Harold Rome News

Today, we're featuring Betty Garrett circa 1981. Garrett made her Broadway debut in 1942 in the revue Of V We Sing, which closed after 76 performances but led to her being cast in the Harold Rome revue Let Freedom Sing later that year. It closed after only eight performances, but producer Mike Todd saw it and signed her to understudy Ethel Merman and play a small role in the 1943 Cole Porter musical Something for the Boys. Merman became ill during the run, allowing Garrett to play the lead for a week. Later, she became known for the roles she played in two prominent 1970s sitcoms: Archie Bunker's liberal neighbor Irene Lorenzo in All in the Family and landlady Edna Babish in Laverne & Shirley. In later years, Garrett appeared in television series such as Grey's Anatomy, Boston Public and Becker as well as in several Broadway plays and revivals.

Lost Note Theater Company, dedicated to presenting concert readings of obscure and forgotten musicals, just announced its inaugural production: I Can Get it for You Wholesale, playing three performances only, April 27 - May 1.

Lost Note Theater Company, dedicated to presenting concert readings of obscure and forgotten musicals, is pleased to announce its inaugural production: I CAN GET IT FOR YOU WHOLESALE, playing three performances only, April 27 - May 1, 2013 at Strawdog Theatre Company's Hugen Hall, 3829 N. Broadway in Chicago. With book by Jerome Weidman (based on his novel) and music & lyrics by Harold Rome, Lost Note's production is directed by Stephen Murray with musical direction by Charlotte Rivard-Hoster.

Category 7 in association with La Salle Academy and Nativity Mission announces the cast and creative team for Stand-Up Tragedy, Bill Cain's searing 1991 play about a Lower East Side middle school, where an idealistic young teacher sets out to save one of his students from an abusive family and the streets. Directed by Nicholas Minas, performances begin at Nativity Church (44 2nd Avenue - between 2nd & 3rd Streets) on Saturday, April 12, 2013 and will continue through May 4.

If the Broadway revival of a few years back demonstrated the deadly results that can occur when overthinking and underplaying a quality farce, the new Paper Mill mounting is a fast a furious example of Ken Ludwig's madcap Lend Me A Tenor done right.  Director Don Stephenson doesn't throw any fancy curveballs with the material, but he and his perfectly cast company of Broadway vets nail every door slam and verbal ping-pong volley with hilarious aplomb.

Lost Note Theater Company, dedicated to presenting concert readings of obscure and forgotten musicals, is pleased to announce its inaugural production: I CAN GET IT FOR YOU WHOLESALE, playing three performances only, April 27 - May 1, 2013 at Strawdog Theatre Company's Hugen Hall, 3829 N. Broadway in Chicago. With book by Jerome Weidman (based on his novel) and music & lyrics by Harold Rome, Lost Note's production is directed by Stephen Murray with musical direction by Aaron Benham. Tickets are currently on sale at brownpapertickets.com.

This weekend get your fill of Theater, Musical Theater, and Dance at three great productions: Triple Shadow continues at LaMaMa E.T.C. through November 4th, Korhan Basaran Dance at Ailey Citigroup Theatre, and Downtown Music Productions in Harold Rome's PINS AND NEEDLES.

Mimi Stern-Wolfe's Downtown Music Productions will appear in a revival of Harold Rome's witty satire PINS AND NEEDLES, music direction by Stern-Wolfe, stage direction of Jonathan Cerullo. The revue will take place tonight, October 27th at 10 pm and October 28th at 5:30 pm in The Club at LaMaMa E.T.C.

This weekend get your fill of Theater, Musical Theater, and Dance at three great productions: Triple Shadow continues at LaMaMa E.T.C. through November 4, Korhan Basaran Dance at Ailey Citigroup Theatre, and Downtown Music Productions in Harold Rome's PINS AND NEEDLES.

LaMaMa, in association with HOWL! Arts Inc, will host a four night benefit to support HOWL! H.E.L.P., a safety net for East Village artists in crisis administered by the Actors Fund. The benefit begins on October 27 and 28 with performance of Harold Rome's Pins and Needles.

Mimi Stern-Wolfe's Downtown Music Productions will appear in a revival of Harold Rome's witty satire PINS AND NEEDLES, music direction by Stern-Wolfe, stage direction of Jonathan Cerullo. The revue will take place on October 27th at 10 pm and October 28th at 5:30 pm in The Club at LaMaMa E.T.C.

There's a moment in the current production of Rodgers and Hammerstein's CAROUSEL at Connecticut's Goodspeed Opera House where James Snyder steps onto the dock which is constructed over the orchestra pit to deliver Billy Bigelow's famous "Soliloquy" that absolutely electrifies the audience. Snyder's strong stage presence and powerful singing voice had enraptured the crowd for most of the first act. Now he was literally in their laps singing of his character's concerns regarding impeding fatherhood. The moment has them sharing his outpouring of emotion.

Charles Moeller and Claudio Botelho bring to Brazil the most expensive musical ever produced here. An amazing concept and strong production values, as well as a gifted cast and creative team, turn the Brazilian production of Wizard of Oz in a landmark of the contemporary musical theater in this Country. Based on the theatrical RSC aproach of the original work (book and motion picture),Moeller and Botelho move in astonishing parallel ways to find their own, unique yellow brick road. The Brazilian Oz is a show to be remembered for years to come.

SOHO Rep announces public presentations of work from its two signature development programs: The Writer/Director Lab and The SOHO Rep Studio.

In the years between the fall of vaudeville and the rise of Comedy Clubs, Americans looking to enjoy some live stand-up would frequently gather at their local jazz venue, where rising stars like Lenny Bruce and Mort Saul would offer their observations in a rhythmic style that many would say mimicked the licks themselves.  In his musical tale of losing his job, No Place To Go, playwright/composer/lyricist/performer Ethan Lipton tells the story of mounting disappointments in wry growls of spoken comical riffs that glide into an after-hours score heavily infused with jazz and blues.