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Review: MY FAIR LADY, The Mill At Sonning

For their Christmas show this year, The Mill at Sonning is putting on My Fair Lady, the 1956 Broadway musical written by Alan Jay Lerner (Lyrics and Book) and Frederick Loewe (Music). For those unfamiliar with the venue, it is an intimate, 217-seat theatre in the semi-round that operates as a dinner theatre, where audiences have a lovely two-course meal before the performance begins.

Review: LOVERS ACTUALLY, The Other Palace

Lovers Actually takes the mick out of everyone's love-hate Christmas film, Love Actually, in a show written by Neil Hurst and Jodie Prenger. Following on the heels of last year's Homo Alone, this show seasons the festive fun with a side of sauce. The musical aspect is fully embraced with lively choreography from Kim Healey. Ultimately, Lovers Actually is a cheeky nod to the naughty nineties, but there's a bit too much going on for it to leave us fully satisfied.

Photos: Lara Denning Joins The UK And Ireland Tour Of HERE & NOW

Check out brand new photos featuring actress Lara Denning in the role of Caz in the UK and Ireland tour of HERE & NOW. The musical, created by Steps with an original book by Shaun Kitchener, continues touring with direction by Rachel Kavanaugh and choreography by Matt Cole.

Review: FRIENDS! THE MUSICAL PARODY, King's Theatre

FRIENDS! The Musical Parody, the hit New York and Las Vegas sensation, is a sidesplitting musical comedy packed with iconic moments from all ten seasons of the beloved television series. Featuring an entirely original musical score, the show follows the escapades of the world's most famous group of twenty-somethings.

Review: FATHERLAND, Hampstead Theatre

A life coach and his struggling daughter embark on a journey to find their Irish roots. Each of them is running away from something. Joy, who is exceedingly against the idea of leaving for an unplanned trip with her father, is going through a bad breakup; Winston, overly chatty and intrusive, is trying to forget the lawsuit that threatens his so-called career. Nancy Farino’s debut play tries hard to be profound. It looks into how our need for connection is the answer to many of our problems, but – much like its characters – it doesn’t know how to communicate its ideas. Directed by Tessa Walker, Fatherland might as well be a pedestrian radio drama.

Review: HERE & NOW, New Wimbledon Theatre

Here & Now arrives at New Wimbledon Theatre with all the sparkle, nostalgia and high-camp energy you’d expect from a show built around the hits of one of Britain’s most beloved pop groups, Steps. Set in a seaside supermarket, the musical blends tongue-in-cheek humour with heartfelt moments, delivering a production that’s equal parts fun, flamboyance and genuine warmth.

Guest Blog: Writer and Actor Nancy Farino On The Challenges of For New Writers and Her Debut Play, FATHERLAND

My advice would be to don’t stop working on that thing. Whatever that writing project is. Feel free to become frustrated and put it away for a few weeks but keep it ticking away. I believe it’s immeasurably important for emerging writers - it is these spaces that shape the play, where mistakes can happen and solutions be found, without the pressure of a deadline or a looming opening night or financial stress. (On that note, we open 31 October at The Hampstead Theatre, please come?!)

Interview: 'We're Gonna Up The Ante To Eleven': John Patrick Elliott, Jack Holden and Ed Stambollouian on The Return of KENREX

After successful runs in Sheffield and London, Kenrex is arriving at The Other Palace in December. The show, written by Jack Holden and Ed Stambollouian with music by John Patrick Elliott, tells the tale of Ken Rex McElroy, a criminal who faced the consequences of his actions at the hands of the townspeople of Skidmore, Missouri in 1981. Holden takes on all of the roles, with Elliott accompanying with live music on stage as well.

Interview: 'I Like To Be In The Centre of The Action': Performer Melanie La Barrie on Death and Hope in THE BOOK THIEF in Concert

After previous runs in 2022 and 2023, The Book Thief musical finally arrives in London. The Book Thief: A Concert Production was originally scheduled to be performed for one night only on 19 October, but two more performances have been added on 26 October due to popular demand. Recently, we had the chance to speak with Melanie La Barrie, who is playing the role of Death in this production of The Book Thief. We discussed what made her want to be a part of the show, what it is like to perform in a concert production versus a full staged one and even what is appealing to her about playing characters who take on the role of the narrator!

Review: 50 FIRST DATES, The Other Palace

This musical of 50 First Dates tones down a lot of the crude humour found in the film, and produces a very safe piece of entertainment. It's an accomplished work on the whole which should attract fans of the rom-com genre or feel-good musicals in general.

EDINBURGH 2025: Review: CONSUMED, Traverse Theatre

Four generations of Northern Irish women gather for a 90th birthday party in Karis Kelly’s Consumed, and what unfolds is a pitch-black dark comedy with razor wit and gasp-inducing shock. Eileen (Julia Dearden), Jenny (Caoimhe Farren), Gilly (Andrea Irvine) and Muireann (Muireann Ní Fhaogáin) initially present a hyper-realistic family: they laugh, they bicker, and beneath it all, they carry the weight of generational trauma. It’s laugh-out-loud funny one moment and devastatingly reflective the next, forcing us to think about what it really means to be “Northern Irish.”

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