Holland Taylor and Ana Villafañe Will Lead Political Play, N/A
by Nicole Rosky
- May 10, 2024
Emmy Award-winner & Tony and Drama Desk Award-nominee Holland Taylor and Drama League and Outer Critics Circle Nominee, and Theatre World Award-winner Ana Villafañe will star as “N” and “A”, respectively in the world premiere of the new play N/A by Mario Correa. We have all of the details!
Los Museos Del Inbal Proporcionan Una Experiencia Educativa Consciente, Sostenible E Integradora
by A.A. Cristi
- May 9, 2024
La Secretaría de Cultura federal y el Instituto Nacional de Bellas Artes y Literatura, a través de la Red de Museos Inbal, invitan al público a disfrutar de las actividades que forman la amplia programación para celebrar el Día Internacional de los Museos (DIM 2024), e invitan a las personas a repensar la educación e imaginar un futuro en el cual el intercambio de conocimientos sea prioritario para explorar la riqueza e importancia de estos recintos en la construcción de un mundo más equitativo.
Wake Up With BroadwayWorld May 9, 2024
by
- May 9, 2024
Rise and shine, BroadwayWorld! It is May 9, 2024 and it's time to catch up on all of the theatrical happenings you may have missed in the last 24 hours.
Set in the World of Haute Couture, BIZET'S CARMEN Opens at Theatro Municipal de Sao Paulo
by Claudio Erlichman
- May 1, 2024
The passionate work, which entered the canon and the hearts of the public due to its protagonist's transgression and the unforgettable Habanera aria, is set in a haute couture atelier with the signature of a specialist in the theme, director Jorge Takla, Ronaldo Zero as associate diretor and musical direction by Roberto Minczuk.
Review: John Adams's EL NINO Finally Arrives at the Met After World Travels
by Richard Sasanow
- Apr 24, 2024
Back in December, I saw the chamber version of John Adams’s EL NINO—dubbed EL NINO: NATIVITY RECONSIDERED—at the Cathedral of St. John the Divine. Pared down to its essence, it was wonderful, starred two of the singers who made their debuts in the premiere at the Met, soprano Julia Bullock and bass-baritone Davone Tines plus countertenor Anthony Roth Costanzo, who were at their best. It was a somber evening in a dramatic setting—a far cry from the oratorio/opera’s over-the-top welcome to Lincoln Center last night, in Lileana Blain-Cruz’s production that made me wonder what Franco Zeffirelli might have done with it. Think the Parisian throngs in Act II of the Met’s LA BOHEME (which, of course, is one of the Met’s most popular productions with audiences).
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