POLAND THEATRE NEWSROOM - Page 9

Theater has to be on display and expose vulnerability, that extremely fragile part of your being that we hide day after day from society, the people around us, and even ourselves.

When you were a kid, you probably heard: Don't play with scissors.

Dracula, Krzysztof Pastor’s choreography set to a selection of music by Wojciech Kilar, became a ballet sensation of 2018.

This show is one of a kind and this year we celebrate the 50th anniversary of a Bob Fosse masterpiece.

As we are approaching the Polish premiere of the ballet Dracula we would like to introduce the whole spectrum of Wojciech Kilar’s works to our audience.

Older audiences of the Polish National Opera will undoubtedly remember Lech Majewski’s splendid classical production of George Bizet’s most famous opera with monumental sets by Janusz Kapusta and costumes by designed by Hanna Bakuła.

The theater, in particular contemporary should not only show a vision of precise story but ask some questions about reality we live in, make us think.

Rising duo HUTS out of the Netherlands has delivered a hit new EDM-pop track 'Kill My Lonely,' out on Virgin Records.

Stage fright made life difficult for many artists, even the best virtuosos were not free from it, it also destroyed many great talents.

The show directed by Szymon Kaczmarek has two parts, first, longer, invites us to the world of professionals dealing with paranormal activities.

Tumultuous and full of unheard-of adventures, the love story of Conrad and Medora told by George Byron in his oriental tale in verse The Corsair (1814) ignited the imagination of subsequent generations of readers as well as serving as a basis for numerous ballet adaptations.

Muzalinda is a spirited young princess who loves singing, dancing, and music.

Meetings that develop the musical, dance and visual imagination of children (aged 5–7) through activities they can enjoy together with their parents, helping reveal talent and showing that the coexistence of different arts is possible, and so are ties between generations.

Who would we be without touching? Can man exist without it? What does this give us? There is no definite statement, but Joe Alter takes us on a journey to find answers without words, only through music and touch.

I don’t even know where to start and what element was the best, the idea, the script, directing, acting or lovely madness evaporating from the show… It all made a mix perfect difference and intel smoothness.

It's not very often that we get to see a musical classic in the Polish theatre.

I like open-air art, I like magic and fairy-tale atmosphere.

The show is based on the concept that house is a man.

Muzalinda is a spirited young princess who loves singing, dancing, and music.

In the internationally popular Komische Oper’s production of Mozart’s The Magic Flute which we have been lucky enough to have in Warsaw for a few seasons now, the aria is performed by a giant lady spider dancing over a wriggling Tamino.

This show was a tribute to a great author, poet, playwright, T.

The novels by Elena Ferrante – collectively known as the Neapolitan Novels or, after the title of the first book, My Brilliant Friendó – are a literary phenomenon of the last few years that has caused the Ferrante fever in many readers.

The Urban Birder is a book by David Lindo, a British birdwatcher, nature promoter and ornithology enthusiast.

This concert was kind of paying tribute to the musicians and they deserve a deep bow for all the musical effort they bring every day.

The disease that has stopped humanity has made our long-term forecasts and plans more uncertain, if not impossible.