PHOENIX - MUSICALS

by Herbert Paine - May 18, 2026

There are productions that succeed because the script is strong, and productions that succeed because performers manage to elevate familiar material. Theatre Artists Studio’s production of John Patrick Shanley’s OUTSIDE MULLINGAR achieves something rarer: a complete unity of tone, performance, l...

by Herbert Paine - May 11, 2026

Strong performances, impressive staging, and the sense of fun and theatricality that audiences expect from a jukebox musical built around one of popular culture’s most enduring stars....

by Herbert Paine - May 11, 2026

Stray Cat Theatre’s revival seems to rediscover the volatility in the text and the humor that snaps like electricity....

by Zach Wetzel - May 10, 2026

HOME, I'M DARLING tells a poignant tale with top-notch performances....

by Cheyenne Lewis - May 08, 2026

Black cowboys and the Black rodeo have a rich history that continues to this day. Although this side of history was not acknowledged in the way it deserved to be, EL DORADO’S GOLD is a great tribute to Black cowboy culture. EL DORADO’S GOLD touches on so many topics, from the history of the Fula...

by Zach Wetzel - May 03, 2026

An elegant and fantastical production springs to life at The Rogue....

by Zach Wetzel - May 02, 2026

Dracula is at it again in this delightfully zany production!...

by Zach Wetzel - April 30, 2026

RIVERDANCE has a limited engagement at Centennial Hall through April 30. This is a fast-paced theatrical dance showcase that honors Celtic culture while also including cultures from other locations, such as Brooklyn and Latin America. ...

by Herbert Paine - April 29, 2026

HELL’S KITCHEN leaves you with the sensation that at the very least Alicia Keys has done something instinctively theatrical: she’s turned the noise of her youth into music, and the city that raised her into a stage big enough to contain it....

by Herbert Paine - April 27, 2026

Theatre Artists Studio's production of Amy Hartman's MAZEL has ended its run, but its themes of remembering, reconciliation, and forgiveness echo beyond the stage. Under Kathleen Butler's direction, the play, which was conceived in 2006, arrives in reworked form at a moment when its central question...