This ferociously funny drama, follows the intertwined lives of a quick-witted tiger, two homesick American marines, and a troubled Iraqi gardener as they roam the streets of war-torn Baghdad in search of meaning, redemption, and a toilet seat made of gold. Surreal and darkly humorous, it explores the madness of life in war as well as the power and the perils of human nature.
The pace is baggy and the tragedy is diffuse, its drama undercut by cerebral questioning. The production’s most enraged moments are downplayed when it could go for the jugular. But the high-wire mix of comedy, horror and intellectualism is brave, the imagination and profundity a breath of fresh air in a theatrical landscape that cleaves to easy entertainment and distraction from darkness. Joseph stares into the Nietzschean abyss, sniggering, and it sniggers back.
The quality of the production is outstanding. Rajha Shakiry’s set consists of crumbling concrete, sandbags and dust, providing a detailed backdrop for striking visuals throughout. Jackie Shemesh’s lighting design blends warm and cold tones, merging life and death as the text itself does. Likewise, the props collected by Kate Margrett - including a soiled severed head and rich fake blood - made for some brilliantly horrific imagery, which altogether provides an exciting variety throughout.
| 2011 | Broadway |
Original Broadway Production Broadway |
| 2025 | West End |
West End |
Videos