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Keshav Moodliar News

Cast Set for Molière in the Park's DON JUAN

Molière in the Park announced the cast for its free outdoor production of DON JUAN in Prospect Park, starring Keshav Moodliar in the title role, following Drama Desk nominations for its 2025 staging of THE IMAGINARY INVALID.

Molière In The Park To Present Winter Reading Series of DON JUAN

Molière in the Park has announced the cast for its Winter Reading Series presentation of DON JUAN, translated and adapted by Stephen Wadsworth. The free public reading will take place at Brooklyn Public Library’s Central Library and is directed by Lucie Tiberghien.

PRINCE F****T Extends Again Off-Broadway

A second extension has been announced for Jordan Tannahill's Prince Faggot, now running an additional three weeks, through November 30, in Seaview's new Off-Broadway home.

Review: THE MOUSETRAP at Berkshire Theatre Group

In the vernacular of the production, everything about it is quite satisfactory. Solid performances, handsome and functional staging, etc. It is all quite lovely. This production overall, however, fails to breakthrough. Christie’s script and characters are, as many of her works multifaceted and deliciously intertwined. As we get to know more about each of them over the course of the just short of two and a half hours (with one 15-minute intermission) information that makes all potential suspects much in the way the popular 1974 film Murder On The Orient Express did. This production is flat and rather two dimensional. Although the audience laughed in all the right places, we were never really drawn in. We watched the action play out before us, but the multitude of wait-what, and a-ha moments seemed to fall short not crossing the proscenium to connect with the audience members in the way they should. I will say that for me personally, , Matt Sullivan’s performance as Mr. Paravicini achieved the level of mysterious particularly well.

Review: HENRY 6 at Old Globe Theatre

In Barry Edelstein, we’ve got an adaptor/director who is guiding these proceedings with a rock and roll brio...The production is big, brash, often overreaching, occasionally pandering and utterly arresting through its nearly six hours (over two evenings) of stage time.

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