FOOTHILL MUSIC THEATRE

by Kelly Rogers Flynt - April 05, 2026

Center Rep presents Neil Simon’s classic tale of family and obligations, LOST IN YONKERS. In a world of sound bites, TikTok, and AI images, this show reminds us that when it comes to family, things haven’t really changed that much. With humor and heart, the show demonstrates that even in the mid...

by Steve Murray - April 03, 2026

Berkely Rep’s co-production with La Jolla Playhouse of Ngozi Anywanu’s The Monsters is a joyous, heartwarming story of the bond between sister and brother that will want to make you hug your sibling. Both emotionally devastating and rewarding, The Monsters is brilliantly written, superbly acted ...

by Steve Murray - April 02, 2026

For Starra Jones, a baller from rural Plainnole, Arkansas, fulfilling her mother’s dream of basketball glory is her prime motivation. Playing a style of ‘dirty’ ball, her braggadocio will lead her to a foul play in Candrice Jones’ Flex, making its West Coast premiere at SF Playhouse....

by Linda Hodges - April 01, 2026

It's easy to see why Beetlejuice, the screen-to-stage adaptation of Tim Burton's beloved 1998 cult-classic film, earned eight 2019 Tony Award nominations including Best Musical. It is to die for. ...

by Steve Murray - March 30, 2026

There are many types of great theatre- light, cheerful, romantic, uplifting, silly, classic. Z Spaces’ co-production of Tadeusz Slobodzianek’s Our Class is unflinchingly dark, emotionally devastating and a tough watch – but it is great theatre, a timely cautionary tale of evil startingly conce...

by Steve Murray - March 23, 2026

I admit I’ve never seen Stephen Sondhiem’s Assassins, nor ever heard the score or read the synopsis. A flop in 1990, the 2004 revival won five Tony awards, and it’s been in theatre rotations since, often causing controversy for its raw language and unsavory content. A play from the perspective...

by Steve Murray - March 23, 2026

The San Francisco Gay Men’s Chorus, the world's first openly gay chorus, continues it’s forty-eighth season with a concert both cheerful and deeply emotional celebrating the music and events of the 1980’s. For the LGBT community, the 80’s was the apocalypse incarnate - a community devastate...

by Jim Munson - March 22, 2026

What did our critic think of DON QUIXOTE at San Francisco Ballet?...

by Steve Murray - March 21, 2026

What did our critic think of AN INTIMATE EVENING WITH LUCIE ARNAZ at Feinstein's At The Nikko?...

by Steve Murray - March 19, 2026

There is plenty of interesting ideas in Eisa Davis’ into the lives of four women, students in a summer music program. The need for arts education drives these girls, partly for parity in a male dominated world of music and secondly as a respite from the dramas of their individual lives....