Review: MA RAINEY’S BLACK BOTTOM at Goodman Theatre
by Rachel Weinberg
- Apr 7, 2026
MA RAINEY’S BLACK BOTTOM is a well-acted, slow-burn character study. August Wilson’s 1982 play centers on a fictitious 1927 Chicago album recording, as the musicians gather and wait for the notorious Ma Rainey (or Madam Rainey, as she demands they call her) to record her latest album. Ma Rainey has some dramatic tendencies — she’s an hour late to her own recording session and then comes in with a whirl of demands and suggestions for the session.Â
Cast Set for MA RAINEY'S BLACK BOTTOM at Goodman Theatre
by Chloe Rabinowitz
- Jan 9, 2026
Ma Rainey and her band return to The Goodman this spring in a major revival—and a reunion of two Chicago theater legends. Goodman Family Resident Director Chuck Smith directs August Wilson's Ma Rainey's Black Bottom with Associate/Music Director Harry J. Lennix.
Review: JAJA'S AFRICAN HAIR BRAIDING at Mark Taper Forum
by Evan Henerson
- Oct 13, 2025
JAJA’S AFRICAN HAIR BRAIDING, completing a mini tour of regional theaters at the Mark Taper Forum following an acclaimed New York run in the fall of 2023, is a tender and humorous snapshot of a community and also a plea for community.
Review: JAJA’S AFRICAN HAIR BRAIDING at Chicago Shakespeare Theater
by Rachel Weinberg
- Jan 21, 2025
With JAJA’S AFRICAN HAIR BRAIDING, Jocelyn Bioh pulls off a challenging theatrical feat: She makes a slice-of-life play consistently engaging and entertaining. Set in Harlem at a hair salon of the same name, JAJA’S AFRICAN HAIR BRAIDING follows a group of West African immigrant women working there — along with some of their customers. Bioh has populated her play with a cast of big personalities and peppers in just enough of the stylists’ backstories to allow us to learn more about them.
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