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Edinburgh International Festival Launches 2025 Edition With Global Artists

The 2025 Edinburgh International Festival will officially open tomorrow, launching a 24-day global celebration of music, opera, theatre, and dance. Now in its third year under Festival Director and acclaimed violinist Nicola Benedetti, this year’s Festival invites audiences to explore the theme The Truth We Seek—a journey into the elusive and multifaceted nature of truth in personal and public life.

2025 Critics' Awards for Theatre in Scotland Announced

Confessions of a Shinagawa Monkey, an international collaboration between Glasgow-based Vanishing Point and Kanagawa Arts Theatre of Yokohama, Japan (in association with Tramway) picked up four awards at the 2025 CATS, which were presented at Edinburgh’s Traverse Theatre today, Sunday June 8, 2025. The special guest presenter was leading writer, director and panto dame extraordinaire Johnny McKnight.

DR SEMMELWEIS Run Extended At Bristol Old Vic

Bristol Old Vic today announces a week-long extension of the world première of Dr Semmelweis, based on an original idea by Mark Rylance, and written by Stephen Brown with Rylance. The production opened on 26 January, and now runs until 19 February 2022. 

Bristol Old Vic Announces Full Cast For DR SEMMELWEIS

Tom Morris directs the previously announced Rylance (Ignaz Semmelweis), who is joined by Jackie Clune (Anna Müller), Sandy Grierson (Jakob Kolletschka), Felix Hayes (Ferdinand von Hebra), Enyi Okoronkwo (Franz Arneth), Clemmie Sveaas (Lisa Elstein), Thalissa Teixeira (Maria Semmelweis), Alan Williams (Johann Klein) and Daniel York Loh (Karl von Rokitanksy) with dancers Roseanna Anderson, Joshua Ben-Tovim, Megan May Cameron, Megumi Eda, Suzy Halstead and Millie Thomas.

BWW Review: MEASURE FOR MEASURE, Barbican Centre

The final installment of the Royal Shakespeare Company's season in London sees Artistic Director Gregory Doran's Measure for Measure coming into town. The choice of play is momentous, as it's historically the Bard's only active denunciation of men's unfair treatment of women. Doran sets the piece in a turn-of-the-Century Vienna that's torn between the lasciviousness of its brothels and strict ideals of conservative purity.

BWW Review: AS YOU LIKE IT, Barbican Centre

After spending most of the year in its hometown of Stratford-upon-Avon, the Royal Shakespeare Company's newest As You Like It kicks off their London Season at the Barbican Centre. Directed by Kimberley Sykes, the production is a delicate and inventive voyage into a Forest of Arden that feels truer than Shakespeare's fictional real world. It never forgets that it's a comedy at heart, and Lucy Phelps' precise physicality plays into the genre. She has Rosalind win the audience's fondness wink by wink, pulling them towards her side through chuckles and playful nudges.

& JULIET Leads November's Top 10 New London Shows

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From highly anticipated musicals to mountaineering and Welsh apocalypse, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!

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