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Review: THE HUMAN BODY, Donmar Warehouse

The departing artistic director of the Donmar Warehouse is going out in a blaze of glory. A starry cast leads Lucy Kirkwood’s latest play, a period piece that, curiously, ties in perfectly with Rufus Norris’ current venture south of the river, Nye. The further end of the 40s has Shropshire shackled by austerity. An engaged member of the Labour party, socialist GP Iris is lobbying in support of Nye Bevan’s radical fight to deliver free healthcare to Britain. Married to an ex-Navy medic turned full-time GP and mother to a young daughter who couldn’t be more different from her, she muddles her family life with her political activity. Everything changes when she meets Hollywood hotshot George Blythe.

Clean Break Reveals Associate Artistic Director and Patron

Clean Break has announced two new appointments, as director and playwright Lakesha Arie-Angelo joins the company from March 2024 in the newly created role of Associate Artistic Director and award-winning actor Michelle Greenidge becomes a Patron with immediate effect.

Review: THE WITCHES, National Theatre

I'm sure there will be more than a few sighs of relief down the corridors of the National Theatre at the deservedly raptuous reception for The Witches, the latest attempt to bring a hit show to the stage at this lucrative time of year. 'We're not women, we're hell' is not a line you would expect at a family show, but Lyndsey Turner's production combines exuberant fun, quick-witted comedy and a positive attitude towards death to produce an entralling, clever and incredibly funny production.

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