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BBC Proms Achieves Record Digital Reach With 8.3M Streams

by Rachel Stone — Sep 16, 2026

The BBC Proms concluded an eight-week run of 86 concerts across the Royal Albert Hall and UK venues, achieving 8.3 million streams on BBC iPlayer and BBC Sounds, along with 65.8 million social media views.

SWEENEY TODD to Open at Short North Stage

by Stephi Wild — Sep 16, 2026

Short North Stage will present the Tony Award-winning musical SWEENEY TODD: THE DEMON BARBER OF FLEET STREET from September 24 through October 18, 2026, in Columbus, Ohio. The production stars Nyla Watson as Mrs. Lovett and Torrey Linder in the title role.

lolitslea Releases Sophomore Album ROLLERCOASTER TYCOON

by Rachel Stone — Sep 15, 2026

lolitslea released the sophomore album ROLLERCOASTER TYCOON, featuring a new music video for the title track. The album has been featured on idobi Radio, Digital Tour Bus, The Jersey Sound, V13, The Concert Chronicles, and OurSpace.

Review: BBC PROMS: LAST NIGHT OF THE PROMS 2026, Royal Albert Hall

by Debbie Gilpin — Sep 14, 2026

“It’s tradition, Oliver. Traditions are important”, so says Dawn in the Inside No. 9 episode “Last Night of The Proms”, explaining the actions of The Prommers during the Fantasia on British Sea-Songs section of the concert to her teenage nephew. Anyone at the Royal Albert Hall (or watching from home) on Saturday night might have been forgiven for thinking that the first two thirds of the programme were incidental, given the insistence on party poppers being set off every two minutes and flags taking over nearly every spare inch of the auditorium - all while Sakari Oramo conducted the BBC Symphony Orchestra through a mixture of pieces from the past two centuries.

Review: BBC PROMS: STRAUSS’S ‘FOUR LAST SONGS’, Royal Albert Hall

by Debbie Gilpin — Sep 12, 2026

“It is difficult composing endings. Beethoven and Wagner could do it. Only great composers can do it. I can do it too.” It wasn’t just Richard Strauss’s death-embracing 'Four Last Songs' which fit this theme in the BBC Scottish Symphony Orchestra’s final Prom of the season, as Franz Schubert’s 8th symphony remained unfinished at his death - and Schubert’s setting of a morbid Goethe poem inspired Hans Werner Henze’s “Erlkönig”. The Benjamin Britten arrangement of the third movement of Gustav Mahler’s 3rd symphony (What the Wild Flowers Tell Me) does not immediately strike you as being consumed with mortality, but if you listen carefully you might find themes which go beyond the superficially pastoral. Quite a programme for this orchestra to go out on.

Review: BBC PROMS: RATTLE CONDUCTS SCHUMANN, Royal Albert Hall

by Louise Penn — Sep 9, 2026

This is not easy material to perform: there is a definite sense of the man behind the music cracking open his soul in sharing his compositions. This Prom is a definite treat, and Schumann's poetic and elegant works shine in this Baroque orchestra treatment.

Review: BBC PROMS: BERLIN PHILHARMONIC PLAYS ELGAR AND TCHAIKOVSKY, Royal Albert Hall

by Debbie Gilpin — Sep 6, 2026

Widely renowned as one of the best (if not the best) orchestras in the world, the Berliner Philharmoniker brought an elegant programme to the first of their two appearances at this year’s Proms, comprising Elgar’s ‘Enigma’ Variations and Tchaikovsky’s Symphony No. 4 in F minor. Helmed by Chief Conductor Kirill Petrenko, it was an evening of great skill and artistry; tackling well known pieces (especially Proms regulars) can be something of a poisoned chalice, but this group of musicians made it seem absolutely effortless.

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