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Gretna Theatre Announces Summer Family Series

From filling in the blanks during MAD LIBS® LIVE! to dodging spicy salsa in Dragons Love Tacos, Gretna Theatre’s 2026 Family Series offers a summer packed with fun for audiences of all ages.

BWW Review: CASEY AND DIANA at Unicorn Theatre

Casey and Diana, now running January 28 through February 15, 2026, is a luminous, heartbreaking, and deeply necessary work of theatre. Written by Nick Green and originally commissioned by the Stratford Festival of Canada, the play was developed to honor the real-life visit of Diana, Princess of Wales, to Toronto’s Casey House AIDS hospice in 1991—a moment that quietly but irrevocably reshaped public understanding of HIV/AIDS, compassion, and human dignity.

Ernie Nolan Chosen as Next Artistic Director of Unicorn Theatre

 Unicorn Theatre has announced that Ernie Nolan has been  chosen as its next Artistic Director. With a distinguished career spanning over two decades, Nolan brings  a wealth of experience, creativity, and a profound passion for innovative and inclusive storytelling to  Kansas City

Nashville Children's Theatre's World Premiere of FINDING NEMO Musical Is Captivating and Heartwarming

Captivating, heartwarming, colorful, imaginative and down-right magical, Nashville Children’s Theatre’s world premiere production – it’s 19th in the past few years since executive artistic director Ernie Nolan’s arrival – of the theatre for young audiences version of Disney-Pixar’s Finding Nemo is just the latest theatrical hit from the venerable Nashville institution.

Review: DRAGONS LOVE TACOS at Arkansas Museum Of Fine Arts

What did our critic think of DRAGONS LOVE TACOS at Arkansas Museum Of Fine Arts? The Arkansas Museum of Fine Arts, 501 E 9th St, in Little Rock, is a beautiful facility. It is huge! There is so much space with so much potential and located on land once owned by the Quapaw nation.

Nashville Children's Theatre's World Premiere of THE GINGERBREAD KID Sure Smells Swell And Is Loads of Fun

Should you feel the sudden urge to go home and bake some gingerbread upon leaving a performance of Nashville Children’s Theatre’s world premiere production of The Gingerbread Kid, rest assured it’s not a sign that you’ve developed cannibalistic tendencies. Rather, it’s part of a clever plot by director/choreographer/librettist Abe Reybold and executive artistic director Ernie Nolan (and their gang of creative artists) to ensure you’re immersed in the sweet-smelling world of confectionery treats while enjoying the brand-new musical that presents all manner of childhood tales in “bakery-fresh” packaging.

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