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Review: JEEVES AND WOOSTER IN PERFECT NONSENSE at Schoolhouse Theater

Those dramatis personae (ha!) and more are animated to a fare thee well by only two – count ‘em – two actors, Mr. Guy and Mr. Lang, who bring to their poly-personality assignments proficient physical suppleness and chameleon-like chops. I started to keep track of how many characters they essay, and then gave up – their number outpaced my jottings. Within a single scene, the two actors might exit and enter the stage as four different characters with seamless precision. It’s a wonder audience members don’t suffer whiplash. 

Review: POPS GOT CHOPS: 'SATCHMO AT THE WALDORF' IS A WONDERFUL ONE-MAN SHOW at Schoolhouse Theater

The tightly produced, crisply presented piece directed by Schoolhouse Producing Director Bram Lewis stars Wali Jamal in a thoroughly engaging and formidable performance that also profiles Mr. Armstrong’s lifelong manager Mr. Joe Glaser and another deity straight from the Mount Olympus of jazz, Mr. Miles Davis. Mr. Jamal skillfully presents the three as distinct personalities without overdoing it. He represents them rather than impersonates them, which is a wise choice because there only is one sun in this universe and it is the one and only Satchmo.

RICHARD II Begins In June At Boomerang Theatre Company

Boomerang Theatre Company continues its acclaimed “Super Season” with a bold new staging of Shakespeare's Richard II, directed by Aimee Todoroff. Performances begin June 21st and run Saturdays and Sundays through July 20.

Review: FAITH HEALER Mesmerizes at Schoolhouse Theater

When a play is rooted strictly in powerful monologues that are written by a master of the form like Mr. Friel, it demands virtuoso acting, which is precisely what this cast delivers to the audience. 

Review: 'MASTER HAROLD' ... AND THE BOYS in Stellar Production at Schoolhouse Theater

The great playwrights find imaginative and diverting ways to prick our conscience and provoke our curiosity about the mysteries of life. They force us to think about the human condition, in all its felicities and foibles, through the metaphorical use of familiar objects and experiences. Kites and ballroom dancing, for instance.

BWW Review: THE TRAGEDY OF KING LEAR at Kentucky Shakespeare

Among the greatest of the plays written by William Shakespeare, there are several titular roles that are each a veritable Mt. Everest for actors; Charlton Heston called them the 'Man-killers', and I doubt they are any easier for women. Of these, the monarch named Lear stands as a particularly daunting challenge. It has often been said that if you are old enough to truly understand the unique blend of aging, madness, and arrogance required to play it, you may be too old to pull it off onstage.

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