Discover the best reviewed Broadway shows by top critics on BroadwayWorld.
Reviews are in for Pre-Existing Condition at Greenwich House Theater, where Lupita Nyong'o leads Marin Ireland's acclaimed play before Phillipa Soo, Susannah Flood, Hari Nef, Edie Falco and Whitney White rotate into the central role.
The film adaptation of Prima Facie, starring Cynthia Erivo, made its world premiere at the Toronto International Film Festival. Read the reviews for Prima Facie here!
split/decision is presenting the World Premiere of Safe House by L.B. Browne, directed by Benjamin Viertel at Theatre Row. See what the critics are saying...
The U.S. premiere of Garry Starr: Classic Penguins, written and performed by Damien Warren-Smith, is now playing at Studio Seaview. Read the reviews here!
Are the critics screaming over the first play of the 2026/27 Broadway season? Paranormal Activity officially opened tonight at the August Wilson Theatre. The new play is written by Levi Holloway and directed by Felix Barrett. Let's see what the critics are saying...
The World Premiere of benevolent by Sophie McIntosh, with Good Apples Collective, is officially open Off-Broadway. See what the critics are saying about the production in Broadwayworld's Review Roundup.
Emotions are running deep at Theatre Latté Da as they opening their 2026-2027 season with a passionate and moving production of Paula Vogel’s Indecent.
What did our critic think of INS CHOI'S SON OF A PREACHERMAN at the National Arts Centre?
Sometimes you get a perfect storm of circumstances that turns the ordinary into the extraordinary. Whether by design or by luck, the Sherman Players have taken advantage of this perfect storm with their production of 'Inherit the Wind'.
A musical full of mischief, fun and warmth in the true spirit of the beloved Emil.
GREASE at the Tuacahn Amphitheatre is a chipper throwback to a simpler time. Sit up front and enjoy the fizzy good time of days gone by!
Henry never expected his first girlfriend, Liz, to turn up at his flat. Especially not as a sex robot.
Canadian Opera Company’s season opener La Traviata pulls out all the stops and sets an extremely high bar for the rest of its 26-27 offerings. My companion has been coming to the opera with me for many years, and she was blown away, proclaiming this as one of her all-time faves. “A triumph,” she said, and I couldn’t agree more.
Joffrey Ballet soars in John Neumeier's LILIOM
Dear Readers, I don’t mean to make anyone feel ancient but “A Chorus Line” is 51 years old! And the 5th Avenue Theatre dusting off the old girl for their current remount may feel like a bit of nostalgia. But if their spectacular production proves anything, it’s that “A Chorus Line” is still the masterpiece it always was.
The Trisha Brown Company shimmers in their tribute to Bob Rauschenberg.
The Guthrie's Waiting For Godot brings the laughs but also the emotion.
What did our critic think of HELL'S KITCHEN at Blumenthal Performing Arts?
THE BOOK CLUB PLAY in the Anes Studio Theatre at the Utah Shakespeare Festival is a literary masterpiece that is written, directed, and performed to perfection. You may wonder if it could really be as good as you’ve been hearing, and it absolutely is.
Like a magician who somehow keeps producing one dazzling surprise after another, musician extraordinaire Gunhild Carling had the audience on the edge of its seat as her jazz/pop music and showmanship delivered one thrilling song after another
Richard brings us on a deeply personal journey through trauma and belonging in finding and regaining her voice in a society built by and catered to white people.
She’s sufficiently droll as a storyteller that she invariably amuses. The audience was in the palm of her hand from the first.
DreamWrights presents a double feature with The Fable Festival and Mother Goosed on stage from September 18th to 27th under the direction of Hannah Kuhn. The Fable Festival and Mother Goosed is filled with animals and nursery rhymes gone wrong. It is perfect for families with children. It’s also an excellent opportunity to support local playwrights. Congratulations to the winners of Dreamwrights’ Fable Festival!
Wimberley Playhouse’s DRACULA: A FEMINIST REVENGE FANTASY, REALLY delivers humor, horror, and strong performances while sinking its teeth into questions of power, patriarchy, autonomy, and the courage required to claim one’s own authority.
Tucked into La Grange's intimate corner of Bruxellons, Andrew Lippa's near-sung-through two-hander proves a musical can carry real psychological weight.
What did our critic think of THE GLASS MENAGERIE at Center Rep?
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