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Review: MAIDEN VOYAGE, Southwark Playhouse Elephant

Once reliable Oscar bait, the classic “inspirational” biopic become something of a social media punchline in recent years. They all have the same familiar beats – the humble beginnings, the early setbacks, the internal tensions, and the rising from the ashes – and rarely say anything new or unique to their particular subjects. Maiden Voyage, a new musical charting the first all-female circumnavigation of the globe, is unfortunately not an exception to the rule.

Review: BURLESQUE THE MUSICAL, Savoy Theatre

Burlesque the Musical has finally arrived in London. Loosely based on the 2010 film starring Cher and Christina Aguilera, Burlesque moves from LA to New York, as small-town girl Ali comes to the big city to search for her birth mother. On the way she starts working in a burlesque club as a waitress, only to become (spoiler alert) the main act. So far, so predictable.

Review: DON'T ROCK THE BOAT, The Mill At Sonning

Don’t Rock the Boat tries to be a wild ride down the Thames as the title suggests, but it only lightly bumps into its chaos. The cast make a valiant effort with the material and its set beautifully fits the Mill at Sonning, but its outdated nature makes me question who this play is for in 2025.

Review: THE LAST LAUGH, Theatre Royal

The Last Laugh is written and directed by the award-winning Paul Hendy, and stars “a trio of sublime performances” (WhatsOnStage) by Bob Golding as Morecambe, Simon Cartwright as Monkhouse and Damian Williams as Cooper.

Review: JESUS CHRIST SUPERSTAR, Watermill Theatre

The Watermill Theatre may be small, but this Jesus Christ Superstar is epic on biblical levels. Exuberant, dynamic yet intimate, if you’re on the lookout for an alternative stripped back Andrew Lloyd Webber revival this summer, this one is worth taking a holy pilgrimage

Review: OUR COSMIC DUST, Park Theatre

Sometimes the Brechtian veers into the over-literal, but there is still clarity and catharsis to be found in a child's newfound understanding of life and loss.

Review: THE FROGS, Southwark Playhouse

The recent UK premiere of Here We Are, Stephen Sondheim’s final musical, certainly demonstrated that the much-mourned legend had his flaws. His aficionados already knew this, though – Sondheim had nearly as many flops as he had successes, and The Frogs was one of them.

Review Roundup: SHUCKED at Regent's Park Open Air Theatre

Marking the start of Drew McOnie’s inaugural season, the award-winning corny musical Shucked has now opened at Regent's Park Open Air Theatre. In a small town where the cherished corn crop is fading, Shucked follows farmgirl Maizy as she seeks help by going to the big city, shaking up the town's routine and igniting a spark of change. 

Review: SHUCKED, Regent's Park Open Air Theatre

Dying crops, a community in distress, scandals, affairs, Shucked was hailed as the pinnacle of musical comedy when it premiered in 2022. With a book by Robert Horn (writer of Tootsie and the stage adaptation of Disney’s Hercules, to mention a few credits), plus music and lyrics by country songwriters Brandy Clark and Shane McAnally, Jack O’Brien’s production lands in Regent’s Park for its UK premiere after a handful of wins and a Grammy nod too. The show might be an easy giggle, ready to charm with puns galore and a corny score, but it's shuckingly mid. Every inch is tropey and formulaic, with quips that are either the low-hanging cob or the most extravagant sexual innuendo, missing the sophistication of well-calibred humour altogether. It has plenty of moments of brilliance and the company is overwhelmingly excellent, but the material isn’t as dazzling.

        4       …    

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