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Broadway Show Reviews & Critics' Ratings - Page 2

Discover the Best Reviewed Broadway Shows by Top Critics on BroadwayWorld

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& Juliet Broadway Reviews

& Juliet

61.5% Thumbs Sideways
A Wonderful World: The Louis Armstrong Musical Broadway Reviews

A Wonderful World: The Louis Armstrong Musical

58.7% Thumbs Sideways
Aladdin Broadway Reviews

Aladdin

68.4% Thumbs Sideways
All In: Comedy About Love Broadway Reviews

All In: Comedy About Love

53.3% Thumbs Sideways
Cabaret at the Kit Kat Club Broadway Reviews

Cabaret at the Kit Kat Club

59.5% Thumbs Sideways
Chicago Broadway Reviews

Chicago

95.0% Thumbs Up
Death Becomes Her Broadway Reviews

Death Becomes Her

80.5% Thumbs Up
English Broadway Reviews

English

84.2% Thumbs Up
Eureka Day Broadway Reviews

Eureka Day

75.9% Thumbs Up
Gypsy Broadway Reviews

Gypsy

83.5% Thumbs Up
Hadestown Broadway Reviews

Hadestown

82.1% Thumbs Up
Hamilton Broadway Reviews

Hamilton

96.8% Thumbs Up
Harry Potter and the Cursed Child Broadway Reviews

Harry Potter and the Cursed Child

89.5% Thumbs Up
Hell's Kitchen Broadway Reviews

Hell's Kitchen

66.5% Thumbs Sideways
Maybe Happy Ending Broadway Reviews

Maybe Happy Ending

89.2% Thumbs Up
MJ the Musical Broadway Reviews

MJ the Musical

68.1% Thumbs Sideways
Moulin Rouge! Broadway Reviews

Moulin Rouge!

75.8% Thumbs Up
Oh, Mary! Broadway Reviews

Oh, Mary!

93.5% Thumbs Up
Romeo + Juliet Broadway Reviews

Romeo + Juliet

55.9% Thumbs Sideways
Six Broadway Reviews

Six

83.9% Thumbs Up
Sunset Boulevard Broadway Reviews

Sunset Boulevard

71.4% Thumbs Up
The Book of Mormon Broadway Reviews

The Book of Mormon

87.1% Thumbs Up
The Great Gatsby: A New Musical Broadway Reviews

The Great Gatsby: A New Musical

47.6% Thumbs Down
The Lion King Broadway Reviews

The Lion King

87.5% Thumbs Up
The Outsiders Broadway Reviews

The Outsiders

69.5%
Wicked Broadway Reviews

Wicked

53.3% Thumbs Sideways

Latest Review Roundups

Review Roundup: THE YEARS Makes Its West End Transfer
February 10, 2025

The five-star sold out production of The Years has transferred to the West End for 12 weeks only. Based on Nobel Prize winner Annie Ernaux’s fearless masterpiece, five actors create an unapologetic portrait of a woman shaped by her rapidly-changing world.

Review Roundup: Joy Behar's MY FIRST EX-HUSBAND Off-Broadway
February 07, 2025

The world premiere of MY FIRST EX-HUSBAND, a new show by Joy Behar, directed by Randal Myler, is now officially open Off-Broadway at MMAC Theater. See what the critics are saying and read the reviews.

Review Roundup: STILL, Starring Melissa Gilbert and Mark Moses
February 07, 2025

The Colt Coeur production of Still by Lia Romeo and directed by Adrienne Campbell-Holt, stars Melissa Gilbert and Mark Moses. The 8-week return engagement just opened at The Sheen Center for Thought & Culture’s Loreto Theater. Check out what the critics are saying about the new production!

Review Roundup: URINETOWN Opens at New York City Center Encores!
February 06, 2025

The New York City Center Encores! season kicks off with Urinetown, which stars Jordan Fisher, Keala Settle, Rainn Wilson and more. Check out what the critics are saying about the production here.

Review Roundup: THE ANTIQUITIES at Playwrights Horizons
February 05, 2025

Playwrights Horizons just celebrated opening night of its world premiere of The Antiquities, written by Jordan Harrison and co-produced by the Vineyard Theatre and the Goodman Theatre. Check out what the critics are saying about the new play.

