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2026 Lucille Lortel Awards Winners

The 41st Annual Lucille Lortel Awards – the  only New York theatre award to exclusively honor Outstanding Achievement Off-Broadway – will be presented at the annual ceremony tonight, May 3, 2026, at NYU Skirball beginning at 7:00pm.

Review: INTER ALIA, Starring Rosamund Pike, Wyndham's Theatre

In Prima Facie, former lawyer and playwright Suzie Miller wrote about a lawyer whose faith in her profession is shaken by an experience of sexual assault. Now in Inter Alia, which transfers to the West End after an acclaimed National Theatre run, she exposes the limits of the justice system when it comes to sexual violence through a different lens: that of a mother of a son immersed in the manosphere.

2026 Lucille Lortel Nominations- The Full List

Nominations for the 41st Annual Lucille Lortel Awards – the  only New York theatre award to exclusively honor Outstanding Achievement Off-Broadway – were  announced by Amber Gray and Harvey Guillén. Check out the full list of nominees here!

FESTEN Comes to Finnish National Opera in 2026

The Finnish National Opera and Ballet will present the acclaimed opera FESTEN in 2026, promising a transformative experience for its audience. This production, known for its powerful narrative and emotional depth, invites attendees to a gathering that will change their perspectives forever. Set against the backdrop of a dramatic family reunion, FESTEN explores themes of truth and reconciliation in a setting that is as visually captivating as it is emotionally charged.

SUNNY AFTERNOON Comes to Milton Keynes Theatre

The multi Olivier award-winning hit musical Sunny Afternoon will return to Milton Keynes Theatre, bringing the music of The Kinks to the city from Tue 24 - Sat 28 Mar.

Review: BORIS GUDUNOV, Royal Ballet And Opera

If Mussorgsky’s Boris Godunov were a dinner party, Richard Jones’s Russian-language revival at the Royal Opera House would be the dinner date where you arrive bright and curious and leave questioning your life choices, nursing a neat whisky in a corner. This is not an opera that gives up its secrets like a West End musical handing out catchy tunes. It is, in its original 1869 incarnation, seven tableaux of conscience-stripped torment, political intrigue and chorus lines that hammer their point home with power and precision.

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