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Review: OTHELLO at Shakespeare Theatre Company

The Shakespeare Theatre Company has had a rich history of stars lured to its stage — not just to sell tickets through big names. The actors nearly always deliver — and the company attracts them because of the quality and rigor it retains.

Review: YOUNG AMERICANS at 1st Stage

Young Americans, the thought-provoking and entertaining play by Lauren Yee about the American immigrant experience is currently in performances at 1st Stage through April 26.

Review: APPROPRIATE at Olney Theatre Center

I like to cook. It’s been one of my hobbies most of my adult life, and I’ve grown a lot in my skill over the years with much practice. My wife often lovingly teases me about all the space my cooking instruments take up in our kitchen storage spaces. Like most things, there’s been quite a bit of trial and error involved. 

Review: LITTLE MISS PERFECT at The Olney Theatre Center

As part of their self-ascribed “year of world premieres,” Olney Theatre Center is debuting the profoundly peppy, wonderfully messy, coming-of-age celebration Little Miss Perfect, written by Joriah Kwamé. The musical has been in development for more than five years, originally based on the catchy song of the same title written by Kwamé, which found stardom in the 2020 Write Out Loud contest. 

Review: PARANORMAL ACTIVITY at Shakespeare Theatre Company

Ghosts are not infrequent in Shakespeare’s work, from the spirits of Hamlet’s father to Banquo in “Macbeth.”  Is that enough of a connection to bring the theatrical creation “Paranormal Activity” to the Shakespeare Theatre Company?

Review: A CHRISTMAS CAROL: A GHOST STORY OF CHRISTMAS at Olney Theatre

What did our critic think of A CHRISTMAS CAROL: A GHOST STORY OF CHRISTMAS at Olney Theatre? Olney Theatre continues its lovely tradition of its annual rendering of Paul Morella’s one-person adaptation of Charles Dickens’ “A Christmas Carol: A Ghost Story of Christmas.” Now in its 16th year, this rendition of the classic continues to delight audiences. For the second year, DC area veteran actor Michael Russotto masterfully performs all of the almost-fifty characters in the story. This production not only features a fine adaptation of the novella and a stellar performance by Mr. Russotto but also top-notch productions values. The show is full of humor, pathos, charm and fun.

Review: Birthday Candles at 1st Stage

1st Stage’s production of Birthday Candles, directed by Alex Levy and written by Noah Haidle, is a celebration of life, love, and family with a stellar cast led by Deidra LaWan Starnes.

Review: HELLO, DOLLY! at Olney Theatre Center

This holiday season Olney Theatre Center's Hello, Dolly! gives audiences a chance to see a rarely performed classic on the Roberts Mainstage, in an entertaining production that harks back to the Golden Age of Broadway musicals.

Review: FAIR PLAY at 1st Stage

The competitive world of track and field is the center of 1st Stage’s Fair Play, written by Ella Road and directed by Deidra LaWan Starnes, but there is more to this play than just running. Ann (Mahkai Dominique) is a British-Nigerian who crosses paths with Sophie (Camilla Pivetta), a white British star runner who has been competing since she was nine years old.

Review: CYRANO at Taffety Punk

Five gifted actors in four bare walls work theatre magic to bring the epic work of Cyrano to life in Taffety Punk’s new interpretation skillfully directed and adapted by Lise Bruneau. The production is vibrant, visceral and immediate.

Review: COLD COUNTRY at ExPats Theatre (@ Atlas)

ExPats Theatre has assembled an excellent troupe of actors for Cold Country by contemporary Swiss playwright, Reto Finger. Director (and translator) Karin Rosnizeck ably guides them through an engrossing but difficult script which tries to integrate ancient rural Swiss myths with modern situations. The writer's efforts may be labored, but the acting is wonderful, as are the scenic projections. Cold Country does take an audience away from today; strong distractions help.

Review: THE PIANO LESSON at 1st Stage

August Wilson is one of America’s greatest playwrights, and The Piano Lesson may be one of his greatest works. The writing is so powerful, I’m not sure you could stage a bad version if you tried. 

Review: A Brave Take on WHO'S AFRAID OF VIRGINIA WOOLF? at Everyman in Baltimore

Edward Albee's WHO'S AFRAID OF VIRGINIA WOOLF? at Everyman Theatre through April 20, 2025, directed by Vincent M. Lancisi presents a contentious couple who return from a faculty party that has lasted past midnight to spitefully host young guests for additional drinks in their campus-adjacent home. It's awful, funny, entertaining, perplexing and satisfying

Review: SLEEPOVA at Olney Theatre Center

Grab your bunny slippers and pop some popcorn. SLEEPOVA is a coming-of-age story about the strong ties of female friendship amid the stresses and trials encountered on the road to adulthood. Like the teens themselves, the production at Olney Theatre Center is earnest, frank, funny … and a bit clunky and awkward.

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