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Review: HELLO, DOLLY! at Olney Theatre Center

This holiday season Olney Theatre Center's Hello, Dolly! gives audiences a chance to see a rarely performed classic on the Roberts Mainstage, in an entertaining production that harks back to the Golden Age of Broadway musicals.

Review: FAIR PLAY at 1st Stage

The competitive world of track and field is the center of 1st Stage’s Fair Play, written by Ella Road and directed by Deidra LaWan Starnes, but there is more to this play than just running. Ann (Mahkai Dominique) is a British-Nigerian who crosses paths with Sophie (Camilla Pivetta), a white British star runner who has been competing since she was nine years old.

Review: CYRANO at Taffety Punk

Five gifted actors in four bare walls work theatre magic to bring the epic work of Cyrano to life in Taffety Punk’s new interpretation skillfully directed and adapted by Lise Bruneau. The production is vibrant, visceral and immediate.

Review: COLD COUNTRY at ExPats Theatre (@ Atlas)

ExPats Theatre has assembled an excellent troupe of actors for Cold Country by contemporary Swiss playwright, Reto Finger. Director (and translator) Karin Rosnizeck ably guides them through an engrossing but difficult script which tries to integrate ancient rural Swiss myths with modern situations. The writer's efforts may be labored, but the acting is wonderful, as are the scenic projections. Cold Country does take an audience away from today; strong distractions help.

Review: THE PIANO LESSON at 1st Stage

August Wilson is one of America’s greatest playwrights, and The Piano Lesson may be one of his greatest works. The writing is so powerful, I’m not sure you could stage a bad version if you tried. 

Review: A Brave Take on WHO'S AFRAID OF VIRGINIA WOOLF? at Everyman in Baltimore

Edward Albee's WHO'S AFRAID OF VIRGINIA WOOLF? at Everyman Theatre through April 20, 2025, directed by Vincent M. Lancisi presents a contentious couple who return from a faculty party that has lasted past midnight to spitefully host young guests for additional drinks in their campus-adjacent home. It's awful, funny, entertaining, perplexing and satisfying

Review: SLEEPOVA at Olney Theatre Center

Grab your bunny slippers and pop some popcorn. SLEEPOVA is a coming-of-age story about the strong ties of female friendship amid the stresses and trials encountered on the road to adulthood. Like the teens themselves, the production at Olney Theatre Center is earnest, frank, funny … and a bit clunky and awkward.

Review: hang at 1st Stage

hang takes its time getting to what the play is actually about. The suspense doesn't really start to develop until the final half hour, and this is where the small ensemble cast of Marie, Greer, and Joy really shine.

Review: KUNENE AND THE KING at Shakespeare Theatre Company

'Kunene and the King' is a captivating and moving examination of character and society. It also feels particularly timely for American audiences to explore, while helping us all connect a bit better by urging us to truly see each other.

Review: WAITRESS at Olney Theatre Center

From the moment MALINDA appears on stage as Jenna in Waitress at Olney Theatre Center, it's clear that this is a role she was born to play. She lights up the stage, her beautiful singing voice and sublime acting leading a stellar & impressive cast.

WAITRESS Extended at Olney Theatre Through Early April

Olney Theatre Center’s production of Sara Bareilles’ beloved musical Waitress in the Roberts Mainstage has extended its run. Learn more about the show and see how to purchase tickets.

Review: A CHRISTMAS CAROL: A GHOST STORY OF CHRISTMAS at Olney Theatre Center

Quiet, cozy, and a little spooky, A Christmas Carol: A Ghost Story of Christmas, is a longstanding tradition for many, and could be a new one for local theatergoers. It's timeless, satiating, and teaches a classic Christmas lesson. While always timeless, its themes of gratitude, thankfulness, and kindness are needed now more than ever. 

Review: LEOPOLDSTADT at Shakespeare Theatre Comany

Leopoldstadt, a weighty and ambitious work by award-winning author Tom Stoppard, is on stage now at the Shakespeare Theatre Company. The modern epic traces a Viennese Jewish family from the zest and promise at the eve of the 20th century, through the devastations of the Great War and the annexation of Austria by the German Reich, to the Holocaust and the tender, broken years after.

Interview: Theatre Life with Jillian Ebanks

For many years, Woolly Mammoth Theatre Company has had a long standing relationship with Chicago’s legendary comedy troupe The Second City. This holiday season, they are back with Dance Like There’s Black People Watching. The production runs through December 22nd.

Review: THE SECOND CITY: DANCE LIKE THERE'S BLACK PEOPLE WATCHING at Woolly Mammoth

The latest Second City production at Woolly Mammoth aims to bring “Black joy” in the tradition of its past successes there, such as 2016’s “Black Side of the Moon.” That show came to D.C. on the teeth of a dispiriting election, as does the new one, “Dance Like There’s Black People Watching.”

Review: DISNEY FROZEN at Olney Theatre Center

A Broadway quality show that is perfect for introducing young children to the magic of live theatre. There's magic in the air, as Olney Theatre Center kicks off the holiday musical season with a production of Disney's Frozen that is nothing short of spectacular.

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