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Broadway Show Reviews & Critics' Ratings

Discover the best reviewed Broadway shows by top critics on BroadwayWorld.

Who's Afraid of Virginia Woolf?
9.1 Positive rating
Closed Mar 3, 2013
Vanya and Sonia and Masha and Spike
8.5 Positive rating
Closed Aug 25, 2013
War Horse
8.4 Positive rating
Closed Jan 6, 2013
Golden Boy
8.4 Positive rating
Closed Jan 19, 2013
The Winslow Boy
8.2 Positive rating
Closed Dec 1, 2013
The Heiress
8.2 Positive rating
Closed Feb 9, 2013
The Mystery of Edwin Drood
7.9 Mixed rating
Closed Mar 10, 2013
The Testament of Mary
7.8 Mixed rating
Closed May 5, 2013
The Trip to Bountiful
7.7 Mixed rating
Closed Oct 9, 2013
The Assembled Parties
7.7 Mixed rating
Closed Jul 28, 2013
The Rascals: Once Upon a Dream
7.6 Mixed rating
Closed May 5, 2013
The Other Place
7.6 Mixed rating
Closed Mar 3, 2013
The Nance
7.5 Mixed rating
Closed Aug 11, 2013
Peter and the Starcatcher
7.3 Mixed rating
Closed Jan 20, 2013
Lucky Guy
7.3 Mixed rating
Closed Jul 3, 2013
I'll Eat You Last: A Chat With Sue Mengers
7.3 Mixed rating
Closed Jun 30, 2013
Elf The Musical
7.3 Mixed rating
Closed Jan 6, 2013
Evita
7.1 Mixed rating
Closed Jan 26, 2013
Nice Work If You Can Get It
7.1 Mixed rating
Closed Jun 15, 2013
Grace
6.9 Mixed rating
Closed Jan 6, 2013
Orphans
6.9 Mixed rating
Closed May 19, 2013
Big Fish
6.8 Mixed rating
Closed Dec 29, 2013
Hands on a Hardbody
6.8 Mixed rating
Closed Apr 13, 2013
Picnic
6.8 Mixed rating
Closed Feb 24, 2013
Mary Poppins
6.7 Mixed rating
Closed Mar 3, 2013
Forever Tango
6.6 Mixed rating
Closed Sep 15, 2013
Ann
6.6 Mixed rating
Closed Jun 30, 2013
Glengarry Glen Ross
6.6 Mixed rating
Closed Jan 20, 2013
Chaplin
6.3 Mixed rating
Closed Jan 6, 2013
The Snow Geese
6.3 Mixed rating
Closed Dec 14, 2013
The Big Knife
6.2 Mixed rating
Closed Jun 2, 2013
Cat on a Hot Tin Roof
6.0 Mixed rating
Closed Mar 30, 2013
Alan Cumming's Macbeth
6.0 Mixed rating
Closed Jul 14, 2013
Let It Be
5.9 Mixed rating
Closed Sep 1, 2013
A Time To Kill
5.8 Mixed rating
Closed Nov 17, 2013
Romeo and Juliet
5.6 Mixed rating
Closed Dec 8, 2013
Dead Accounts
5.4 Mixed rating
Closed Jan 6, 2013
Soul Doctor
5.3 Mixed rating
Closed Oct 13, 2013
Breakfast at Tiffany's
5.2 Mixed rating
Closed Apr 21, 2013
Jekyll & Hyde
4.6 Mixed rating
Closed May 12, 2013

Review Roundups

Review Roundup: Robert Montano's SMALL Off-Broadway

Review Roundup: Robert Montano's SMALL Off-Broadway

Chloe Rabinowitz • June 1, 2026

See what the critics are saying about Robert Monatno's Small, now officially open Off-Broadway at The Alice Griffin Jewel Box Theatre at The Pershing Square Signature Center. Read the Review Roundup here!

Review Roundup: AND THEN THE RODEO BURNED DOWN at Ars Nova

Review Roundup: AND THEN THE RODEO BURNED DOWN at Ars Nova

Chloe Rabinowitz • June 1, 2026

See what the critics are saying about And Then The Rodeo Burned Down at Ars Nova, the first Off-Broadway production of playwriting and performing duo Xhloe and Natasha. Read BroadwayWorld's Review Roundup here!

Regional Reviews

All Regional Reviews ›
Review: WATER FOR ELEPHANTS at The Overture Center

Review: WATER FOR ELEPHANTS at The Overture Center

Madison: Scott Rawson • June 17, 2026

I truly enjoyed Water for Elephants far more than I thought I would. I came to the theater fearing the puppetry of the elephant would over shadow the actors. While it was spectacular, it did not over shadow the actors and for that I am grateful. And in an effort of full disclosure, admittedly, I also really hate the circus. No need to judge, just offering a little vulnerability here. Still, in spite of that I enjoyed the performance a great deal.

