From premiering new works by renowned playwrights like Greg Kotis to restaging avant-garde classics like Ubu Roi, Space55 has been bringing cutting edge theater to downtown Phoenix for over 14 years. For our final show of the season, we're taking our biggest leap into the unknown yet: a full-on remote production!
Florida Repertory Theatre's Education Department is pleased to announce its 2020-2021 Season line-up for its Theatre Conservatory, Theatre for Young Audiences Touring Series, and its third offering for the 2021 Junior Theatre Festival in Atlanta.
Theatre Upstairs of Phoenix, AZ and Tyler Boettcher & Lauren Rohs will present an industry staged reading of The Red Wool, a new raucous comedy by Broadway's Jeremy Kareken (Lifespan of a Fact). The industry presentation will take place on Monday, February 10th at a private residence in New York City. Tony Award winning playwright & actor Greg Kotis (Urinetown) will star as King Ashurnasirpal II, leading a Phoenix based cast. Industry members may request reservations at rsvp@visceral-entertainment.com.
The Tank (Meghan Finn, Artistic Director) and Theater of The Apes will present the World Premiere of I Am Nobody, a new musical comedy by Greg Kotis (Tony Award-winner for Urinetown; The Truth About Santa at The Tank), directed by Meghan Finn (Creative Time's Doomocracy, Mac Wellman's The Invention of Tragedy at The Flea) at The Tank (312 West 36th Street between 8th and 9th Avenues), March 5-28.
Rubicon Theatre Company of Ventura begins the new year with the West Coast Premiere of NEVER NOT ONCE, a powerful, compelling and timely new drama by CAREY CRIM. The production premiered earlier this season at JEFF DANIELS' Purple Rose Theatre. NEVER NOT ONCE previews February 5-7 and opens February 8 at Rubicon's home, 1006 E. Main Street in Ventura's Downtown Cultural District, continuing Wednesdays through Sundays through February 23. A thought-provoking response to the #MeToo movement, NEVER NOT ONCE is about the families we choose, and the secrets that can pull them apart. The production is helmed by Brit KATHARINE FARMER, who has directed acclaimed Rubicon productions of Gulf View Drive (Ovation Award, Best Production of a Play, Larger Theatre), Incognito (West Coast Premiere), Heisenberg with Faline England and Joe Spano, and South Pacific (all Critic's Choices in the L.A. Times). For tickets, call 805.667.2900 or go to www.rubicontheatre.org.
Urinetown is coming to the world's oldest working, mechanised paper mill in June.
McKinney Youth onSTAGE (MYO) will open the second half of their season with the satirical musical URINETOWN. Despite the bad title, Urinetown is full of fun, quirky humor, off the wall characters, and some really good music.
For an antidote to holiday treacle overload, look no further than TheatreLAB's superb production of the 2001 agitprop musical comedy 'Urinetown.'
BLK BOX PHX presents this wildly twisted holiday romp, offering up madcap mishaps, screwball comedy, troubadour elves with an attitude and a very different take on Santa! Not exactly the jolly Old Nick we all know and love. The aforementioned Santa is a rampaging home wrecker and enslaver of elves, who decides to bring his earthly mistress and two illegitimate children home to the North Pole. Not surprisingly, Mrs. Claus is not taking this lying down. The ensuing mayhem, including attempted poisonings, igloo cars, time travel and marital melees, makes for a decidedly dark and deranged Yuletide, with some holiday cheer sprinkled on top to remind us of the true reason for the season.
Brilliant social commentary or sophomoric lowbrow humor? Just what is it that makes Urinetown the Musical such a hit with audiences and theater companies a?' is it the biting satire delivered in Greg Kotis' book and lyrics and in Mark Hollmann's music and lyrics, or is it (in the case of Nashville Repertory Theatre's 35th season opening production) director Jason Tucker's fast-paced and quick-witted vision that's nothing short of mesmerizingly entertaining? We'll leave that up to you to decide a?' well, actually, we won't since that's why I am paid the big bucks to tell you what to think a?' but rest assured that no matter the reason, odds are you're going to love Nashville Rep's iteration of Urinetown and you'll want to score tickets before the show evaporates into the creative ether encircling Tennessee Performing Arts Center's Andrew Johnson Theatre.
