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Video: Sean Hayes Explains What THE UNKNOWN Is All About

Sean Hayes is back onstage this season in The Unknown, presented by Studio Seaview. The new one-man play is written by acclaimed and award-winning playwright David Cale and directed by Tony Award nominee Leigh Silverman. Watch in this video as the whole team discusses what the new play is all about!

SUFFS National Tour is Coming to Shea's Buffalo Theatre

​The first national tour of SUFFS, the ony Award-winning musical about the passionate American women who fought tirelessly for the right to vote, will arrive in Buffalo as part of the 2025-26 Broadway Season.

Industry Pro Newsletter: Woolly Mammoth Announces New AD, RSC Faces ‘financial peril’

This week’s stories highlight a theater landscape in motion, with notable leadership shifts, community celebrations, and major institutional changes shaping the field. Helen Shaw’s appointment as Chief Theater Critic at The New York Times marks a significant moment in arts journalism, while audiences worldwide engage with the newly opened voting for the 2025 BroadwayWorld Regional Awards. Onstage, Broadway prepares for star-studded fundraising at Red Bucket Follies, and regional companies navigate both exciting transitions and unexpected setbacks. Internationally, major UK institutions confront financial challenges and ambitious renovations, reflecting a moment of both reckoning and renewal across the global arts community.

Video: Ethan Lipton Opens Up About THE SEAT OF OUR PANTS

Survival Jobs just shared Episode 144 featuring the brilliant playwright and performer Ethan Lipton. In this heartfelt and engaging conversation, hosts Jason A. Coombs and Samantha Tuozzolo  sit down with Ethan to talk about his new play The Seat of Our Pants, now running at The Public Theater. Watch in this video.

Industry Pro Newsletter: Andrew Lloyd Webber on Broadway Economics, Paddington Takes First Bow on the West End

This week, we look at the record-setting viewership of the 2025 Macy's Thanksgiving Day Parade and renewed efforts in New York and abroad to redefine cultural priorities. Across Broadway, we probe shifting economic pressures on creatives through a new interview with Andrew Lloyd Webber. Meanwhile, with the announcement of a new arts and culture transition committee by Zohran Mamdani, incoming leadership may reimagine the city’s cultural agenda. On a regional level, we follow the pioneering costume exhibition by Cleo Parker Robinson Dance at Denver International Airport — a celebration of decades of creative work — and internationally, we cover a new report revealing post-pandemic shifts across UK theatres, as well as the opening night of Paddington: The Musical in London’s West End.

Review: SUFFS at Hollywood Pantages

If you don’t already know them, you’ll likely want to look up the names of Alice Paul, Carrie Chapman Catt, Ida B. Wells and Ruza Wenclawska…after you’re done applauding until your palms are raw, that is.

Industry Pro Newsletter: Broadway Wins Big at the Clio Awards, UK Looks to Ban Resellers

From award-winning Broadway marketing campaigns and fresh digital viewing options for the Macy’s Thanksgiving Day Parade to updates on tax credits and Tony eligibility, the industry continues to adapt on multiple fronts. Regional and national stories examine how institutions are navigating political scrutiny and how artists across the country are sustaining their work amid financial pressures. Internationally, major regulatory changes in the U.K. signal further shifts in how audiences access live performance.

SUFFS to be Presented at The Hollywood Pantages Theatre

SUFFS, the acclaimed Tony Award-winning musical about the passionate American women who fought tirelessly for the right to vote will begin performances in Los Angeles at the Hollywood Pantages.

Industry Pro Newsletter: Leigh Silverman New President of SDCF, UK’s National Youth Theatre Expands Access Initiative

Poudre High School Theatre demonstrates how Stage Mag can be used by organizations of all shapes and sizes to build a fully interactive show program. In New York, the Performing Arts Library prepares a major Martha Graham exhibition, and Leigh Silverman steps into her new role as President of the Stage Directors and Choreographers Foundation. Regionally, IN Series appoints its first Executive Director and Dallas restores funding to Dallas Black Dance Theatre. Abroad, the National Youth Theatre expands its Assemble programme with a significant new grant.

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