Review: SUFFS at The National Theatre

Review: SUFFS at The National Theatre

Washington, DC: Aidan O'Connor • June 17, 2026

The women’s suffrage movement in the United States spanned 72 years, finally concluding in 1920 when women gained the right to vote. Thousands of women lended their lives to the cause with a hope for the future, that subsequent generations would be inspired by the suffragists. Yet, their names were consistently left out of history books. Until Shaina Taub’s Suffs. Suffs at The National Theatre revives the legacy of luminaries like Alice Paul and Ida B. Wells through a musical journey that cements the suffragists’ rightful place in history.

Review: 10 DAYS IN A MADHOUSE at Bluma Appel Theatre: St. Lawrence Centre For Th

Review: 10 DAYS IN A MADHOUSE at Bluma Appel Theatre: St. Lawrence Centre For The Arts

Toronto: Keira Grant • June 17, 2026

Every aspect of 10 Days in a Madhouse, directed by Joanna Settle, exemplified why opera has the power to bring stories to life in ways that no other genre can. Score, libretto, set, costumes, lighting, and vocal and orchestral performances of the highest quality mingled into something that was more than the sum of its parts, rendering a haunting true story with more nuance and pathos than theatre, film, or literature alone could have achieved.

Review: SEARED at Austin Playhouse

Review: SEARED at Austin Playhouse

Austin: Sabrina Wallace • June 17, 2026

Austin Playhouse’s Seared, directed by Lara Toner Haddock, serves up a grounded, well-paced production with strong ensemble work and a working kitchen that adds real texture. The staging feels alive, even when Theresa Rebeck’s script leans preachy and predictable.

Review: ROOTED Grows Beyond Its Premise at Live Theatre Workshop

Review: ROOTED Grows Beyond Its Premise at Live Theatre Workshop

Phoenix: Robert Encila-Celdran • June 17, 2026

The crowd itself remains unseen, but a growing cult hangs over nearly every scene, transforming Emery’s private sanctuary into something far more complicated. Michael Zimmerman's sound design gives the invisible crowd a character of its own, a foreboding entity lurking just behind the treeline. The production's real challenge lies in sustaining the sense of a growing

Review: A BEAUTIFUL NOISE NATIONAL TOUR at Stranahan Theatre

Review: A BEAUTIFUL NOISE NATIONAL TOUR at Stranahan Theatre

Cleveland: Julie Zatko • June 17, 2026

The national tour of A Beautiful Noise rocks into town this week, bringing enough sequins to light up all of Toledo. As the final engagement of Broadway in Toledo’s 2025–2026 season, this musical offers a closer look at the life of Neil Diamond while delivering a thoroughly entertaining evening of music and storytelling. It’s a beautiful celebration of Diamond’s catalog and a rare glimpse into the man behind the legend. Filled with iconic hits, a stellar cast, and an emotionally resonant story, A Beautiful Noise is a memorable theatrical experience.

Review: BEAUTY AND THE BEAST at Broadway In Tucson

Review: BEAUTY AND THE BEAST at Broadway In Tucson

Phoenix: Zach Wetzel • June 17, 2026

BEAUTY AND THE BEAST, the reimagined Broadway touring musical, is a truly magical experience at Centennial Hall. This touring production, which features new musical arrangements and choreography, is largely a success. The production mostly stays faithful to the music by Alan Menken, lyrics by Howard Ashman and Tim Rice and book by Linda Woolverton.

UM לUGAR PARA NÓS – FROM BROADWAY TO BRAZIL to Celebrate the Jewish Legacy B

UM לUGAR PARA NÓS – FROM BROADWAY TO BRAZIL to Celebrate the Jewish Legacy Behind Broadway's Greatest Musicals.

Brazil: Claudio Erlichman • June 17, 2026

Celebrating the 90th anniversary of the Congregação Israelita Paulista (CIP), Um לugar Para Nós – From Broadway to Brazil premieres on August 16 at Sala São Paulo. Directed by Gustavo Barchilon, this one-night benefit concert brings together leading stars of Brazilian musical theatre, accompanied by the São Paulo Big Band and Orchestra. Through iconic songs from Broadway classics, the production pays tribute to the extraordinary contribution of Jewish composers, lyricists and producers who helped shape American musical theatre, while also honoring the pioneers who introduced the genre to Brazil. Blending music, history and cultural reflection, the event celebrates immigration, diversity and artistic exchange in a moving journey from Broadway to Brazil

Review: THE ROOMMATE at Profile Theatre

Review: THE ROOMMATE at Profile Theatre

Oregon: Krista Garver • June 17, 2026

Profile Theatre's THE ROOMMATE is a dark comedy that surprises, moves, and lingers, with knockout performances by Gail Dartez and Eleanor O'Brien. One week left, don't miss it.