Review Roundup: SECOND BEST Opens at Riverside Studios
February 04, 2025

Asa Butterfield is making his theatrical debut in the comedy-drama Second Best, directed by Michael Longhurst and written by Barney Norris. See what the critics are saying and read the reviews.


REGIONAL REVIEWS

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Review: HAND TO GOD at Keegan Theatre
Washington, DC: David Friscic on February 10, 2025

The audacious and lively play Hand to God is a daring and yet, an oddly compelling and textured meditation, on society’s hypocrisies set within a more intimate framework of five characters whose minds are tortured with clashes between reason and fiery lust -driven passions. This play makes the puppet -driven 2004 musical Avenue Q look like Mary Poppins by comparison; this play is much more acidic and radically subversive in tone.

Review: JERSEY BOYS at ZACH
Austin: Joni Lorraine on February 10, 2025

What did our critic think of JERSEY BOYS at ZACH? JERSEY BOYS is widely regarded as one of the greatest jukebox musicals of all time, praised for its authentic storytelling, strong performances, and iconic music. Typically, I often judge a jukebox musical against my belief that they’re low hanging money making fruit. Some productions of this type of musical are better than others, and some are exceptions. ZACH’s JERSEY BOYS is an exceptional exception. 

Review: SEVEN ASSASSINS WALK INTO A BAR at Main Street Theater
Houston: Brett Cullum on February 10, 2025

SEVEN ASSASSINS WALK INTO A BAR aims for the pop culture jugular and hits it quite well. Audiences are going to have a blast watching this collection of “badasses” compare notes on a misspent life. Dain Geist has an ear for dialogue and a knack for characters.

Review: SCHOOL PICTURES at Theater Latté Da
Minneapolis / St. Paul: Joe Sarafolean on February 10, 2025

In Milo Cramer’s searing one man show, School Pictures, he carefully and masterfully brings to life the stories of students that he had the pleasure of tutoring for many years in New York City. Told through a series of songs, accompanied by a variety of instruments all played by Cramer, he details his experiences while tutoring ten different students.

Review: PETER AND THE STARCATCHER at Great Lakes Theater
Cleveland: Roy Berko on February 10, 2025

Mention author J. M. Barrie, and the immediate thought is Peter Pan.  Peter Pan, the tale of a boy who refused to grow up, which has become a cottage industry.   Dolls, movies, a musical play, coloring books, cartoons, Halloween costumes, a non-musical play, and books are all available.   There is even a psychological condition, “The Peter Pan Syndrome,” which puts the spotlight on men who refuse to assume responsibility for their boyish actions.

Review: SIX: TEEN EDITION at Ephrata Performing Arts Center
Central Pennsylvania: Jason Davis on February 10, 2025

Don’t be deceived by the title—this is no mere teen edition! The extraordinary queens of Six: Teen Edition at Ephrata Performing Arts Center are a tour de force, providing professional-level talent. With powerful voices and captivating storytelling, this incredible cast is an experience you simply cannot afford to miss!

Review: FRANCIS GREY AND THE CASE OF HIS DEAD BOYFRIEND at New Conservatory Theatre Center
San Francisco / Bay Area: Steve Murray on February 10, 2025

A whacky who-done-it is the subject of Nathan Tylutki’s one-man performance piece currently on the board at New Conservatory for a short run. Playing numerous characters, and including the use of recorded video mixed with the live performance, Tylutki attempts a gumshoe sleuth style ala Thin Man or Mike Hammer films. The show is framed as a podcast titled ‘Shoot Your Shot’ hosted by a bad drag imitation of Jennifer Coolidge (huh?).

Review: MOON OVER BUFFALO at Music Theatre of Connecticut
Connecticut: Sherry Shameer Cohen on February 10, 2025

There is no better time than now for Music Theatre of Connecticut’s production of Moon Over Buffalo. Or maybe playwright Ken Ludwig should have called it Loons Over Buffalo. This slapstick comedy is sidesplittingly funny about a fading stage couple who still dream of fame and fortune but are reduced to performing repertory in slumping venues.

