All That I Will Ever Be - 2007 - Off-Broadway Articles Page 2

I play the character of Goli. She's the youngest character in the play; she's 18. For Goli specifically, her relationship to English is really sweet. She's described as this young, sweet spirit in the classroom. She's just carefree and has fun.

Theater West End was wise to split Angels in America in the season as two separate performances, each with their own block in the schedule. Originally, I was concerned that the Part Two of it all might turn away prospective theatergoers. But upon watching both parts now, and bearing in mind my own familiarity for the characters, I can also see now how the original production’s 18-month gap would have also been enticing for an audience.

Laura Bell Bundy – who brings “Songs & Stories with Laura Bell Bundy” to Foxborough’s Marilyn Rodman Performing Arts Center on February 22 – has been a performer since she was just nine years old and made her stage debut in the Christmas Spectacular at Radio City Music Hall.

On February 13th & 14th, the North Carolina Symphony will be presenting BRAVO BROADWAY. Three guest vocalists are coming down to the Triangle area to perform showstoppers from beloved Broadway musicals such as WICKED, RENT, HAMILTON, THE PHANTOM OF THE OPERA, and more. I recently got to speak with each of them.

Sullivan Fortner, recent Grammy winner for Best Jazz Instrumental Album, will perform at the 2026 Gilmore International Piano Festival in Kalamazoo, MI. The event spans from April 30 to May 10, showcasing Fortner's acclaimed jazz compositions.

Bill Rauch ’84, acclaimed theater director and artistic director of the Perelman Performing Arts Center in New York (PAC NYC), will be the recipient of the 2026 Harvard Arts Medal.

Tony Award-winning producers Hal Luftig, Cathy Dantchik and Kevin Connor proudly announce the launch of HALCYON THEATRICALS, a new full-service producing and consulting theatrical  company, named for the mythic halcyon bird who could calm the seas and create a time of success, prosperity and  harmony.

The reason the play works at all is because of the sheer strength of its production values and the commitment of its cast. When you look at all the design elements – sets, lighting, illusions, choreography – and combine it with performers who move through that space with the same ease as one breathes, it create a cohesive, immersive world that feels both magical and meticulously controlled.

While much of the dramatic weight of Angels in America undeniably stems from the specter of AIDS, it would do the play a huge disservice to reduce it to a story about disease alone. What Theater West End makes clear is that Kushner’s work is as much about identity, loss, and the human struggle to reconcile who we are deep down with who we present to the world.

This February, Seattle Opera will present the trailblazing opera Fellow Travelers, a gay love story set during the Lavender Scare, a McCarthy-era witch hunt that ousted thousands of gay and lesbian employees from the federal government.

The cult BBC comedy series The High Life comes to Scottish stages as a brand-new musical, with Alan Cumming and Forbes Masson teaming up with writer Johnny McKnight and director Andrew Panton.

London is a city built on ghosts. Romans, plague pits, abandoned Tube stations and the collective memory of audiences who still shudder about The Woman in Black. There’s even a theatre supposedly inhabited by a ghost dolphin called Flipper.

The hilarious and irreverent comedy has become a vital part of every Christmas season in Los Angeles since 1995, and dedicated fans have been returning over the years to laugh at all the riotous antics. 

One of the best parts of seeing a show in New York City is how there is often a relevant historic spot to visit, just steps away from the show you’re seeing. Here's just a few examples...

Tony and Obie Award-winning actor, writer, and director John Cameron Mitchell will return to Broadway in the hit play Oh, Mary! for a limited 12-week engagement this winter. Learn more here!

wild project have purchased the building at 195 East 3rd Street, permanently solidifying their artistic home in the East Village of New York City. Learn more here!

The Fall 2025 season is in full swing, and with it, comes new plays for theatre lovers of all kinds. Whether you live for intense dramas or would rather escape with zaney comedies, there's something for everyone both on and off-Broadway in Winter 2025/26.

Multi-platinum pop icons New Kids On The Block have added 16 new dates through 2026 for their debut Las Vegas residency, “THE RIGHT STUFF,” at Dolby Live at Park MGM.

Hayley Williams recently announced her first-ever solo tour - Good Dye Young Presents: Hayley Williams At A Bachelorette Party. Due to overwhelming demand, additional shows have been announced, including third nights in New York, Nashville, Oakland and Los Angeles.

Read a conversation with drag artist Kiki Ball-Change about We’re In Hell — a devilishly hilarious, one-night-only cabaret descending through the nine circles of Dante’s Inferno on 10/27.

Today’s subjects Edwaard Liang and Dwight Rhoden make up two fourths of the choreographic team for The Washington Ballet’s program of Moving Forces. The production will be presented in the Eisenhower Theater at Kennedy Center on October 24th through 26th.

Negotiations continue as two of Broadway's biggest unions, Actors' Equity Association and Local 802 AFM (Broadway musicians) work toward new working contracts with the Broadway League. 

Saturday morning, we're excited to report news from Equity that one deal has been tenatively reached. Learn more about the deal and what it means for the chances of a Broadway Strike.

There is a chance that sometime in the near future, the show won't go on. That's because two of Broadway's biggest unions, Actors' Equity Association and Local 802 AFM (Broadway musicians) are in the process of negotiating new working contracts with the Broadway League. 

With frontotemporal dementia (FTD) in the news due to actor Bruce Willis fighting the disease for several years, I decided to speak with playwright Jake Broder, an Atlantic Fellow at the Global Brain Health Institute, about his motivation to create Unravelled and his research on the disease.