Review: JEEVES AND WOOSTER IN PERFECT NONSENSE at Schoolhouse Theater
by Bruce Apar
- Dec 12, 2025
Those dramatis personae (ha!) and more are animated to a fare thee well by only two – count ‘em – two actors, Mr. Guy and Mr. Lang, who bring to their poly-personality assignments proficient physical suppleness and chameleon-like chops. I started to keep track of how many characters they essay, and then gave up – their number outpaced my jottings. Within a single scene, the two actors might exit and enter the stage as four different characters with seamless precision. It’s a wonder audience members don’t suffer whiplash.
Review: POPS GOT CHOPS: 'SATCHMO AT THE WALDORF' IS A WONDERFUL ONE-MAN SHOW at Schoolhouse Theater
by Bruce Apar
- Jun 1, 2025
The tightly produced, crisply presented piece directed by Schoolhouse Producing Director Bram Lewis stars Wali Jamal in a thoroughly engaging and formidable performance that also profiles Mr. Armstrong’s lifelong manager Mr. Joe Glaser and another deity straight from the Mount Olympus of jazz, Mr. Miles Davis. Mr. Jamal skillfully presents the three as distinct personalities without overdoing it. He represents them rather than impersonates them, which is a wise choice because there only is one sun in this universe and it is the one and only Satchmo.
RICHARD II Begins In June At Boomerang Theatre Company
by A.A. Cristi
- May 20, 2025
Boomerang Theatre Company continues its acclaimed “Super Season” with a bold new staging of Shakespeare's Richard II, directed by Aimee Todoroff. Performances begin June 21st and run Saturdays and Sundays through July 20.
Review: FAITH HEALER Mesmerizes at Schoolhouse Theater
by Bruce Apar
- Dec 14, 2024
When a play is rooted strictly in powerful monologues that are written by a master of the form like Mr. Friel, it demands virtuoso acting, which is precisely what this cast delivers to the audience.
Review: 'MASTER HAROLD' ... AND THE BOYS in Stellar Production at Schoolhouse Theater
by Bruce Apar
- Sep 12, 2024
The great playwrights find imaginative and diverting ways to prick our conscience and provoke our curiosity about the mysteries of life. They force us to think about the human condition, in all its felicities and foibles, through the metaphorical use of familiar objects and experiences. Kites and ballroom dancing, for instance.
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