Review: NEW WORKS COLLECTIVE at Opera Theatre Of Saint Louis
Opera: Steve Callahan on February 10, 2025

Opera Theatre of Saint Louis has a rich history in world premiers, often commissioning new works from  significant composers and librettists.  But it seeks to foster brand new talents too. Its New Works Collective is a three-year project wherein each year OTSL commits to developing and producing three new short operas from fledgling composers and librettists.

Review: I CAN BUY MYSELF FLOWERS from Mike van Graan is a real laugh
South Africa: Faeron Wheeler on February 10, 2025

As the name of the play suggests, I CAN BUY MYSELF FLOWERS is all about women learning to love themselves. Written by Mike van Graan, directed by Toni Morkel and starring Erika Breytenbach, this play is good fun and good soul food.

Review: CHURCHILL at The Phoenix Theatre Company
Phoenix: Herbert Paine on February 10, 2025

By allowing Churchill’s reflections – his triumphs and regrets alike - to take center stage, David Payne delivers a performance that is complex, compelling, and deeply human. CHURCHILL - at The Phoenix Theatre Company - is a theatrical experience that lingers long after the final applause.

Review: AN UNROMANTIC COMEDY at Baxter Studio - Baxter Theatre Centre
South Africa: Michelle B Lewis on February 10, 2025

​​​​​​​If you’re in the mood for a night of side-splitting laughter, sizzling chemistry and a refreshingly honest take on modern relationships, An Unromantic Comedy is exactly what you need. From the moment the first performer enters, this high-energy production grabs hold of the audience and never lets go, delivering one hilarious (and all-too-relatable) moment after another.

Review: TO LIFE, WITH LOVE starring John Maytham and Directed by Josh Lindberg
South Africa: Faeron Wheeler on February 10, 2025

This was a tough one to review because of the emotions that came up while watching... TO LIFE, WITH LOVE is a new work from Mike van Graan, starring John Maytham and directed by Josh Lindberg. At it's heart, this play is simple and honest.

Review: SEE NO EVIL PIZZA in Times Square-Fantastic
Food + Wine: Marina Kennedy on February 10, 2025

If you’re searching for the best pizza in Midtown, we have found a spot that is sure to satisfy your every craving. See No Evil Pizza, in the concourse of the 50th Street Subway Station, is the place to be in the Times Square neighborhood.

Review Roundup: THE YEARS Makes Its West End Transfer
UK / West End: Aliya Al-Hassan on February 10, 2025

The five-star sold out production of The Years has transferred to the West End for 12 weeks only. Based on Nobel Prize winner Annie Ernaux’s fearless masterpiece, five actors create an unapologetic portrait of a woman shaped by her rapidly-changing world.

Review: OUR MIGHTY GROOVE, Sadler's Wells East
UK / West End: Louise Penn on February 10, 2025

In the new Sadler's Wells East venue, we are invited to observe and then enter the world of Club Groove in a pulsing, energetic, modern dance piece allowing the audience to mingle on the dance floor. The story is slight but the vibe is unmistakable. This production opens with a half-hour of powerhouse movement before becoming fully immersive. Look at me, it challenges, and you do.

Review: HEAVEN, Southwark Playhouse Borough
UK / West End: Aliya Al-Hassan on February 10, 2025

How would life have turned out if you had stayed with your first love? Where would you be if you had gone against social convention? Eugene O'Brien's deftly crafted play, HEAVEN, asks us these questions and many more in this captivating and bittersweet two-hander.

Review: THE YEARS, Harold Pinter Theatre
UK / West End: Alexander Cohen on February 10, 2025

Critics raved about its initial run at the Almedia last year. Can it make the leap from intimate space to grand West End playhouse?

Review: Michael Hersch’s AND WE, EACH Challenges the Audience at Every Turn
Opera: Richard Sasanow on February 09, 2025

Michael Hersch took no prisoners with his new opera, AND WE, EACH, a production of the Baltimore musical organization, Mind on Fire, which had its New York premiere on February 6 at National Sawdust in Williamsburg, Brooklyn.

Review: MILLION DOLLAR QUARTET at Keystone Theatrics At The Playhouse At Allenberry
Central Pennsylvania: Andrea Stephenson on February 09, 2025

Million Dollar Quartet is a high-energy show with an all-star cast. Visit keystonetheatrics.com for more information and get your tickets before its too late.



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