BWW Interview: THERE ARE NO ONE-PERSON SHOWS: Cabaret Director, Marc Tumminelli
by Ricky Pope
- Nov 7, 2021
So what does a cabaret director do? Today in my ongoing series, THERE ARE NO ONE-PERSON SHOWS, we will find out from one of the busiest cabaret directors in New York, Marc Tumminelli. Marc is the founder of Broadway Workshop, which provides year-round, professional-level classes and workshops for kids 8-19 with some of the finest artists working on Broadway and in the West End. He is also the founder of Project Broadway, a non-profit that provides scholarship opportunities to young performers.
Emily Bear to Moderate Andrew Lloyd Webber Discussion at TheaterMakers Summit
by Chloe Rabinowitz
- Nov 5, 2021
TikTok and musical prodigy Emily Bear (The Unofficial Bridgerton Musical) will moderate the discussion with Eight-time Tony Award winner and keynote speaker Andrew Lloyd Webber at the fifth annual TheaterMakers Summit, this weekend, November 6 and 7, with a special bonus day November 8.
VIDEO: Watch Andrew Barth Feldman Takeover Our Instagram!
by Taylor Brethauer-Hamling
- Jul 12, 2021
Andrew Barth Feldman took over our Instagram story on July 11! He took us along on his day preparing for his performance of Park Map at Feinstein's/54 Below, from the moment he woke up to rehearsing right before the show!
BWW Review: ANDREW BARTH FELDMAN: PARK MAP Delivers a Big, Bright, Beautiful Tomorrow at 54 Below
by Ricky Pope
- Jun 27, 2021
For Andrew Barth Feldman, the Disney parks were a metaphor for an escape from a life that has seen extraordinary highs and tragic lows. There has been a lot of incident in his brief nineteen years, and through all the change, Disney has been the glue that held it together. In particular, Disney was a special bond to his mother, whom he lost, in true Disney fashion, at a young age. The show opens with the Sherman Brothers song from The Carousel of Progress, “There’s a Great Big Beautiful Tomorrow” and it leads to the central premise of the show: how do you build a world based on the future when the future is constantly changing? This is definitely not kid stuff. That is an exceedingly profound metaphor for life. Out of the mouth of babes.
Andrew Barth Feldman Presents PARK MAP at Feinstein's/54 Below
by Chloe Rabinowitz
- Jun 23, 2021
FEINSTEIN’S/54 BELOW, Broadway’s Supper Club, will present Andrew Barth Feldman (Dear Evan Hansen, Ratatouille: The TikTok Musical, High School Musical: The Musical: The Series) in Park Map on June 25 and 26 at 9:45 PM and July 9, 10, and 11 at 7PM.
BWW Review: Farah Alvin B-SIDE Gets an A+ at The Green Room 42
by Stephen Mosher
- Jun 12, 2021
Farah Alvin's is the kind of talent people pray for, but not everyone gets. Her new show at The Green Roon is just one more example of the fact that hers is a voice that needs to be heard, a talent that needs to be seen.
BWW Review: FARAH ALVIN: B-SIDE Celebrates the '70s at The Green Room 42
by Ricky Pope
- May 29, 2021
I’m not sure if Farah Alvin intended it, but her show is not only about the music of the ’70s. It is also about all kinds of out-of-control love. The sort of obsessive passion that fueled the cynical Watergate decade. The music was theatrical. This makes it a perfect fit for Farah Alvin’s considerable acting skills.
10 Student Blogs to Check Out This Week - A Glee Analysis, The Queen's Gambit Musical & More!
by Taylor Brethauer-Hamling
- Apr 2, 2021
Our student bloggers write about how they're coping with the current global health crisis, give insight on their school's performing arts programs, share their opinions on the latest theater news, and so much more. An interview with a Broadway producer, a look into choreographing a production in the pandemic, advice to the class of 2021 and more-- read what our bloggers have written about this week!
Student Blog: Tune-In to Tumminelli
by Student Blogger: Kyle Morales
- Mar 26, 2021
Marc Tumminelli, Founder and Director of Broadway Workshop and Artistic Director of Project Broadway, has earned himself a new title as the creator and host of “LITTLE ME: Growing Up Broadway.'
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