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Video: How Ruth Stage Is Retelling CAT ON A HOT TIN ROOF for a New Generation

Cat on a Hot Tin Roof is back onstage at Ruth Stage! The Tennessee Williams classic returns to the Theatre at St. Clement's in a modern and haunting interpretation that audiences cannot get enough of. In this video watch as Richard Ridge chats with the company.

WHITE GIRL IN DANGER & More Lead Top Off-Broadway Shows for March 2023

What's happening off-Broadway? BroadwayWorld is helping you pick what to see next by rounding up our top recommended theatre each month. Coming up off-Broadway this March is the return of a Tennessee Williams classic, a world premiere from a Pulitzer Prize winner, and more. 

COBRA KAI's Courtney Henggeler to Make NYC Stage Debut in CAT ON A HOT TIN ROOF

Ruth Stage has announced that their provocative and controversial modern staging of Cat on a Hot Tin Roof, returning to New York City in early 2023, will star Courtney Henggeler in the central role of “Maggie the Cat.” This will mark Henggeler’s Off-Broadway and New York City stage debut.

Ruth Stage's CAT ON A HOT TIN ROOF to Return Off-Broadway in 2023

On the heels of a 35 show run this past summer, Ruth Stage's provocative and controversial modern staging of Cat on a Hot Tin Roof will return to New York City in early 2023. Opening night is scheduled for Sunday March 5th, 2023. The production will close on Friday night March 31st, 2023.

CAT ON A HOT TIN ROOF Enters Final Two Weeks of Performances at The Theater at St. Clements

There are just two weeks left to experience Cat On A Hot Tin Roof, in a new production by Ruth Stage at The Theater at St. Clements. Directed by Joe Rosario (Flowers for Algernon), this is the first production of the Tennessee Williams play that his estate has allowed to be produced Off-Broadway. This production will close August 14, as scheduled.

First Off-Broadway Production of CAT ON A HOT TIN ROOF to Open This July

Cat On A Hot Tin Roof, in a new production by Ruth Stage, will play The Theater at St. Clements (423 W. 46th Street) beginning previews July 15, and opening night is set for July 24. The original scheduled run of this production, which had been announced for January, 2022, was postponed due to the ongoing health crisis.

29th Annual Ashland New Plays Festival Is Virtual Live And On Demand

Ashland New Plays Festival's 29th annual flagship Fall Festival features four new plays by Thomas Brandon, TyLie Shider, Meghan Brown, and Andrew Lee Creech. This year the festival takes place virtually with livestream readings and talkbacks October 21 through 24 at 6 pm PT each day, with an encore week of on-demand presentations available from October 26 through 31.

Ruth Stage, Inc. to Donate A Portion of Proceeds to Cholangiocarcinoma Foundation

Helping to raise funds for a grossly underfunded disease is something you rarely see from a theater company. Yet, that is exactly what Ruth Stage, Inc., a nonprofit theater company, is doing with an expected portion of its ticket sales from the Off-Broadway run of “Cat on a Hot Tin Roof” to the Cholangiocarcinoma Foundation.

Ruth Stage Partners With The Cholangiocarcinoma Foundation

Off Broadway actor and producer Matt de Rogatis has announced that his non profit theater organization, Ruth Stage, has formed a partnership with the Cholangiocarcinoma Foundation. The two charities have been informally working together since last May on a variety of projects but have only recently finalized a series of fundraising events through early 2022. 

BWW Review: LONE STAR is a Disjointed Country Concert and Play Rolled into One

Ruth Stage and the 13th Street Reparatory Company's Lone Star feels like seeing two shows in one evening. This revival of James McLure's play consists of a mock country concert by the all-female band The Chalks in the first act with the action of the play occurring in the second act. The entire thing is directed by Joe John Battista, but it feels like two separate pieces rather than one coherent and connected show. While The Chalks are an entertaining and talented group, the play itself leaves much to be desired.

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