Review: TICK, TICK ...BOOM! at John F. Kennedy Center For The Performing Arts
by Pamela Roberts
- Jan 31, 2024
Tick, tick …BOOM! is a raw and moving semi-autobiographical musical by Rent's Jonathan Larson. The Kennedy Center revisits the work with a spiffy new Broadway Center Stage production directed by Neil Patrick Harris and brings together three of Broadway’s most exciting and award-winning talents: Brandon Uranowitz Denée Benton and Grey Henson.
Review: AS YOU LIKE IT at Shakespeare Theatre Company
by Rachael F. Goldberg
- Dec 9, 2023
Shakespeare Theatre Company’s production of 'As You Like It' is fun and playful, and it often feels that the cast, creative team, and audience are having an absolute blast together. With a strong team both on and off the stage, there’s an ease and joy that permeates every aspect of the production that’s undeniable.
Interview: Theatre Life with Danielle A. Drakes and Kelsey Mesa
by Elliot Lanes
- Sep 29, 2023
Today’s subjects Danielle A. Drakes and Kelsey Mesa are currently living their theatre lives as the director and playwright respectively of Taffety Punk Theatre Company’s World Premiere production of La Salpêtrière. The show runs through October fourteenth at the company’s artistic home Capitol Hill Arts Workshop (CHAW).
Review: FELA! at Olney Theatre Center
by Roger Catlin
- Jul 16, 2023
It’s only the third time the Maryland regional powerhouses have collaborated, and people still recall their only other two such efforts, “Angels in America” in 2016 and “In the Heights in 2017. “Fela!” will be equally well-remembered alongside them.
Review: FUN HOME at Studio Theatre
by Dara Homer
- Jul 3, 2023
Fun Home made history by opening the door for a more queer future for musical theatre—and Studio Theatre’s production presents every character’s humanity and each meticulously crafted beat with intensity and grace.
Photos: First Look at 1st Stage's THE LAST MATCH
by Blair Ingenthron
- Jun 11, 2023
The 1st Stage production of The Last Match by Anna Ziegler features Fabiolla Da Silva, Drew Kopas (previously seen in Airness), Ethan Miller (previously seen in Swimming with Whales), and Lynette Rathnam (previously seen in The Phlebotomist). The production is directed by 1st Stage Artistic Director, Alex Levy. Check out production photos here!
Review: INCENDIARY at Woolly Mammoth Theatre Company
by Peter Rouleau
- Jun 7, 2023
Let me tell you a bit about myself. Even before the death of George Floyd and the political earthquake that followed, I have long been of the opinion that drastic and systemic changes are needed in the American judicial system.
Review: THE BODY OF A WOMAN AS A BATTLEFIELD at ExPats Theatre
by Hannah R. Wing
- Apr 30, 2023
ExPats Theatre’s production of The Body of a Woman as a Battlefield, directed by Karin Rosnizeck, features two great actors, but stumbles with low production quality and a script which doesn’t do its characters justice.
Review: THE RAINMAKER at 1st Stage
by Peter Rouleau
- Nov 23, 2022
American literature has a soft spot for con artists, those ruffians who, lacking the skills or inclination to earn an honest living, prosper by using sheer charm and creativity to tell other people what they most want to hear. These rapscallions, despite living by lying, often find themselves in a position to help other characters discover certain truths about themselves. 1st Stage's production of N. Edward Nash's 1954 play The Rainmaker is an enjoyable and entertaining visit with one such miscreant.
Photos: First Look at THE RAINMAKER at 1st Stage
by Stephi Wild
- Nov 21, 2022
1st Stage is now presenting The Rainmaker, written by N. Richard Nash and directed by Deidra LaWan Starnes, through December 11, 2022. Check out all new production photos here!
Handsome Production, Tedious Script: THE LION IN WINTER at Everyman Theatre
by Jack L. B. Gohn
- Oct 31, 2022
You not only have to have the talent to do the technical side of costume drama well, and have actors who can emote convincingly and then (in this case) reverse gears convincingly, and then reverse gears again as many times as the script calls for. You need a script that doesn’t make them do it so often it makes the audience stop following and stop caring. That is a bar this script doesn't clear.
|
|