Review: UNTITLED VAMPIRE PLAY at Lookingglass Theatre Company

Review: UNTITLED VAMPIRE PLAY at Lookingglass Theatre Company

Chicago: Rachel Weinberg • June 17, 2026

Untitled Vampire Play — a world premiere from Lookingglass ensemble member Kevin Douglas — is a fun, wacky romp. The play doesn’t take itself seriously, and director Devon de Mayo’s cast has plenty of fun with vampire and human antics alike. Douglas’s script draws on all sorts of vampire lore for his vision and vividly imagines what it might be like if vampires roamed the streets of Chicago. 

Review: EVIL LIBRARIAN: A NEW MUSICAL at Landless Theatre Company

Review: EVIL LIBRARIAN: A NEW MUSICAL at Landless Theatre Company

Washington, DC: Rachael F. Goldberg • June 17, 2026

Many of us have less-than-fond memories of high school, and can relate to the idea that “high school is hell” – enough so that a musical about a high school literally at the mouth of hell, overrun by demons and evildoing feels fairly apropos.

Review: AMAZING GRAVES Sets Two Short Plays Inside the Same Cemetery

Review: AMAZING GRAVES Sets Two Short Plays Inside the Same Cemetery

Los Angeles: Shari Barrett • June 17, 2026

Have you ever wondered what really goes on in cemeteries when memories are shared with those seen and unseen at grave sites?  Then head on over to see two, funny and life-affirming plays in this year’s Hollywood Fringe Festival, bundled together as Amazing Graves, produced by Amanda Lynne for Neo Ensemble Theatre.

Review: THE PLAY THAT GOES WRONG at Keegan Theatre

Review: THE PLAY THAT GOES WRONG at Keegan Theatre

Washington, DC: David Friscic • June 17, 2026

The Play That Goes Wrong, now playing at the Keegan Theatre, amusingly subverts classic murder mystery tropes by merrily mixing the physical comedy of the Three Stooges with the verbal intricacy of the Marx Brothers. This frenetically and madcap play conveys the double-entendre of Charlie Chan and the mass appeal of detectives we have all come to know through literature and film (for, indeed, the marvelous Matthew Pauli does a superb job of portraying “Chris” as Inspector Carter-- who reminded me of an absent-minded  Hercule Poirot or Miss Marple).

El Teatro Calderón estrena 'ALMA DE ZARZUELA'

El Teatro Calderón estrena 'ALMA DE ZARZUELA'

Spain: Fasika Velasco Gomez • June 17, 2026

El espacio Lírico del Teatro Calderón será el escenario de Alma de zarzuela, un concierto dramatizado que conectará algunas de las obras más representativas del género con la historia del propio teatro y de la ciudad de Madrid.

Review: Diana Varco Shares Her Journey to RISE Above Childhood Rage

Review: Diana Varco Shares Her Journey to RISE Above Childhood Rage

Los Angeles: Shari Barrett • June 16, 2026

It's a very well done, confrontational hour-long play at this year’s Hollywood Fringe Festival, but also life-affirming to know none of us are alone in the struggle for emotional maturity rather than turn to the easy crutches of overeating, alcohol abuse, drug use or unbridled sex to forget about where the Rage holding our emotions in place is rooted.

Review: COMPANY at Rise Up Theatre Company

Review: COMPANY at Rise Up Theatre Company

Sacramento: Courtney Symes • June 16, 2026

Coming off a successful run of The Drowsy Chaperone at Cosumnes River College, Rise Up Theatre Company is tackling another fan favorite. Stephen Sondheim's Company has long been regarded as an insightful and groundbreaking comedy. In this latest production, director Courtney Conklin impressively rises to the challenge that Sondheim poses, offering an engaging and emotionally relatable interpretation that showcases both the strengths of the cast and the continuing relevance of the material.

Review: NICKELODEON THE SPONGEBOB MUSICAL YOUTH EDITION at Ritz Civic Center

Review: NICKELODEON THE SPONGEBOB MUSICAL YOUTH EDITION at Ritz Civic Center

Arkansas: Theresa Bertram • June 16, 2026

Starting a new theatre company is a leap of faith. Launching that company with a full-scale musical featuring a cast of young performers is even bolder. Yet that is exactly what Kaitlyn Rose Vacco Woodall accomplished with THE SPONGEBOB MUSICAL: YOUTH EDITION, presented June 5-7 by Rosewood Repertory at the historic Ritz Civic Center.

CRÍTICA: DIOS LE GUARDE SU HORA at Foro La Gruta

CRÍTICA: DIOS LE GUARDE SU HORA at Foro La Gruta

Mexico: Juan Carlos Araujo • June 16, 2026

El universo de Pedro Páramo se inserta en la cruda realidad de la Sierra Tarahumara desde la mirada de la Compañía Nacional de Teatro y la sensibilidad del director Juan Carrillo.

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