside other writers.

The 14th Annual Provincetown Tennessee Williams Theater Festival is pleased to announce the details of its full 2019 program in September, titled Tennessee Williams and Yukio Mishima.

The Magnetic Field's Stephin Merritt and the director of HORN FROM THE HEART: THE PAUL BUTTERFIELD STORY, John Anderson, are Tom Needham's exclusive guests this Thursday on WUSB's THE SOUNDS OF FILM.

BRIC, the leading presenter of free cultural programming in Brooklyn, is pleased to announce the lineup and sponsors for its 41st annual BRIC Celebrate Brooklyn! Festival. With 29 performances (June 4 - August 10), the Festival launches a new season for the pioneering NYC arts-and-media organization. With new leadership at the institution's helm, BRIC is recommitting itself to presenting programming that is reflective of Brooklyn's eclecticism and diversity, and this season will feature a wide array of free, world-class performances at the beautiful Prospect Park Bandshell.