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Review: AVAAZ at Olney Theatre Center

Olney Theatre Center's AVAAZ charts one woman's journey from Tehran to 'Tehran-geles,' singing a bombastic song of freedom all the way.

Review: THE LEHMAN TRILOGY at Shakespeare Theatre Company

The Lehman Trilogy, directed by Arin Arbus at the Shakespeare Theatre Company, is an extraordinary feat of storytelling. It is simultaneously epic and spare. With just three actors it unfolds the captivating and intimate story of one immigrant family that evolves its company, navigates pious lives, innovates new ways of doing business, and ultimately unravels over time into instability and a crushing financial crisis.

Review: TEMPESTUOUS ELEMENTS at Arena Stage

TEMPESTUOUS ELEMENTS, Arena Stage's latest Power Play premiere, champions the under-appreciated, local historical figure Anna J. Cooper: mother of Black feminism, brilliant educator, and embattled teacher/principal at DC's M Street High School.

Interview: Theatre Life with Stephen Oremus

Today’s subject Stephen Oremus has been living his theatre life for many years now as a music director/pianist/orchestrator/arranger/musical supervisor. His career is something many of us dream of having but very few of us actually achieve. His current project brings him full circle. Stephen is the Musical Supervisor/Arranger/Orchestrator for Kennedy Center’s Broadway Center Stage production of tick, tick..BOOM! which is running through February 4th in the Eisenhower Theater. Stephen was the show’s original Orchestrator/Arranger/Musical Director in 2001. His work can be heard on the original cast recording.

Review: TICK, TICK ...BOOM! at John F. Kennedy Center For The Performing Arts

Tick, tick …BOOM! is a raw and moving semi-autobiographical musical by Rent's Jonathan Larson. The Kennedy Center revisits the work with a spiffy new Broadway Center Stage production directed by Neil Patrick Harris and brings together three of Broadway’s most exciting and award-winning talents: Brandon Uranowitz Denée Benton and Grey Henson.

Review: AS YOU LIKE IT at Shakespeare Theatre Company

Shakespeare Theatre Company’s production of 'As You Like It' is fun and playful, and it often feels that the cast, creative team, and audience are having an absolute blast together. With a strong team both on and off the stage, there’s an ease and joy that permeates every aspect of the production that’s undeniable.

Interview: Theatre Life with Danielle A. Drakes and Kelsey Mesa

Today’s subjects Danielle A. Drakes and Kelsey Mesa are currently living their theatre lives as the director and playwright respectively of Taffety Punk Theatre Company’s World Premiere production of La Salpêtrière. The show runs through October fourteenth at the company’s artistic home Capitol Hill Arts Workshop (CHAW).

Review: FELA! at Olney Theatre Center

It’s only the third time the Maryland regional powerhouses have collaborated, and people still recall their only other two such efforts, “Angels in America” in 2016 and “In the Heights in 2017. “Fela!” will be equally well-remembered alongside them. 

Review: FUN HOME at Studio Theatre

Fun Home made history by opening the door for a more queer future for musical theatre—and Studio Theatre’s production presents every character’s humanity and each meticulously crafted beat with intensity and grace.

Photos: First Look at 1st Stage's THE LAST MATCH

The 1st Stage production of The Last Match by Anna Ziegler features Fabiolla Da Silva, Drew Kopas (previously seen in Airness), Ethan Miller (previously seen in Swimming with Whales), and Lynette Rathnam (previously seen in The Phlebotomist). The production is directed by 1st Stage Artistic Director, Alex Levy. Check out production photos here!

Review: INCENDIARY at Woolly Mammoth Theatre Company

Let me tell you a bit about myself. Even before the death of George Floyd and the political earthquake that followed, I have long been of the opinion that drastic and systemic changes are needed in the American judicial system.

Review: THE BODY OF A WOMAN AS A BATTLEFIELD at ExPats Theatre

ExPats Theatre’s production of The Body of a Woman as a Battlefield, directed by Karin Rosnizeck, features two great actors, but stumbles with low production quality and a script which doesn’t do its characters justice. 

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