SCOTLAND THEATRE NEWSROOM - Page 81

Lily Wolff directs with gorgeous brushstrokes.

It’s a tale of resilience, resentment, and regret told with instinctive storytelling and a dash of friendly advice.

Captivating writing is matched by a tireless performance that transports you in time with a complex breakdown of drug abuse.

Ania Magliano solidifies herself as a star of the UK Comedy scene with her latest hour of stand up.

A new hour of stand-up by the wee guy with the glasses from Glasgow.

The Parker & Schnell Youth Company showcase the immense talent of young people through their performance of ‘DNA’.

It has just been announced that Fishamble: The New Play Company has been awarded a Scotsman's Fringe First Award for Heaven by Eugene O'Brien starring Andrew Bennett and Janet Moran and directed by Jim Culleton.

Faizal Abdullah launches an engaging, thought-provoking, unique and deeply personal exploration of Malay identity in Singapore through his performative lecture Siapa Yang Bawa Melayu Aku Pergi? (Who Took My Malay Away?)

Arthur Conan Doyle’s 1887 classic Sherlock Holmes adventure A Study in Scarlet is once again set to captivate audiences in late summer when it is brought to life in the theatrical adaptation Sherlock Holmes: A Study in Lipstick, Ketchup and Blood written by acclaimed writer Lesley Hart in Pitl

Tones: A Hip-Hop Opera marks fifty years of Hip Hop wonderfully by sticking to the roots of the music all the while showing just how far it has come.

'Queers in classrooms!' 'Perverts panicking parents!' – a new musical about pride, protest… and abseiling lesbians.

Super feels just as artificial and hollow as the characters it is portraying.

A queer immersive nightclub musical based on the life of Oscar Wilde? In theory, this sounds incredible.

The Edinburgh Fringe truly demonstrates that anything can be a musical.

Ella Lovelady’s debut play End of the World really does include everything but the kitchen sink.

I’m sick of everyone moaning all the time, so I’ve written a show about how bloody great everything is.

Aunt Hilda herself is headed to Edinburgh as Canadian actress and stand-up comedian Caroline Rhea announces a brand new Fringe show at Gilded Balloon - 'I Identify As A Witch'.

With light and breezy writing, Jorgensen delivers an accurate analysis of what it feels like to try to find a partner in the 21st Century in 35 delightful minutes of Regency fun.

My Father’s Nose is a surprisingly heartwarming show about death and moving on.

All in all, it’s not a great play, but it’s also not a particularly bad one either.

What seems like a silly little comedy about millennial dread at first becomes a pointedly anti-Tory invective in Louis Rembges’s Chatham House Rules.

Box Tale Soup adapt MR James’s ghost story into a play that has the same dark feel of a Penny Dreadful episode.

Zach Hawkins is incredible with Ryan’s exuberant resignation.

There is something surreal about watching a play banned for blasphemous biblical portrayal in an old Church.

Double Emmy Award winner and star of Smack The Pony is doing her first ever show.