The Tank will present its 2019-20 season at 312 West 36th Street in its 98-seat proscenium and 56-seat blackbox spaces. This season marks The Tank's 2nd anniversary in its home on West 36th Street and embodies the company's mission to break down economic barriers and invest in emerging artists by sustaining an incubator and home for the creation and presentation of their work.
New Line Theatre, "the bad boy of musical theatre," has announced casting for its 29th season of adult, alternative musical theatre, which opens with the return of the wild, comic rock musical CRY-BABY, based on the iconic John Waters film, a show which New Line first produced in 2012 in its American regional premiere, running Sept. 26-Oct. 19, 2019. The season continues with the electrifying new rock musical fresh from Broadway, in its regional premiere, HEAD OVER HEELS, a high-energy, adult romp about gender and sexuality, based on a 16th-century novel and using the songs of the 80s rock band The Go-Go's, running March 5-28, 2020. And the season closes with the return of one of New Line's biggest hits, which the New Liners first presented in 2007, the pitch dark satire URINETOWN, the hilarious, outrageous fable of greed, corruption, love, revolution, and urination, running June 4-27, 2020.
The 2ND ANNUAL ITHACA ONE-MINUTE PLAY FESTIVAL (#1MPF) returns to Ithaca for its second year, in partnership with the Kitchen Theatre Company. The 2nd Annual Ithaca One-Minute Play Festival runs for three performances only; July 13th at 8pm, and July 14th at 3pm & 7pm. All performances are at the Kitchen Theatre (417 W StateMLK, Jr. St). Tickets, priced at $20, are available at kitchentheatre.org.
The Eugene O'Neill Theater Center announces casting and creative teams for the summer season of new musicals and plays selected for development at the National Music Theater Conference and National Playwrights Conference.
Theater Resources Unlimited (TRU) announces three winning plays for the The 2019 TRU Voices New Plays Reading Series: Passing Parades by Fengar Gael, The New Galileos by Amy Berryman, and Three Months with Pook by Jack Feldstein on Mondays, June 17- July 22, 2019 at 7pm at The Soho Playhouse, 15 Vandam Street, NYC
New Line Theatre, "the bad boy of musical theatre," has announced its 29th season of adult, alternative musical theatre, including the return of the wild, comic rock musical CRY-BABY, which New Line first produced in 2012 in its American regional premiere, based on the John Waters film, running Sept. 26-Oct. 19, 2019; followed by the electrifying new rock musical fresh from Broadway, in its regional premiere, HEAD OVER HEELS, a high-energy, adult romp about gender and sexuality, based on a 16th century novel and using the songs of the pop group The Go-Go's, running March 5-28, 2020; and the season closes with the return of one of New Line's biggest hits, which the New Liners first presented in 2007, the pitch dark satire URINETOWN, the hilarious, outrageous fable of greed, corruption, love, revolution, and urination, running June 4-27, 2020.
On the heels of a year that BroadwayWorld.com called 'their best season ever,' Nashville Repertory Theatre will kick off the celebration of its 35th season with a slate of shows designed to appeal to the most discerning of audiences. Nashville Rep artistic director Rene D. Copeland announced the slate last week during a cocktail party at Cabana restaurant in Hillsboro Village, much to the delight - and applause - of those gathered for the big reveal.
Since the joint production between the 5th Avenue Theatre and ACT of "Urinetown" was announced I heard far too often from people that they wouldn't want to see that. A stupid musical about pee? "I don't care for shows that are all bathroom humor," I would hear. And I'd have to defend this wonderful show explaining that it's a super funny, well written show, yes with peeing as the basic setting, but that it was so much more as it pokes fun at government corruption and is an homage to famous musicals who came before. I guess Little Sally from "Urinetown" was right that nothing can kill a show faster than bad subject matter or a bad title. But then her stating that is why this self-referential, meta show works so well. It knows it's ridiculous and it embraces it. And the same could be said for this wonderful production that went for every bad joke with brilliant comic timing and then some.
Bay Street Theater & Sag Harbor Center for the Arts is pleased to announce Title Wave at Bay Street: The 6th Annual New Works Festival, May 3 - 5. All readings are free, but tickets are required, as these events typically sell out. Tickets are available now at baystreet.org or by calling the Bay Street Theater Box Office at 631-725-9500, open Tuesday through Saturday 11 am to 5 pm, or until show time.
